Royal Philharmonic Orchestra's 'Take Me Home' had a release date set for January 1, 1990. This song is about six minutes long, preciously at 5:36, making this song fairly long compared to other songs. There are a total of 10 in the song's album "Seriously Orchestral... Hits Of Phil Collins". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Take Me Home is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Take Me Home by Royal Philharmonic Orchestra having a BPM of 118 with a half-time of 59 BPM and a double-time of 236 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Vienna Blood - Waltz Op. 354 | Johann Strauss II, Hallé, Bryden Thomson | C Major | 0 | 8B | 178 BPM | ||
| Peer Gynt Suite No. 1, Op. 46: Morning Mood | London Philharmonic Orchestra | E Major | 1 | 12B | 132 BPM | ||
| Swan Lake, Op. 20: No. 2 Valse | Pyotr Ilyich Tchaikovsky, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler | A Major | 1 | 11B | 96 BPM | ||
| Tales from the Vienna Woods - Waltz Op. 325 | Johann Strauss II, Hallé, Bryden Thomson | F Major | 0 | 7B | 181 BPM | ||
| Jesu, Joy of Man's Desiring - Instrumental | Johann Sebastian Bach, Philadelphia Orchestra, Eugene Ormandy | G Major | 2 | 9B | 70 BPM | ||
| A Town with an Ocean View - from 'Kiki's Delivery Service' | Joe Hisaishi, Royal Philharmonic Orchestra | G Major | 3 | 9B | 102 BPM | ||
| Goldfinger - From 'Goldfinger' | Royal Philharmonic Orchestra | F Minor | 1 | 4A | 140 BPM | ||
| The Godfather: Love Theme | Nino Rota, Royal Philharmonic Orchestra, José Serebrier | B♭ Minor | 1 | 3A | 79 BPM | ||
| You Know My Name - From "Casino Royale" | Royal Philharmonic Orchestra | F Minor | 1 | 4A | 140 BPM | ||
| Gianni Schicchi: O mio babbino caro | Giacomo Puccini, Andre Kostelanetz, Andre Kostelanetz & His Orchestra, André Kostelanetz Orchestra | E Major | 2 | 12B | 91 BPM | ||
| Main Title (I Had A Farm In Africa) | John Barry | C Major | 3 | 8B | 85 BPM | ||
| I Have a Dream | Royal Philharmonic Orchestra | D♭ Major | 1 | 3B | 91 BPM | ||
| Blumenduett - Lakmé | Léo Delibes, Alain Lombard, Danielle Millet, Mady Mesplé, Orchestre Du Theatre National De L'Opera Comique | B Major | 1 | 1B | 130 BPM | ||
| Chariots of Fire: Main Theme (arr. N. Raine for orchestra) | Vangelis, Royal Philharmonic Orchestra, Nicholas Raine | C Major | 4 | 8B | 137 BPM | ||
| The Distant Days - from 'Nausicaä of the Valley of the Wind' | Joe Hisaishi, Royal Philharmonic Orchestra | F Minor | 2 | 4A | 87 BPM | ||
| Overture 1812, Op. 49: Overture 1812 - Finale | Pyotr Ilyich Tchaikovsky, Gothenburg Symphony Orchestra, Neeme Järvi | E♭ Major | 4 | 5B | 90 BPM | ||
| Montagues & Capulets | Sergei Prokofiev, Richard Clayderman, Bulgarian Symphony Orchestra, Deyan Pavlov | A Minor | 3 | 8A | 104 BPM | ||
| Dance of the Hours from Act III of "La Gioconda" | Amilcare Ponchielli, Philadelphia Orchestra, Eugene Ormandy | E Major | 1 | 12B | 130 BPM | ||
| Elgar: 5 Pomp and Circumstance Marches, Op. 39: No. 1 in D Major | Edward Elgar, Royal Philharmonic Orchestra, Philip Ellis | D Major | 3 | 10B | 88 BPM | ||
| Love Theme - From "Romeo And Juliet" | Nino Rota, Paul Bateman | A Major | 1 | 11B | 133 BPM | ||
| Swan Lake, Op. 20: No. 10 Scène | Pyotr Ilyich Tchaikovsky, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler | E Minor | 2 | 9A | 75 BPM | ||
| Brideshead Revisited Theme | Geoffrey Burgon | F Major | 1 | 7B | 147 BPM | ||
| Chevaliers De Sangreal - From The Da Vinci Code Original Motion Picture Soundtrack | Hans Zimmer, Richard Harvey | G Minor | 2 | 6A | 111 BPM | ||
| Offenbach: Les Contes d'Hoffmann, Act IV: No. 13, Barcarolle, "Belle nuit, ô nuit d'amour" (Orchestral Version) | Jacques Offenbach, Radio-Sinfonieorchester Stuttgart, Sir Neville Marriner | D Major | 1 | 10B | 88 BPM | ||
| Cavalleria Rusticana: Intermezzo (Godfather III) | Pietro Mascagni, Razumovsky Symphony Orchestra, Long Yu | F Major | 1 | 7B | 78 BPM |