On October 31, 1996, the song "Banadi Re Thare" was released by Renuka Mathur, Rajani Sharma, Sarita Kala. This song is about six minutes long, preciously at 5:52, making this song fairly long compared to other songs. The track order of this song in N.H.Jaipuri's "Gath Joda - Shaadi - Vivah Geet, Vol. 1" album is number 1 out of 8. On top of that, India appears to be the country where this track was created. In terms of popularity, Banadi Re Thare is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Banadi Re Thare by Renuka Mathur, Rajani Sharma, Sarita Kala to be Andante (at a walking pace) because the track has a tempo of 99 BPM, a half-time of 50BPM, and a double-time of 198 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dulha Bana Hai Baba Ujjain Ki Nagri Me | Shree Darshan, Nitin Bagwan | D♭ Minor | 4 | 12A | 80 BPM | ||
| Kis Dhun Me Baitha Baware - Live | Pujya Rajan Ji Official | B♭ Minor | 5 | 3A | 95 BPM | ||
| De Gay Daga Pardeshi Hamai Halat Kar Gay Aisi | Raju Patel | C Major | 8 | 8B | 106 BPM | ||
| Darbar Me Shirdi Wale Ki Dukh Dard Mitaye Jate Hai | Paras Jain | F♯ Minor | 9 | 11A | 109 BPM | ||
| Jo Mere Pritam Se Preet Kare | Satsangee, Subhabrata Mandal | E Major | 2 | 12B | 130 BPM | ||
| Garjat Aawe Maai Nawagadh Ke | Yuvraj Pandey | B♭ Major | 7 | 6B | 86 BPM | ||
| Aa Jao Aao Mhara Man Rasiya | Renuka Mathur | G Major | 7 | 9B | 96 BPM | ||
| Kanak Bhawan Darwaje Pade Raho | Swami Rajeshwaranand | D♭ Major | 7 | 3B | 132 BPM | ||
| Mhari Hatheliyan Re Beech | Renuka Mathur, Rajani Sharma | G Minor | 7 | 6A | 191 BPM | ||
| Saheb Ne Bhang Pilai | Prahlad Singh Tipaniya, Devnarayan Saroliya, Ajay Tipaniya | F♯ Major | 6 | 2B | 138 BPM | ||
| Shri Ram Jai Ram Jai Jai Ram Sankirtan | Rajendra Das Ji Maharaj | D♭ Major | 7 | 3B | 81 BPM | ||
| Ye Chamak Ye Dhamak | Sadho Band | D Major | 7 | 10B | 90 BPM | ||
| Kajari Geet: Ghoomat Awadh Bihari Janak Fulwari Ae Hari | Pujya Rajan Ji Official | B♭ Minor | 8 | 3A | 131 BPM | ||
| Cham Chama Cham Chanan | Renuka Mathur, Pramila, Swati, Chorus | B♭ Minor | 7 | 3A | 130 BPM | ||
| Bhajlo Dadaji ka Naam | Om Prakesh Tirole | D♭ Major | 4 | 3B | 86 BPM | ||
| Ehi Rahiya Hari Ji Ke Aawan Hoyi | Pujya Rajan Ji Official | A♭ Major | 7 | 4B | 126 BPM | ||
| Picham Dhara Su Mara Peer Ji Padhariya | Moinudin Manchala | F Minor | 7 | 4A | 98 BPM | ||
| Raghav Lalan Tere Komal Charan | Pujya Prembhushanji Maharaj | F Major | 7 | 7B | 138 BPM | ||
| Fariyadi | Adarsh Dadhich | E♭ Major | 5 | 5B | 120 BPM | ||
| Kaise Holi Khelungi Sawariya | Shridhay Shri Mridul krishna shastri ji maharaj | B♭ Minor | 5 | 3A | 109 BPM | ||
| Teri Bansi Pe Jau Balihar Rasiya | Mridul Krishan Shastri | B Minor | 7 | 10A | 87 BPM | ||
| Sewa Pooja Bandgi | Ravinder Jain, Rajendra Jain | B♭ Major | 6 | 6B | 86 BPM | ||
| Chait Mein Ram Janm Tithi Naumi | Kamla Shrivastav | E♭ Minor | 6 | 2A | 169 BPM | ||
| Om Jai Jagtaran - Aarti | Nangli Darbar | A♭ Major | 5 | 4B | 114 BPM | ||
| Jagat Ke Rang Kya Dekhu जगत के रंग क्या देखूं Krishna Bhajan | Vinod Agarwal | B♭ Major | 8 | 6B | 90 BPM |