"On Hearing the First Cuckoo in Spring" by Frederick Delius, Nicholas Cleobury, Britten Sinfonia had its release date on July 16, 1998. This song is about six minutes long, preciously at 6:26, making this song fairly long compared to other songs. The song is number 4 out of 8 in English Fantasia: Vaughan Williams, Delius & Elgar by Britten Sinfonia. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. On Hearing the First Cuckoo in Spring is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of On Hearing the First Cuckoo in Spring by Frederick Delius, Nicholas Cleobury, Britten Sinfonia is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Die tote Stadt, Act I: Mariettas Lied | Erich Wolfgang Korngold, Nicola Benedetti, Bournemouth Symphony Orchestra, Kirill Karabits | B♭ Major | 3 | 6B | 94 BPM | ||
| Clarinet Concerto in A Major, K.622: Clarinet Concerto in A Major, K.622: II. Adagio | Wolfgang Amadeus Mozart, Joy Farrall, Britten Sinfonia, Nicholas Cleobury | D Major | 0 | 10B | 131 BPM | ||
| Suite from "The Victorian Kitchen Garden": I. Prelude. Andante pastorale | Paul Reade, Michael Collins, Michael McHale | B♭ Major | 0 | 6B | 67 BPM | ||
| Prélude à l'après-midi d'un faune, L. 86 | Claude Debussy, Orchestre National De Lyon, Jun Markl | A♭ Minor | 0 | 1A | 143 BPM | ||
| Othello, Op. 79: II. Children's Intermezzo | Samuel Coleridge-Taylor, RTE Concert Orchestra, Adrian Leaper | F Major | 0 | 7B | 113 BPM | ||
| Quiet City | Aaron Copland, Celia Nicklin, Michael Laird, Academy of St. Martin in the Fields, Sir Neville Marriner | F Major | 1 | 7B | 70 BPM | ||
| Grieg: Peer Gynt, Op. 23, Act 1: Prelude. At the Wedding | Edvard Grieg, Lucia Popp, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 1 | 10B | 137 BPM | ||
| Shackleton's Cross | Howard Goodall | D♭ Major | 0 | 3B | 122 BPM | ||
| Delius: On Hearing the First Cuckoo in Spring | Frederick Delius, Andrew Davis, BBC Symphony Orchestra | D♭ Major | 1 | 3B | 66 BPM | ||
| Movement 2 - The Love | Nigel Hess, Lang Lang, London Chamber Orchestra, Christopher Warren-Green | A♭ Major | 1 | 4B | 66 BPM | ||
| Snowdrop | Debbie Wiseman, National Symphony Orchestra | G Major | 1 | 9B | 69 BPM | ||
| 2 Sentimental Romances, Op. 28: No. 1 - Andantino in A Major | Wilhelm Stenhammar, Tobias Ringborg, Swedish Chamber Orchestra, Niklas Willen | A Major | 1 | 11B | 87 BPM | ||
| Debussy: La plus que lente, L. 121 | Claude Debussy, San Francisco Symphony, Michael Tilson Thomas | G Major | 0 | 9B | 133 BPM | ||
| Pavane Pour Une Infante Defunte, M.19 (Arr. for Oboe & Orchestra) | Maurice Ravel, Albrecht Mayer, Academy of St. Martin in the Fields, Mathias Mönius | F♯ Minor | 1 | 11A | 88 BPM | ||
| Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Michael Houstoun, New Zealand Symphony Orchestra, Christopher Lyndon-Gee | F Major | 1 | 7B | 147 BPM | ||
| Holberg Suite, Op. 40: II. Sarabande. Andante | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 0 | 9B | 75 BPM | ||
| Appalachian Spring Suite: I. Very Slowly | Aaron Copland, Los Angeles Philharmonic, Zubin Mehta | A Major | 0 | 11B | 71 BPM | ||
| Capriol Suite: 3. Tordion | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Minor | 0 | 6A | 96 BPM | ||
| Suite No. 1, Op. 13: III. Nocturne | New Zealand Symphony Orchestra, Jules Massenet | A♭ Major | 0 | 4B | 85 BPM | ||
| Carmen Suite, VIII. Bolero: VII. Intermezzo No. 2 (After G. Bizet) | Rodion Shchedrin, Monte-Carlo Philharmonic Orchestra, James DePreist | B Major | 0 | 1B | 120 BPM | ||
| Spiegel im Spiegel | Arvo Pärt, Nicola Benedetti, Alexei Grynyuk | F Major | 0 | 7B | 79 BPM | ||
| The beyondness of things | John Barry, English Chamber Orchestra | F Minor | 3 | 4A | 101 BPM | ||
| A Downland Suite (Arr. for String Orchestra): III. Minuet. Allegretto grazioso | John Ireland, Richard Hickox, City of London Sinfonia | A Minor | 1 | 8A | 138 BPM | ||
| Love's Labour's Lost, Op. 28: 1. Soliloquy 1: So sweet a kiss the golden sun gives not - Instrumental | Gerald Finzi, Aurora Orchestra, Nicholas Collon | C Minor | 1 | 5A | 99 BPM | ||
| Trad / Arr Spiegl : Radio 4 UK Theme | Anonymous, BBC Symphony Orchestra, David Parry | B♭ Major | 0 | 6B | 134 BPM |