Lata Mangeshkar's ' "Jayostule Shree Mahanmangale" was released on its scheduled release date, August 14, 1965. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. Because this song is the only song in Jay Jay Maharashtra Maaza and no other songs are present in the album, we classify this track as a single. On top of that, India appears to be the country where this track was created. Based on our statistics, Jayostule Shree Mahanmangale's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Jayostule Shree Mahanmangale by Lata Mangeshkar to be Allegro (fast, quick, and bright) because the track has a tempo of 141 BPM, a half-time of 70BPM, and a double-time of 282 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kitida Navyane | Aarya Ambekar, Mandar Aapte | D♭ Major | 3 | 3B | 122 BPM | ||
| Tumhavar Keli Mee Marji Bahaal | Usha Mangeshkar | B Minor | 3 | 10A | 115 BPM | ||
| Omkar Pradhan Rup | Suman Kalyanpur | G Minor | 3 | 6A | 82 BPM | ||
| Navika Re Vara Vahe Re | Suman Kalyanpur | B♭ Major | 3 | 6B | 136 BPM | ||
| Gazal Khari Kay | Adarsh Shinde | B♭ Major | 9 | 6B | 135 BPM | ||
| Bappa Moraya Re | Prahlad Shinde | A Minor | 6 | 8A | 70 BPM | ||
| Majye Rani Majye Moga | Lata Mangeshkar, Suresh Wadkar | F♯ Major | 4 | 2B | 144 BPM | ||
| Tuj Magato Me Aata | Lata Mangeshkar | E Major | 4 | 12B | 87 BPM | ||
| Chand Matla Matla - Umbartha / Soundtrack Version | Lata Mangeshkar | A♭ Major | 7 | 4B | 150 BPM | ||
| Ghanshyam Sundara Shridhara | Lata Mangeshkar, Panditrao Nagarkar | E♭ Major | 1 | 5B | 86 BPM | ||
| Tula Pahile Mi | Shridhar Phadke | B♭ Major | 5 | 6B | 110 BPM | ||
| Nishana Tula Dislana (From "Navri Mile Navryalla") | Suresh Wadkar, Anuradha Paudwal | G Minor | 7 | 6A | 161 BPM | ||
| Sandhikali Ya Asha | Lata Mangeshkar, Arun Date | A Major | 3 | 11B | 96 BPM | ||
| Pasaydaan | Abhanga Repost, Jizah, Addinath M Kothare | E♭ Major | 3 | 5B | 120 BPM | ||
| Aye Malik Tere Bandhe Hum | Chorus, Lata Mangeshkar | D Minor | 6 | 7A | 168 BPM | ||
| Zulva Palna | Kalyani Yashwant Patil | D♭ Major | 8 | 3B | 144 BPM | ||
| Dyaniyancha Raja Guru Maharav | Bhimsen Joshi | C Major | 8 | 8B | 75 BPM | ||
| Tula Pahile Mi | Suresh Wadkar, Arati Ankalikar Tikekar, Tikekar | A♭ Major | 3 | 4B | 109 BPM | ||
| Indrayani Kathi | Bhimsen Joshi | A♭ Major | 4 | 4B | 77 BPM | ||
| Nadatuniya Naad Nirmito | Kishor Kulkarni | G Minor | 7 | 6A | 84 BPM | ||
| Ardhya Raati | Bela Shende | B♭ Minor | 7 | 3A | 80 BPM | ||
| Nabh Utaru Aala | Asha Bhosle | F♯ Major | 4 | 2B | 115 BPM | ||
| Avagha Rang Ek Jhala | Kishori Amonkar | E♭ Minor | 4 | 2A | 98 BPM | ||
| Vallav Re Nakhwa | Arpita Chakraborty | B♭ Major | 4 | 6B | 114 BPM | ||
| Dol Dolatay Varyav | Shrikant Narayan, Veena Bamne | F♯ Major | 7 | 2B | 82 BPM |