"Zlatïye gorï (Golden mountains) Suite, Op. 30: II. Waltz. Andante" by Rundfunk-Sinfonieorchester Berlin, Michail Jurowski had its release date on January 1, 1995. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 14 in the song's album "Shostakovich, D.: Golden Mountains / Maxim Trilogy Suite". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. The popularity of Zlatïye gorï (Golden mountains) Suite, Op. 30: II. Waltz. Andante is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Zlatïye gorï (Golden mountains) Suite, Op. 30: II. Waltz. Andante by Rundfunk-Sinfonieorchester Berlin, Michail Jurowski having a BPM of 180 with a half-time of 90 BPM and a double-time of 360 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | F Major | 2 | 7B | 131 BPM | ||
| Peer Gynt Suite No. 1, Op. 46. Incidental music to Peer Gynt by Ibsen: I. Morning Mood | Edvard Grieg, WDR Sinfonieorchester Köln, Eivind Aadland | B♭ Major | 0 | 6B | 68 BPM | ||
| Scheherazade: The Sea & Sinbad's Ship | Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim | E Major | 1 | 12B | 82 BPM | ||
| Die Worte des Erlösers am Kreuze, Hob. XX:1: IX. Il Terremoto | Joseph Haydn, Metamorphose String Orchestra, Pavel Lyubomudrov | G Major | 5 | 9B | 155 BPM | ||
| Musica proibita | Stanislao Gastaldon, Jonas Kaufmann, Anita Rachvelishvili, Jochen Rieder | G Major | 1 | 9B | 78 BPM | ||
| Maskerade-Suite: IV. Romance | Aram Khachaturian, Veronika Dudarova, Moscow Symphony Orchestra | B♭ Minor | 1 | 3A | 111 BPM | ||
| Tannhäuser, WWV 70, Act I: Dir töne Lob! (Tannhäuser, Venus) | Richard Wagner, Robert Dean Smith, Marina Prudenskaya, Marek Janowski, Rundfunk-Sinfonieorchester Berlin | B♭ Major | 0 | 6B | 83 BPM | ||
| Die Meistersinger von Nürnberg, WWV 96: Prelude | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | C Major | 4 | 8B | 99 BPM | ||
| L'arlesienne suite No. 1: IV. Carillon | Georges Bizet, Heinz Rögner, Rundfunk-Sinfonieorchester Berlin | C Minor | 2 | 5A | 99 BPM | ||
| Pirogov Suite, Op. 76a (Arr. L. Atovmyan for Orchestra): V. Finale | Dmitri Shostakovich, Bolshoi Theatre Orchestra, Maxim Shostakovich | E♭ Major | 2 | 5B | 107 BPM | ||
| Les danses polovtsiennes (Extraits de l'opéra Le Prince Igor): IV. Danse des garçons | Alexander Borodin, Anima Eterna, Jos Van Immerseel | D Major | 2 | 10B | 104 BPM | ||
| Le pavillon d'Armide, Op. 29 (Excerpts): No. 6a, Variation - No. 6b, Variation pour Vicomte - No. 6c, Variation pour Armide - No. 6d, Code finale - No. 7, Scène mimique | Nikolai Tcherepnin, Moscow Philharmonic Orchestra, Henry Shek | E Major | 0 | 12B | 78 BPM | ||
| Dido & Aeneas, Z. 626: When I Am Laid in Earth "Dido's Lament" (Transcr. L. Stokowski) | Henry Purcell, Timothy Walden, Bournemouth Symphony Orchestra, José Serebrier | E Major | 0 | 12B | 76 BPM | ||
| Carmen Suite No. 1: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Minor | 1 | 8A | 96 BPM | ||
| Petrushka: Tableau 1: Russian Dance (1911 Version) | Igor Stravinsky, Robert Groslot, Brussels Philharmonic, Ali Rahbari | C Major | 5 | 8B | 81 BPM | ||
| Fata Morgana, Op. 59: Konzert. Gavotte | Franz Lehár, Rundfunk-Sinfonieorchester Berlin, Michail Jurowski | D Minor | 1 | 7A | 109 BPM | ||
| Das Mirakel, EHWV 151, Act I: Entry and Courtship by the Knight | Engelbert Humperdinck, Rundfunk-Sinfonieorchester Berlin, Steffen Tast | E♭ Major | 0 | 5B | 79 BPM | ||
| Oberon, J.306: Ouvertüre | Carl Maria von Weber, Bavarian Radio Symphony Orchestra, Rafael Kubelík | D Major | 1 | 10B | 131 BPM | ||
| Romeo and Juliet, Op. 64: No. 13 Dance of the Knights | Sergei Prokofiev, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler | C Major | 1 | 8B | 73 BPM | ||
| Thaïs: Méditation | Jules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | D Major | 0 | 10B | 84 BPM | ||
| Piano Concerto No. 4 in D Minor, Op. 70: II. Andante | Anton Rubinstein, Schaghajegh Nosrati, Rundfunk-Sinfonieorchester Berlin, Róbert Farkas | B♭ Major | 0 | 6B | 74 BPM | ||
| The Firebird (Original Version): No. 20, Lullaby | Igor Stravinsky, City Of Birmingham Symphony Orchestra, Andris Nelsons | E♭ Minor | 0 | 2A | 172 BPM | ||
| Slavonic Dances, Op. 72, B. 147: No. 2, Dumka | Antonín Dvořák, George Szell, The Cleveland Orchestra | C Major | 2 | 8B | 101 BPM | ||
| Samson et Dalila: Bacchanale | Camille Saint-Saëns, Royal Stockholm Philharmonic Orchestra, James DePreist | D Minor | 1 | 7A | 122 BPM | ||
| Overture "A Midsummer Night's Dream", Op. 21 | Felix Mendelssohn, Boston Symphony Orchestra, Seiji Ozawa | E Major | 1 | 12B | 139 BPM |