On March 17, 2021, the song "Phone Mila Dugi Part 2" was released by Ram Mehar Randa. With this song being around four minutes long, at 4:13, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 9 in the song's album "Saasu La Di Kunn Me". In this album, this song's track order is #9. Furthermore, we believe that the track originated from India. Based on our statistics, Phone Mila Dugi Part 2's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Phone Mila Dugi Part 2 by Ram Mehar Randa having a BPM of 134 with a half-time of 67 BPM and a double-time of 268 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sabal Singh Bori Aana Padega Re | Parveen Chawariya | G Minor | 9 | 6A | 123 BPM | ||
| Kandi Re Luve | Mamta Chandrakar, Kuleshwar Tamrakar | C Minor | 3 | 5A | 125 BPM | ||
| Tu Mandira Mein Ram Rate Ja | Narender Kaushik | F♯ Major | 8 | 2B | 122 BPM | ||
| Nainan Ke Baan Chala Daye Ree | Deshraj Patairiya | A♭ Major | 3 | 4B | 155 BPM | ||
| Bahudiner Basana O Aalta | Bhupen Hazarika | B Minor | 4 | 10A | 109 BPM | ||
| Bathela Kapar | Dinesh Lal Yadav | F♯ Major | 9 | 2B | 130 BPM | ||
| Bhomiya Ho Raja | Bhoma Ram Panwar | C Minor | 9 | 5A | 112 BPM | ||
| Tara Ghada Utha De | Kosinder, Rishipal, Karampal, Satpal Dosa, Ramavtar, Manju, Sunita Panchal | B♭ Minor | 9 | 3A | 88 BPM | ||
| Ram Ram Re Bhaya | Ramniwas Rao | C Major | 7 | 8B | 118 BPM | ||
| Man Mamta Me Pagal Ho | Satpal Dausa | G Major | 9 | 9B | 132 BPM | ||
| Dukalan Parnasi Dayialan Sroope | Bhai Jaspreet Singh Ji | F♯ Major | 6 | 2B | 71 BPM | ||
| Ammala Ganna | P.N. Lingaraju | F♯ Major | 9 | 2B | 80 BPM | ||
| Aamhi Haav Jaatiche Koli | Shahir Pandurang Vanmali | B♭ Minor | 5 | 3A | 71 BPM | ||
| Bhar De Jholi Khada Mein | Ramavtar Sharma | F♯ Major | 9 | 2B | 119 BPM | ||
| Gaddi Guru Nanak Di | Dhadi Jatha Gyani Daya Singh Dilbar, Gyani Kuljeet Singh | A♭ Major | 9 | 4B | 91 BPM | ||
| Lahriyo | Kohinoor Langa | B♭ Major | 10 | 6B | 110 BPM | ||
| Tumhe Dilgi Bhul Jani Padegi | Bhagat Raja, Pooja Masum | D Major | 7 | 10B | 139 BPM | ||
| Vindhyachal Mandir Mein | MANOJ TIWARI | C Minor | 5 | 5A | 89 BPM | ||
| Chhori Taras Ke Part 5 | Ram Mehar Randa, Sajjan Kumar, Pasi Nayyar, Sunita Sharma | B Major | 5 | 1B | 99 BPM | ||
| Humke Teen Cheej Mangvaada | Madan Rai | F♯ Major | 6 | 2B | 110 BPM | ||
| Hon Laga Mahghor Sangram | Koshinder Khadana, Rishipal, Karampal Sharma, Brampal, Ram Avtav, Manju | A Major | 7 | 11B | 160 BPM | ||
| Saata Bhai (Vidaai) | Langas And Manganiars | G Major | 8 | 9B | 182 BPM | ||
| Rakho Ger Dhari Ab Meri Laj | Brijesh Shastri | D Major | 9 | 10B | 122 BPM | ||
| Amba Khelti Zoka | Chandan Kamble | A♭ Major | 10 | 4B | 128 BPM | ||
| Guru Main Gunagaar Ati Maari | Pathi Ratan Singh Ji | D Major | 0 | 10B | 98 BPM |