Lata Mangeshkar, Suresh Wadkar's ' "Majye Rani Majye Moga" was released on its scheduled release date, December 1, 1983. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Hridaynath Mangeshkar's "Mahananda (Original Motion Picture Soundtrack)" album is number 1 out of 7. On top of that, India appears to be the country where this track was created. Based on our statistics, Majye Rani Majye Moga's popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Majye Rani Majye Moga by Lata Mangeshkar, Suresh Wadkar to be Allegro (fast, quick, and bright) because the track has a tempo of 144 BPM, a half-time of 72BPM, and a double-time of 288 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ek Porgi | Manohar Golambre | G Major | 8 | 9B | 140 BPM | ||
| Zaada Khali Baslele | Milind Ingle | E Major | 5 | 12B | 117 BPM | ||
| Guntata Hriday He | Ramdas Kamat | E Major | 4 | 12B | 69 BPM | ||
| Lagte Anam Odh | Sandeep Khare, Salil Kulkarni | G Major | 4 | 9B | 99 BPM | ||
| Natarang Ubha | Ajay-Atul | B♭ Major | 6 | 6B | 123 BPM | ||
| Runanubandhachya | Kumar Gandharva, Vani Jairam | B♭ Major | 3 | 6B | 104 BPM | ||
| Gana Dhav Re | Devdatt Sable | A♭ Major | 5 | 4B | 153 BPM | ||
| Dil Ki Tapish | Rahul Deshpande | D Major | 7 | 10B | 116 BPM | ||
| Sur Se Saji | Shankar Mahadevan, Rahul Deshpande | A Major | 4 | 11B | 111 BPM | ||
| Dhak Dhak Manat Zalaya Suru | Uttara Kelkar, Sudesh Bhosle | D Minor | 7 | 7A | 113 BPM | ||
| Vinchu Chavla | Shahir Sable | F Minor | 4 | 4A | 135 BPM | ||
| Roj Wate - From "Triple Seat" | Bela Shende | E Major | 5 | 12B | 114 BPM | ||
| Dhund Ekant Ha | Asha Bhosle, Sudhir Phadke | A♭ Major | 3 | 4B | 111 BPM | ||
| Hi Kashan Dhundi Aali | Jaywant Kulkarni, Anuradha Paudwal | C Major | 2 | 8B | 93 BPM | ||
| Saazni | Shekhar Ravjiani | E Major | 4 | 12B | 85 BPM | ||
| Jivanath Hi Ghadi (with Commentary) | Yeshwant Deo, Lata Mangeshkar | B Major | 4 | 1B | 97 BPM | ||
| Dilya Ghetalya Vachnanchi | Arun Date | F♯ Major | 5 | 2B | 115 BPM | ||
| Lajun Hasane | Hridaynath Mangeshkar | A Major | 3 | 11B | 150 BPM | ||
| Vitthala Darshan Deun Jaa | Rahul Deshpande | E♭ Minor | 8 | 2A | 95 BPM | ||
| Janu Deh Hi Pandri | Prahlad Shinde | F Major | 5 | 7B | 178 BPM | ||
| Lingobacha Dongur | Ravindra, Chandrakant Kale | G Major | 5 | 9B | 123 BPM | ||
| Navika Re Vara Vahe Re | Suman Kalyanpur | B♭ Major | 3 | 6B | 136 BPM | ||
| Ka Re Durawa Ka Re Abola | Asha Bhosle | F Major | 2 | 7B | 121 BPM | ||
| Jya Anubhootichya Sparshane | Ranjana Joglekar, Suresh Wadkar | A♭ Minor | 4 | 1A | 98 BPM | ||
| Shravanat Ghan Neela Barsala | Lata Mangeshkar | F♯ Minor | 2 | 11A | 168 BPM |