Adarsh Shinde's ' "Gazal Khari Kay" was released on its scheduled release date, June 30, 2014. With this song being around four minutes long, at 3:45, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 2 in the song's album "Narabachi Wadi (Original Motion Picture Soundtrack)". In this album, this song's track order is #1. Furthermore, we believe that the track originated from India. Based on our statistics, Gazal Khari Kay's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Gazal Khari Kay by Adarsh Shinde having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Daul Moracha Manacha | Hridaynath Mangeshkar | A Major | 4 | 11B | 80 BPM | ||
| Khel Mandiyela | Abhanga Repost | A Major | 4 | 11B | 95 BPM | ||
| Dhag Datuni Yetat | Ashok Patki, Sadhana Sargam | F Minor | 3 | 4A | 154 BPM | ||
| Man Mandira Tejane | Shivam Mahadevan | A Major | 4 | 11B | 111 BPM | ||
| Ata Thambaycha Naay Title Track - From "Ata Thambaycha Naay" | Gulraj Singh, Manoj Yadav, Ajay Gogavale, Aanandi Joshi | F♯ Major | 5 | 2B | 114 BPM | ||
| Kokan Kokan | Pranay Shetye, Sarthak Kalyani, Shubhangi Kedar | D Major | 4 | 10B | 99 BPM | ||
| Sajiri Gojiri | Sahil Kulkarni, Rupali Moghe | D♭ Major | 8 | 3B | 140 BPM | ||
| Malvat | Ajay Gogavale | G Minor | 6 | 6A | 177 BPM | ||
| Email Kaal Internetvar Kela | Janhavi Arora | D Major | 10 | 10B | 144 BPM | ||
| Kulvadhu | Vaishali Made, Nilesh Moharir | G Major | 6 | 9B | 160 BPM | ||
| Tula Pahata | Hrishikesh Ranade | B Minor | 5 | 10A | 145 BPM | ||
| Varyavarti Gandh - From "Savarkhed Ek Gaon" | Kunal Ganjawala | E♭ Minor | 6 | 2A | 95 BPM | ||
| Raanamadi Ekatach Dultoy | Urmila Dhangar | D♭ Major | 8 | 3B | 135 BPM | ||
| Saang Na | Shekhar Ravjiani | G Major | 4 | 9B | 120 BPM | ||
| Jayostule Shree Mahanmangale | Lata Mangeshkar | C Minor | 8 | 5A | 141 BPM | ||
| Man Raanat Gela | Ajay-Atul, Shreya Ghoshal | D Major | 5 | 10B | 115 BPM | ||
| Adhir Man Jhale | Shreya Ghoshal | A Minor | 5 | 8A | 79 BPM | ||
| Bol Main Halgi Bajau Kya | Sajan Bendre | C Minor | 10 | 5A | 180 BPM | ||
| Roj Roj Navyane (Female) | Amitraj, Kshitij Patwardhan, Shreya Ghoshal | E Major | 6 | 12B | 120 BPM | ||
| TumcHya Pudhyat Kutate Mi Ha Jvanicha Masala | Shaila Chikhale | A Minor | 7 | 8A | 85 BPM | ||
| Bai Ga | Ajay-Atul, Aarya Ambekar | C Major | 5 | 8B | 87 BPM | ||
| Tula Japnar Aahe - From "Khari Biscuit" | Adarsh Shinde, Ronkini Gupta, Kshitij Patwardhan | E♭ Major | 6 | 5B | 135 BPM | ||
| Shivbacha Naav | Prashant Nakti, Adarsh Shinde, Sonali Sonawane | F♯ Major | 8 | 2B | 176 BPM | ||
| Zapun Zapun (Duet) | Sunidhi Chauhan, Anu Malik | B Major | 6 | 1B | 126 BPM | ||
| Maai Bappa Vithala | Ajay Gogavale, Atul Gogavale, Nitin Ugalmugale | B Major | 6 | 1B | 150 BPM |