"A Time to Dance: XIV. Give All to Love" by Alec Roth, Ex Cathedra, Jeffrey Skidmore had its release date on January 29, 2016. The duration of This song is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. A Time to Dance: XIV. Give All to Love's duration is considered a little bit shorter than the average duration of a typical track. The song is number 14 out of 29 in Alec Roth: A Time to Dance & Other Choral Works by Alec Roth, Ex Cathedra, Jeffrey Skidmore. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, A Time to Dance: XIV. Give All to Love's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of A Time to Dance: XIV. Give All to Love by Alec Roth, Ex Cathedra, Jeffrey Skidmore is Allegro (fast, quick, and bright), since this song has a tempo of 125 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hymnus an Aton | Radoslaw Pallarz, Ensemble Memoria Tenere | G Minor | 0 | 6A | 72 BPM | ||
| Requiem, Op. 48 (Original Version): V. In Paradisum | Gabriel Fauré, Chœur De Chambre De Namur, Millenium Orchestra, Thibaut Lenaerts | D Minor | 1 | 7A | 174 BPM | ||
| Vespers (All-Night Vigil), Op. 37: XIII. Troparia of the Day of Salvation | Sergei Rachmaninoff, Robert Shaw, Robert Shaw Festival Singers | C Major | 3 | 8B | 78 BPM | ||
| Gandrille: Magnificat, Op. 50: I. Magnificat | Jean-Charles Gandrille, Maitrise Notre-Dame De Paris, Yves Castagnet, Henri Chalet | C Minor | 3 | 5A | 84 BPM | ||
| Missa Sanctae Crucis, MH 56: Agnus Dei | Michael Haydn, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | A♭ Minor | 2 | 1A | 78 BPM | ||
| Petite messe solennelle: VIII. Gloria. Qui tollis | Gioachino Rossini, Giulio Prandi, Sandrine Piau, José Maria Lo Monaco, Francesco Corti, Deniel Perer | A Minor | 1 | 8A | 83 BPM | ||
| Guerrero: Hic vir | A5 Vocal Ensemble, Francisco Guerrero | A♭ Minor | 2 | 1A | 128 BPM | ||
| 3 Motets, Op. 69: No. 1, Herr, nun lässest du deinen Diener in Frieden fahren fahren | Felix Mendelssohn, MDR Leipzig Radio Choir, Philipp Ahmann | E♭ Major | 1 | 5B | 174 BPM | ||
| All Is Miracle | Kyle Pederson, Transept, Timothy J. Campbell, Savannah Porter, Clara Osowski, Paul Sánchez | D♭ Major | 1 | 3B | 80 BPM | ||
| Kornets sang | Flemming Weis, Musica Ficta, Bo Holten | D Major | 1 | 10B | 90 BPM | ||
| To See a World | Sven-David Sandström, Swedish Youth Choir, Erik Westberg | D♭ Minor | 1 | 12A | 139 BPM | ||
| Baptism of Christ | Peter Hallock, Tim Mackey, St. Mark's Cathedral Choir, J. Melvin Butler | D Minor | 0 | 7A | 146 BPM | ||
| Hail Gladdening Light | Charles Wood, The Mancunium Consort | A Major | 2 | 11B | 73 BPM | ||
| A Time to Dance: II. Prologue "Sunrise" | Alec Roth, Ex Cathedra, Greg Skidmore, Jeffrey Skidmore | F♯ Major | 2 | 2B | 169 BPM | ||
| Vespers (All-Night Vigil), Op. 37: III. Blessed Be the Man | Sergei Rachmaninoff, Robert Shaw, Robert Shaw Festival Singers | B♭ Major | 0 | 6B | 79 BPM | ||
| 4 Motets sur des themes gregoriens, Op. 10: II. Tota pulchra es | Maurice Duruflé, Michel Piquemal Vocal Ensemble, Michel Piquemal | F♯ Minor | 1 | 11A | 77 BPM | ||
| Hymnen, Op. 140: II. Dextera Domini | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | D Major | 1 | 10B | 78 BPM | ||
| To the Hands: No. 5, Litany of the Displaced | Caroline Shaw, The Crossing, International Contemporary Ensemble, Donald Nally | D Minor | 1 | 7A | 93 BPM | ||
| The Joy of the New Year | The Choir of All Saints' Episcopal Church | F♯ Minor | 1 | 11A | 139 BPM | ||
| When they saw the Star | Chloe May Evans, Ǣfendrēama | E♭ Major | 3 | 5B | 137 BPM | ||
| Unto Thee Lift I Up Mine Eyes (Psalm 123) | William Crotch, James Anderson-Besant, Choir of St. John's College, Cambridge, Andrew Nethsingha | G Major | 1 | 9B | 65 BPM | ||
| Pure river of water of life | James Whitbourn, Commotio, Matthew Berry | B Minor | 0 | 10A | 112 BPM | ||
| The Bells – A Collaboration | Klaudia Rabiega, Chór Mieszany Katedry Wawelskiej, Andrzej Korzeniowski, Monika Płachta | A♭ Minor | 1 | 1A | 112 BPM | ||
| Nunc dimittis, from Short Evening Service | Orlando Gibbons | A Major | 1 | 11B | 133 BPM | ||
| No. 24, Irmossi III | Einojuhani Rautavaara, Tuukka Haapaniemi, Helsinki Chamber Choir, Nils Schweckendiek | G Minor | 3 | 6A | 84 BPM |