"The Armed Man - A Mass For Peace: VIII. Angry Flames" by Karl Jenkins, Mike Brewer, London Philharmonic Orchestra had its release date on 2001. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 13 in the song's album "The Armed Man: A Mass For Peace". In this album, this song's track order is #8. The Armed Man - A Mass For Peace: VIII. Angry Flames is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Armed Man - A Mass For Peace: VIII. Angry Flames by Karl Jenkins, Mike Brewer, London Philharmonic Orchestra having a BPM of 70 with a half-time of 35 BPM and a double-time of 140 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rossini: Petite messe solennelle: II. Christie eleison | Gioachino Rossini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Daniele Rossi, Orchestra dell'Accademia Nazionale di Santa Cecilia | A Major | 0 | 11B | 97 BPM | ||
| Magnificat in C | Charles Villiers Stanford, The King's Consort, Robert King | E♭ Minor | 2 | 2A | 121 BPM | ||
| Cantus - Song Of The Plains - Edit | Karl Jenkins, Adiemus, Mary Carewe, Pamela Thorby, Miriam Stockley, London Philharmonic Orchestra, Jody K. Jenkins, Frank Ricotti, Mike Ratledge | F Major | 4 | 7B | 80 BPM | ||
| Turandot / Act 2: "Gravi, enormi ed impotenti" | Giacomo Puccini, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta | A♭ Major | 3 | 4B | 62 BPM | ||
| Strauss, R: 4 Letzte Lieder: No. 3, Beim Schlafengehen | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Deutsches Symphonie-Orchester Berlin | D♭ Major | 1 | 3B | 90 BPM | ||
| Psalms of David, Op. 2: Psalmen Davids samt etlichen Moteten und Concerten, Op. 2, SWV 22-47: Wie lieblich sind deine Wohnungen, SWV 29, "Psalm 84" | Heinrich Schütz, The Monteverdi Choir, Edmund Connolly, John Eliot Gardiner | G Minor | 0 | 6A | 144 BPM | ||
| Chorale I: Za Ma Ba | Karl Jenkins, Adiemus, Miriam Stockley, London Philharmonic Orchestra, Jody K. Jenkins, Mary Carewe, Pamela Thorby | E Major | 2 | 12B | 88 BPM | ||
| Silent Songs: No. 4 Paldies tev vela saule | Pēteris Vasks, Latvian Radio Choir, Sigvards Kļava | A Minor | 0 | 8A | 68 BPM | ||
| The Spectre's Bride, Op. 69, B. 135: No. 1, Už jedenáctá odbila (Choir) | Antonín Dvořák, Prague Philharmonia, Petr Altrichter, Český filharmonický sbor Brno, Petr Fiala | A Major | 1 | 11B | 73 BPM | ||
| Wieniawski: Violin Concerto No. 1 in F-Sharp Minor, Op. 14: II. Preghiera | Henryk Wieniawski, Itzhak Perlman, London Philharmonic Orchestra, Seiji Ozawa | A Major | 0 | 11B | 65 BPM | ||
| The Healer - A Cantata For St Luke's: The Shepherd | Karl Jenkins, Polyphony, Stephen Layton | G Major | 1 | 9B | 76 BPM | ||
| Song Of The Plains | Karl Jenkins, Peter Pejtsik, Adiemus Symphony Orchestra Of Europe | F Major | 5 | 7B | 80 BPM | ||
| On Hearing the First Cuckoo in Spring | Frederick Delius, Nicholas Cleobury, Britten Sinfonia | E Minor | 1 | 9A | 73 BPM | ||
| Mass: VI. Agnus Dei | Steve Dobrogosz, St. Jacob's Chamber Choir, Stockholm Chamber Orchestra, Gary Graden | C Major | 1 | 8B | 85 BPM | ||
| Requiem in C Minor: VII. Agnus Dei | Luigi Cherubini, Filharmonie Brno, Czech Philharmonic Chorus Brno, Petr Fiala | F Minor | 0 | 4A | 85 BPM | ||
| Se Per Havervi, Oime | Nordic Chamber Choir - Nicol Matt | D♭ Major | 0 | 3B | 92 BPM | ||
| Finlandia, Op. 26 | London Philharmonic Orchestra | A♭ Major | 2 | 4B | 137 BPM | ||
| Stabat Mater, Op. 58: VII. Virgo virginum praeclara (Largo) | Antonín Dvořák, Philippe Herreweghe, Collegium Vocale Gent, Royal Flemish Philharmonic | B♭ Major | 2 | 6B | 88 BPM | ||
| The Peacemakers: XVII. Anthem: Peace, Triumphant Peace | Karl Jenkins, London Symphony Orchestra, Simon Halsey, City of Birmingham Symphony Youth Chorus, The Really Big Chorus - 1000 Voices, Rundfunkchor Berlin | A Minor | 4 | 8A | 95 BPM | ||
| Stabat Mater: 3. O quam tristis | Giovanni Battista Pergolesi, Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher Hogwood | F♯ Minor | 1 | 11A | 80 BPM | ||
| O Mio Babbino Caro | Giacomo Puccini, Kiri Te Kanawa, London Philharmonic Orchestra, Sir John Pritchard | A♭ Major | 1 | 4B | 112 BPM | ||
| Mass No. 1 in D Minor, WAB 26: I. Kyrie | Anton Bruckner, Luba Orgonasova, Bernarda Fink, Christoph Prégardien, The Monteverdi Choir, Wiener Philharmoniker, John Eliot Gardiner | D Minor | 0 | 7A | 124 BPM | ||
| Adams: Nixon in China: Act I, Scene 1 - (Beginning) | John Adams, Edo de Waart, Orchestra of St. Luke's | A Minor | 0 | 8A | 105 BPM | ||
| Evening Service in B Minor, Op. 6: I. Magnificat | T. Tertius Noble, Bristol Cathedral Choir, Ian Ball, Christopher Brayne | E Minor | 2 | 9A | 76 BPM | ||
| Pelléas et Mélisande, Suite, Op. 46: I. At the Castle Gate | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 92 BPM |