On December 31, 1980, the song "Jeero Torh Lai Re" was released by Tejkaran Rao. The duration of This song is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Jeero Torh Lai Re's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 3 in the song's album "Tej Karan Rao". In this album, this song's track order is #3. Furthermore, we believe that the track originated from India. In terms of popularity, Jeero Torh Lai Re is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Jeero Torh Lai Re by Tejkaran Rao having a BPM of 107 with a half-time of 54 BPM and a double-time of 214 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Main Dabli Wala Ashiq | Gurdas Maan | D♭ Major | 5 | 3B | 138 BPM | ||
| Are Mhaara Dada Bari Kari | Tejkaran Rao, Rekha Rao | F♯ Major | 6 | 2B | 90 BPM | ||
| Wah Ni Gentalmaniye | Gurdas Maan | D♭ Major | 5 | 3B | 115 BPM | ||
| Kalali | Sadik Khan Mirasi | G Major | 8 | 9B | 188 BPM | ||
| Mainu Kar Kar Yaad | Kuldeep Rasila, Lal Kamal, Buta Bhairupa | F Minor | 4 | 4A | 131 BPM | ||
| Khimaj Mata | Shyam Paliwal | A Major | 7 | 11B | 91 BPM | ||
| Bala Chundi | Shyam Paliwal | B Minor | 7 | 10A | 156 BPM | ||
| Pipal Ke Niche Bulayaryo Ri | Tejkaran Rao, Rekha Rao | D♭ Minor | 7 | 12A | 171 BPM | ||
| Bhanti Hind Patole Di | Bagga Safri | F♯ Minor | 8 | 11A | 133 BPM | ||
| Mehne Marde Jundi De Yaar | Major Rajsthani | C Major | 7 | 8B | 78 BPM | ||
| Raat De Vapari Ratin Lad Gaye | Mohd. Sadiq, Ranjit Kaur | D♭ Major | 8 | 3B | 107 BPM | ||
| Gadh Jasol Su Kagaj Aayo | Kheta Khan | F Major | 8 | 7B | 137 BPM | ||
| Esa Esa Lagan Likhaya Guruji Mera | Sukhdev Bharti | D♭ Minor | 8 | 12A | 143 BPM | ||
| Mainu Karke Parai | Dharampreet | A♭ Minor | 6 | 1A | 145 BPM | ||
| Chaar Din Ke Jinagi | Gopal Rai | A♭ Major | 6 | 4B | 77 BPM | ||
| Salasar Ra Mandir Me Hanuman Biraje | Chotu Singh Rawna | A♭ Major | 8 | 4B | 90 BPM | ||
| Hume Ab Nahi Rahana | JaiSingh Raja, Rani Kushwaha | F♯ Major | 8 | 2B | 113 BPM | ||
| Jija Ji Jaro Lage | Hariram Gujjar | B Minor | 9 | 10A | 152 BPM | ||
| Pardesi Naal Pyar | Devinder Kohinoor, Balvir Boparai | A Minor | 8 | 8A | 147 BPM | ||
| Aisi Paini Peo | Gurdas Maan | D♭ Major | 5 | 3B | 138 BPM | ||
| Bhain De Bulekhe | Amarjit Nagina, Kiranjoti | D♭ Major | 9 | 3B | 170 BPM | ||
| Mai Hala Hala Ke Hari | JaiSingh Raja, Roshani Patel | F♯ Major | 8 | 2B | 151 BPM | ||
| Chalo Chalo Runecha | Rafiq Sagar | B Major | 7 | 1B | 83 BPM | ||
| Hai Ve Rabba | Deedar Sandhu, Snehlata | F Major | 7 | 7B | 95 BPM | ||
| लाल पीली अखियां | Khanak | F Major | 10 | 7B | 180 BPM |