"Porgy And Bess Selections: Introduction Summertime, There's A Boat Dat's Leavin' Soon For New York, Bess You Is My Woman" by George Bassman had its release date on January 1, 2000. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 22 in the song's album "The Gershwin Years". In this album, this song's track order is #4. Porgy And Bess Selections: Introduction Summertime, There's A Boat Dat's Leavin' Soon For New York, Bess You Is My Woman is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Porgy And Bess Selections: Introduction Summertime, There's A Boat Dat's Leavin' Soon For New York, Bess You Is My Woman by George Bassman having a BPM of 64 with a half-time of 32 BPM and a double-time of 128 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I'm Getting Sentimental Over You | Tommy Dorsey Orchestra | A Major | 1 | 11B | 104 BPM | ||
| I'm Getting Sentimental Over You | George Bassman, Joseph Alessi, Imperial Brass | G Major | 2 | 9B | 125 BPM | ||
| Norwegian Folk Songs and Dances, Op. 17: Cattle Call | Edvard Grieg, Michala Petri, Gordon Langford, English Chamber Orchestra | C Major | 1 | 8B | 135 BPM | ||
| Variation 1: III. Homes in the Sky | Matthew Slater, London Metropolitan Orchestra | F Minor | 1 | 4A | 74 BPM | ||
| 4 Ragtime Dances: No. 4, — | Charles Ives, Orchestra New England, James Sinclair | B♭ Major | 4 | 6B | 93 BPM | ||
| Pyramid Dance (Heart Of Stone) - From "Goldilocks" Musical | Leroy Anderson | B♭ Minor | 3 | 3A | 77 BPM | ||
| Bacchanale - 1987 Remastered Version | Jacques Ibert, City Of Birmingham Symphony Orchestra, Louis Frémaux | E Major | 0 | 12B | 92 BPM | ||
| Britten: Soirées musicales, Op. 9: III. Tirolese | Benjamin Britten, English Chamber Orchestra, Alexander Gibson | A Major | 0 | 11B | 168 BPM | ||
| Trade Winds | Ronald Binge, Slovak Radio Symphony Orchestra, Ernest Tomlinson | A Major | 0 | 11B | 66 BPM | ||
| Notte Quieta | Luciano Lombardi | G Minor | 2 | 6A | 85 BPM | ||
| Trittico Botticelliano: No. 3, La nascita di Venere | Ottorino Respighi, Bamberg Symphony, Riccardo Frizza | A Major | 0 | 11B | 168 BPM | ||
| The Dancing Years: Waltz Of My Heart | Ivor Novello, Orchestra, James Shearman | E♭ Major | 1 | 5B | 76 BPM | ||
| New London Pictures: III. Congestion Charge | Nigel Hess, Central Band Of The Royal Air Force | C Minor | 5 | 5A | 145 BPM | ||
| Simon Boccanegra: Act I: Preludio | Giuseppe Verdi, Michele Spotti, Orchestra del Teatro San Carlo di Napoli | A Major | 0 | 11B | 168 BPM | ||
| Fauré / Orch. Rabaud: Dolly, Op. 56: I. Berceuse | Gabriel Fauré, Orchestre National de France/Sir Thomas Beecham, Sir Thomas Beecham, Orchestre National De France | F♯ Major | 1 | 2B | 83 BPM | ||
| Cantos para Sordos | Las Eternas | E♭ Major | 3 | 5B | 81 BPM | ||
| The Boy Next Door (from “Meet Me In St. Louis”) | Hugh Martin, Ralph Blane – arr. Conrad Salinger, Conrad Salinger Orchestra, Buddy Bregman | F Major | 3 | 7B | 69 BPM | ||
| Turn Ye To Me - Mono | Leroy Anderson | F Major | 3 | 7B | 164 BPM | ||
| The Way We Were | Alain Bergman, Marvin Hamlisch, Christopher Wormald, Cory Band, Robert B. Childs | E♭ Major | 1 | 5B | 73 BPM | ||
| Birth of Time Echoes (III The Fuse) | Tim de Maeseneer | C Minor | 4 | 5A | 84 BPM | ||
| Concerto for Clarinet and Saxophone, "Laurentian Reflections": II. Calm Lake | Maya Badian, Iurie Frotovcean, Alexei Litvin, Moldova Tele-Radio National Symphony Orchestra, Gheorghe Mustea | A♭ Major | 1 | 4B | 167 BPM | ||
| Gianni Schicchi: O mio babbino - Arr. For Horn and Orchestra by Wolfgang Renz | Giacomo Puccini, Felix Klieser, I Solisti di Pavia | A Major | 0 | 11B | 168 BPM | ||
| Vanity Fair | Anthony Collins, RTE Concert Orchestra, Ernest Tomlinson | F Major | 0 | 7B | 124 BPM | ||
| Sentimental Over You | Jim DeJulio, George Bassman, Ned Washington | D♭ Major | 3 | 3B | 133 BPM | ||
| Radiant Moments | Veridia | A Major | 0 | 11B | 168 BPM |