Shrikant Narayan's ' "Vesavachi Paroo" was released on its scheduled release date, February 11, 1993. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Vesavachi Sontikali by Various Artists. The song's track number on the album is #1 out of 8 tracks. Based on our data, India was the country where this track was produced or recorded. Vesavachi Paroo is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since Vesavachi Paroo by Shrikant Narayan has a tempo of 86 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Vesavachi Paroo being at 86 BPM, the half-time would be 43 BPM with a double-time of 172 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Anand ghana | Aanandi Joshi, Hrishikesh Ranade | A♭ Major | 8 | 4B | 150 BPM | ||
| Udo Udo | Adarsh Shinde | D♭ Major | 7 | 3B | 80 BPM | ||
| Chimba Paavsan Raan | Lata Mangeshkar, Suresh Wadkar | D♭ Major | 5 | 3B | 104 BPM | ||
| Tuji Feeling | Shubhangii Kedar, Ravindra Khomne | C Major | 7 | 8B | 90 BPM | ||
| Pratiksha Navri | Parmesh Mali, Yogesh Agravkar | A Major | 9 | 11B | 89 BPM | ||
| Tula Pahata | Hrishikesh Ranade | B Minor | 5 | 10A | 145 BPM | ||
| Jayesh Shet Patil Sonya Bail Wala 5050 Number Wala | Sonali Bhoir, Parmesh Mali | B Major | 10 | 1B | 150 BPM | ||
| Vithu Rayachi Nagari - Original | Dravesh Patil, NA | G Major | 5 | 9B | 165 BPM | ||
| Tula Japnar Aahe - From "Khari Biscuit" | Adarsh Shinde, Ronkini Gupta, Kshitij Patwardhan | E♭ Major | 6 | 5B | 135 BPM | ||
| O Nakhava Mala Botin Firaval Ka | Krushna Shinde, Shakuntala Jadhav, Reshma Sonavane, Ramdas Patil, Ganesh Bhagat | F♯ Major | 8 | 2B | 88 BPM | ||
| Ala Baburao | Romiyo Kamble | F Minor | 8 | 4A | 130 BPM | ||
| Saaj Hyo Tuza | Onkarswaroop, Suhas Munde | G Major | 4 | 9B | 128 BPM | ||
| Pratham Vandan Tula He Morya | Shahir Sandeep More | G Minor | 9 | 6A | 116 BPM | ||
| Natarang Ubha | Ajay-Atul | B♭ Major | 6 | 6B | 123 BPM | ||
| Mi Patlacha Lek Mi Ekulta Ek | Nagesh Morvekar | B♭ Minor | 9 | 3A | 116 BPM | ||
| Baay Mazya Sat Jani Maulya | Ashish Mhatre | D♭ Major | 7 | 3B | 120 BPM | ||
| Zenda | Dnyaneshwar Meshram | E♭ Minor | 8 | 2A | 146 BPM | ||
| Raanamadi Ekatach Dultoy | Urmila Dhangar | D♭ Major | 8 | 3B | 135 BPM | ||
| Govinda Re Gopalaa | Avadhoot Gupte, Swapnil Bandodkar, Guru Thakur | D Major | 4 | 10B | 100 BPM | ||
| Gazal Khari Kay | Adarsh Shinde | B♭ Major | 9 | 6B | 135 BPM | ||
| Mi Haay Koli | Shrikant Narayan | B♭ Minor | 6 | 3A | 86 BPM | ||
| Vaari Chukayachi Nahi | Avadhoot Gandhi | E Major | 5 | 12B | 81 BPM | ||
| Gomu Tujhya Gajryacha | Eknath Mali | D♭ Major | 8 | 3B | 93 BPM | ||
| Aai Tuza Dongar | Amol Jadhav, Akash Shejale, Manoj Kadam | B♭ Minor | 8 | 3A | 90 BPM | ||
| Ghungarachya Taalavar | Bela Shende, Uttkarsha Shinde | D♭ Minor | 6 | 12A | 120 BPM |