Kumar Vishu's ' "Hare Rama Hare Krishna" was released on its scheduled release date, November 23, 2019. With this song being around four minutes long, at 3:41, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Kumar Vishu's "Hare Rama Hare Krishna" album is number 1 out of 3. On top of that, India appears to be the country where this track was created. Hare Rama Hare Krishna is below average in popularity right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Hare Rama Hare Krishna by Kumar Vishu to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Natwar Nagar Hey Jagdeeshwar | Gufi Paintal | F♯ Major | 7 | 2B | 92 BPM | ||
| Karle Bhajan Hari Ka | Kumar Vishu | B♭ Minor | 4 | 3A | 95 BPM | ||
| Jev Jevan Jagat Me | Rajesh Goswami | F♯ Major | 10 | 2B | 128 BPM | ||
| Maari Sawa Lakh Ki Loom | Kumar Vishu, Rekha Rao, Sangeeta, Renuka | F Major | 3 | 7B | 80 BPM | ||
| Goswami Tulsidas Hanuman Bahuk Vol 3 | Satish Dehra | D Major | 7 | 10B | 102 BPM | ||
| Jai Bhairav Deva | Piyush Mishra | E Major | 8 | 12B | 95 BPM | ||
| Vinamra Prathna | Poonam Sharma | D Minor | 3 | 7A | 113 BPM | ||
| Jake Gati Hai Hanuman | Rasraj Maharaj | F♯ Minor | 6 | 11A | 94 BPM | ||
| Jeev Jeevan Jagat Mein | Rajesh Goswami | D Major | 10 | 10B | 116 BPM | ||
| Sri Sarada Suprabhatam | Ramakrishna Math, Swami Sarvagananda | D Major | 4 | 10B | 77 BPM | ||
| Jay Jay Radha Vallabh Shri Harivansh | Braj Swar | D Major | 5 | 10B | 95 BPM | ||
| Tere Dar Pe Sar Jhukaya | Pravin Mahamuni | A Major | 8 | 11B | 72 BPM | ||
| Ram Naam Ke Hire Moti | Manish Tiwari | B♭ Minor | 5 | 3A | 89 BPM | ||
| Aarti Shri Padam Tumhari | Vandana Bhardwaj | D Major | 6 | 10B | 91 BPM | ||
| Bhala Kisi Ka Kar Na Sako To Bura Kisi Ka Mat Karna | Gyanendra Sharma | B♭ Minor | 5 | 3A | 137 BPM | ||
| Chitravati Tata Vishaala Sundara Sai | Connecting Lives | B♭ Minor | 6 | 3A | 85 BPM | ||
| Duniya Chalena Shriram | Master Rana | B♭ Minor | 4 | 3A | 80 BPM | ||
| Karu Koti Koti Pranam (Anand No Garbo) | Hari cassettes | A♭ Major | 5 | 4B | 96 BPM | ||
| Sakhi Ri Mohe Laaj Bairan Bhayi | Susmita Das | C Major | 6 | 8B | 148 BPM | ||
| Jhoola Dare hain Ambua ki daal mein maa | Rakesh Tiwari | A♭ Minor | 5 | 1A | 95 BPM | ||
| Om Jai Jai Prathmesha | Shankar Narayan | C Major | 8 | 8B | 94 BPM | ||
| Chota Sa Mandir Banayenge | Manish Tiwari | A Minor | 2 | 8A | 88 BPM | ||
| Gan Ganti Namo Namh | Anju Sharma | E♭ Major | 4 | 5B | 130 BPM | ||
| Sita Ram | Komal, Vishal Saini | D Minor | 4 | 7A | 120 BPM | ||
| Ambe Maa Ki Aarti | ARCHANA PARMAR | D Major | 6 | 10B | 95 BPM |