"Enigma Variations: C.A.E." by London Philharmonic Orchestra had its release date on 1998. With This song being less than two minutes long, at 1:51, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 6 out of 20 in Elgar: Enigma Variations by Paul Daniel. Enigma Variations: C.A.E. is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Enigma Variations: C.A.E. by London Philharmonic Orchestra is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Blumenduett - Lakmé | Léo Delibes, Alain Lombard, Danielle Millet, Mady Mesplé, Orchestre Du Theatre National De L'Opera Comique | B Major | 1 | 1B | 130 BPM | ||
| Rachmaninov: Rhapsody on a Theme of Paganini, Op. 43: Variation XVIII. Andante cantabile | Sergei Rachmaninoff, Cecile Ousset, City Of Birmingham Symphony Orchestra, Sir Simon Rattle | C Major | 2 | 8B | 106 BPM | ||
| Turandot / Act 3: "Diecimile anni al nostro Imperatore...Padre augusto" | Giacomo Puccini, Dame Joan Sutherland, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta | A♭ Major | 3 | 4B | 134 BPM | ||
| 21 Hungarian Dances, WoO 1: No. 5, Allegro in F-Sharp Minor | Johannes Brahms, David Parry, London Philharmonic Orchestra | G Minor | 2 | 6A | 139 BPM | ||
| Die Fledermaus: Overture | Johann Strauss II, Bavarian State Orchestra, Carlos Kleiber | G Major | 1 | 9B | 100 BPM | ||
| The Armed Man - A Mass For Peace: X. Agnus Dei | Karl Jenkins, London Philharmonic Orchestra, National Youth Choir Of Great Britain, Mike Brewer | C Major | 1 | 8B | 56 BPM | ||
| Mozart: Concerto For Clarinet And Orchestra In A (K. 622) | Jack Brymer, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 0 | 10B | 84 BPM | ||
| The Heart Asks Pleasure First | Michael Nyman, Ahn Trio | A Minor | 2 | 8A | 169 BPM | ||
| Liszt: Hungarian Rhapsody No. 2 in C-Sharp Minor, S. 244 No. 2 (Arr. in C Minor for orchestra by Karl Müller-Berghaus) | Franz Liszt, London Philharmonic Orchestra/Willi Boskovsky, Willi Boskovsky, London Philharmonic Orchestra | C Major | 1 | 8B | 168 BPM | ||
| Holst: The Planets, Op. 32: VII. Neptune, the Mystic | Gustav Holst, Sir Adrian Boult, Geoffrey Mitchell Choir, London Philharmonic Orchestra | A♭ Minor | 0 | 1A | 81 BPM | ||
| Handel: Coronation Anthem No. 1, HWV 258 "Zadok the Priest" | George Frideric Handel, Andrew Davis, Royal Choral Society, London Philharmonic Orchestra | D Major | 2 | 10B | 118 BPM | ||
| Violin Concerto in F Minor, RV 297 "L'inverno": II. Largo (No. 4 from "Il cimento dell'armonia e dell'inventione", Op. 8) | Antonio Vivaldi, Nigel Kennedy, English Chamber Orchestra | B♭ Major | 1 | 6B | 99 BPM | ||
| The Armed Man - A Mass For Peace: VIII. Angry Flames | Karl Jenkins, Mike Brewer, London Philharmonic Orchestra | E Minor | 1 | 9A | 70 BPM | ||
| Serse, HWV 40: Largo "Ombra mai fu" | George Frideric Handel, Eugene Ormandy, Philadelphia Orchestra | G Major | 1 | 9B | 82 BPM | ||
| Carmen Suite No. 1: 5. Les toréadors | Georges Bizet, Orchestre de Paris, Semyon Bychkov | F Major | 4 | 7B | 127 BPM | ||
| Tintinnabulum | Karl Jenkins, Mike Ratledge, Adiemus, London Philharmonic Orchestra, Jody K. Jenkins, Miriam Stockley, Mary Carewe, Frank Ricotti | C Major | 3 | 8B | 150 BPM | ||
| Le carnaval des animaux, R. 125: Le cygne | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | C Major | 0 | 8B | 83 BPM | ||
| Coppelia: Act I - Valse | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E♭ Major | 0 | 5B | 89 BPM | ||
| Nabucco: Va, pensiero, "Chorus of Hebrew Slaves" | Giuseppe Verdi, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Oliver von Dohnanyi | D♭ Major | 0 | 3B | 71 BPM | ||
| Norma / Act 1: Casta Diva | Vincenzo Bellini, Renée Fleming, London Voices, London Philharmonic Orchestra, Sir Charles Mackerras | F Major | 1 | 7B | 107 BPM | ||
| Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | E♭ Major | 0 | 5B | 81 BPM | ||
| "Pastorale" Symphony No.6 in F Major, Op.68: I. Allegro ma non troppo | Ludwig van Beethoven, James Loughran, London Philharmonic Orchestra | F Major | 1 | 7B | 111 BPM | ||
| Capriol Suite: 2. Pavane | Peter Warlock, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 0 | 6B | 160 BPM | ||
| Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, The Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | ||
| Edelweiß (From "The Sound of Music") | Richard Rodgers, André Rieu, Johann Strauss Orchestra | E♭ Major | 2 | 5B | 79 BPM |