Michael Gordon's ' "Receiver" was released on its scheduled release date, April 6, 2004. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Michael Gordon's "Light Is Calling" album is number 4 out of 8. On top of that, United States appears to be the country where this track was created. Receiver is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Receiver by Michael Gordon to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dusk | Wayne Hankin, Meredith Monk | D Major | 1 | 10B | 93 BPM | ||
| Elmas | Julia Kent | F Major | 2 | 7B | 114 BPM | ||
| Blackfriars | Anna Meredith | F♯ Minor | 2 | 11A | 116 BPM | ||
| Chupachups | Neslihan Atagoz, Telepatia | C Major | 2 | 8B | 85 BPM | ||
| Akram Khan's Giselle (After A. Adam): Requiem | Vincenzo Lamagna, English National Ballet Philharmonic, Gavin Sutherland | B♭ Major | 1 | 6B | 139 BPM | ||
| And Still They Move | Colin Stetson, Sarah Neufeld | B♭ Major | 1 | 6B | 133 BPM | ||
| A Deal with Chaos | Jóhann Jóhannsson, Hildur Guðnadóttir | C Minor | 1 | 5A | 84 BPM | ||
| Cantus in Memory of Benjamin Britten for Strings and Bells | Arvo Pärt, Hungarian State Opera Orchestra, Tamás Benedek | A Minor | 1 | 8A | 83 BPM | ||
| Io | Dawn of Midi | B Minor | 5 | 10A | 175 BPM | ||
| We Head Out | Kronos Quartet, Laurie Anderson | F Minor | 4 | 4A | 140 BPM | ||
| End of Summer Part 1 | Jóhann Jóhannsson, Hildur Guðnadóttir, Robert Aiki Aubrey Lowe | C Major | 1 | 8B | 107 BPM | ||
| Transportation | Julia Kent | D Minor | 4 | 7A | 132 BPM | ||
| The Human Plague | Sufjan Stevens, yMusic | B Minor | 2 | 10A | 120 BPM | ||
| Lux aeterna: Lux aeterna | György Ligeti, Cappella Amsterdam, Daniel Reuss | C Major | 0 | 8B | 54 BPM | ||
| dialog | R.Kuhn | A Minor | 3 | 8A | 175 BPM | ||
| Fear And Loathing In Gotham: Gotham Lullaby | Meredith Monk, Collin Walcott | A Minor | 1 | 8A | 79 BPM | ||
| Paert: Tabula Rasa, I. Ludus - Con moto | Arvo Pärt, Gidon Kremer, Eri Klas | A Minor | 2 | 8A | 121 BPM | ||
| Trance 3 | Michael Gordon, Julian Brewer, Brendan Ball, Michael Wildgust, Mark Robinson, John Kenny, Robert Holliday, Jonathan Beatty, Simon Hogg, Icebreaker | G Major | 2 | 9B | 157 BPM | ||
| Sunset | Lubomyr Melnyk | C Major | 4 | 8B | 46 BPM | ||
| Warm Steps | Kallia Vyn | E Major | 1 | 12B | 75 BPM | ||
| Un tecno | On one dis | C Minor | 3 | 5A | 105 BPM | ||
| Trance 2 | Michael Gordon, Julian Brewer, Brendan Ball, Michael Wildgust, Mark Robinson, John Kenny, Robert Holliday, Jonathan Beatty, Simon Hogg, Icebreaker | C Major | 8 | 8B | 130 BPM | ||
| Honeyed Words | Anna Meredith | G Major | 1 | 9B | 84 BPM | ||
| Il Salvatore Sorgera tra la Folla. | Marina Frescobaldi | B Major | 1 | 1B | 81 BPM | ||
| Partita for 8 Singers: 4. Passacaglia | Caroline Shaw, Roomful of Teeth, Brad Wells | C Minor | 5 | 5A | 120 BPM |