"Uninterrupted Rests: I. Slowly, Sadly and as if to Converse With" by Toru Takemitsu, Lukas Huisman had its release date on May 25, 2018. With This song being less than two minutes long, at 1:49, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 15 in the song's album "Takemitsu: Complete Works for Piano". In this album, this song's track order is #9. The popularity of Uninterrupted Rests: I. Slowly, Sadly and as if to Converse With is currently not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Uninterrupted Rests: I. Slowly, Sadly and as if to Converse With by Toru Takemitsu, Lukas Huisman having a BPM of 167 with a half-time of 84 BPM and a double-time of 334 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Piano Concerto No. 1 in C Minor, Op. 35: III. Moderato | Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | A♭ Major | 1 | 4B | 48 BPM | ||
| Tansman: Musique de cour d'après Robert de Visée: VII. Air | Alexandre Tansman, Thibaut García, Ben Glassberg, Orchestre National Du Capitole De Toulouse | G Minor | 0 | 6A | 95 BPM | ||
| Langsamer Satz | Anton Webern, Leonkoro Quartet | F Major | 0 | 7B | 146 BPM | ||
| Cantus arcticus, Op. 61, "Concerto for Birds and Orchestra": I. Suo (The Marsh) | Einojuhani Rautavaara, Royal Scottish National Orchestra, Hannu Lintu | F♯ Major | 1 | 2B | 119 BPM | ||
| Orgelbüchlein, BWV 599-644: Durch Adams Fall ist ganz verderbt, BWV 637 (Arr. Thomas) | Johann Sebastian Bach, Fred Thomas, Aisha Orazbayeva, Lucy Railton | D Minor | 0 | 7A | 135 BPM | ||
| 12 Songs for Guitar: No. 11, Yesterday (After McCartney & Lennon) | Toru Takemitsu, Shin-ichi Fukuda | A Major | 1 | 11B | 90 BPM | ||
| The Tempest: Suite No. 2, Op. 109: VI. Miranda | Jean Sibelius, Iceland Symphony Orchestra, Petri Sakari | C Major | 1 | 8B | 70 BPM | ||
| Etude de concert: Au matin. Allegro | Marcel Tournier, Chantal Mathieu | F Major | 0 | 7B | 81 BPM | ||
| Herr Jesu Christ, meins Lebens Licht, BWV 335 | Johann Sebastian Bach, Martin Fröst, Jonas Nordberg | E Major | 1 | 12B | 130 BPM | ||
| Rothko Chapel 4 | Morton Feldman | A Minor | 0 | 8A | 82 BPM | ||
| Satie: Musique d'ameublement: Tenture de cabinet préfectoral | Erik Satie, Bernard Desgraupes/Ensemble Erwartung, Ensemble Erwartung, Bernard Desgraupes | G Minor | 0 | 6A | 170 BPM | ||
| Arcadiana, Op. 12: VI. O Albion | Thomas Adès, Danish String Quartet | E♭ Major | 0 | 5B | 77 BPM | ||
| Asturiana - I | Manuel de Falla, Kim Kashkashian, Robert Levin | F Minor | 0 | 4A | 89 BPM | ||
| Suite en trio, Op. 59: I. Serenade | Mel Bonis, Tatjana Ruhland, Florian Wiek, Stuttgart Radio Symphony Orchestra | E Minor | 0 | 9A | 89 BPM | ||
| Violin Sonata in A Minor: III. Minuetto | Sergei Taneyev, Boris Brovtsyn, Eldar Nebolsin | C Major | 0 | 8B | 58 BPM | ||
| A Midsummer Night's Dream, Op. 61 (arr. for Wind Quintet): VI. Scherzo. Allegro vivace | Felix Mendelssohn, Ma'alot Quintett | F Major | 0 | 7B | 146 BPM | ||
| 3 Danzas Argentinas, Op. 2: No. 2, Danza de la moza donosa | Alberto Ginastera, Fernando Viani | B Major | 0 | 1B | 72 BPM | ||
| Épitaphe de Jean Harlow, Op. 164 | Charles Koechlin, Tatjana Ruhland, Yaara Tal, Libor Sima | A Major | 0 | 11B | 108 BPM | ||
| Mythes, Trois Poèmes, Op. 30: 1. La fontaine d'Arethuse | Karol Szymanowski, Kaja Danczowska, Krystian Zimerman | A♭ Minor | 0 | 1A | 74 BPM | ||
| Barcarolle No. 12, Op. 106 bis | Gabriel Fauré, Louis Lortie | E♭ Major | 0 | 5B | 107 BPM | ||
| Fontane di Roma, P. 106: I. La fontana di Valle Giulia all'alba | Ottorino Respighi, New York Philharmonic, Giuseppe Sinopoli | F♯ Major | 2 | 2B | 73 BPM | ||
| Piano Concerto No. 1, Op. 45: I. Con grandezza | Einojuhani Rautavaara, Laura Mikkola, Royal Scottish National Orchestra, Hannu Lintu | G Major | 1 | 9B | 70 BPM | ||
| 7 Preludes, Op. 17: No. 3 in D-Flat Major | Alexander Scriabin, Maria Lettberg | B Major | 0 | 1B | 72 BPM | ||
| 2 Irish Pieces: No. 1, From the Countryside | William Alwyn, Ashley Wass | D♭ Major | 0 | 3B | 70 BPM | ||
| Opening Credits (Main Title) | Toru Takemitsu | F Major | 1 | 7B | 125 BPM |