Christopher O'Riley's 'No Surprises' had a release date set for August 23, 2005. The duration of This song is about 3 minutes long, at 3:26. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Christopher O'Riley's "Hold Me to This - Christopher O'Riley Plays Radiohead" album is number 3 out of 14. On top of that, United States appears to be the country where this track was created. No Surprises is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of No Surprises by Christopher O'Riley to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Karma Police | Noordpool Orchestra | E Minor | 2 | 9A | 64 BPM | ||
| Young and free | Francisco gardini | F Major | 0 | 7B | 65 BPM | ||
| Three Worlds: Music from Woolf Works / Mrs Dalloway: In the Garden | Max Richter, Louisa Fuller, Natalia Bonner, John Metcalfe, Ian Burdge, Chris Worsey | F♯ Major | 1 | 2B | 131 BPM | ||
| It's Happening Again - Instrumental | Agnes Obel | B♭ Major | 3 | 6B | 172 BPM | ||
| Arabesque in Twilight | Takashi Yoshimatsu, Pascal Rogé | E Minor | 0 | 9A | 67 BPM | ||
| The Well-Tempered Clavier, Book II, BWV 870-893: Prelude & Fugue in C-Sharp Major, BWV 872: I. Prelude | Johann Sebastian Bach, Christopher O'Riley | B Minor | 2 | 10A | 97 BPM | ||
| My One and Only Love (Arr. for Piano by Christopher O'Riley) | Guy Wood, Christopher O'Riley | A Minor | 1 | 8A | 68 BPM | ||
| In the Backseat (Arr. C. O'Riley for Cello & Piano) | Matt Haimovitz, Christopher O'Riley | G Major | 0 | 9B | 182 BPM | ||
| Come As You Are | Redi Hasa | A Major | 1 | 11B | 66 BPM | ||
| My New Perspective | Fabio Fly | B♭ Major | 1 | 6B | 70 BPM | ||
| Prelude to Gravity (Arr. for Piano by Christopher O'Riley) | Rickie Lee Jones, Christopher O'Riley | A Minor | 1 | 8A | 101 BPM | ||
| Another Challenge | Emily Lazzarus | C Major | 0 | 8B | 80 BPM | ||
| Flüstern der Eleganz | Jamie Kavendish | A♭ Minor | 0 | 1A | 176 BPM | ||
| A Snowflake | Peter Broderick | F♯ Minor | 1 | 11A | 125 BPM | ||
| Cello Sonata In G Minor, Op. 19: III. Andante | Sergei Rachmaninoff, Matt Haimovitz, Christopher O'Riley | E♭ Major | 0 | 5B | 135 BPM | ||
| Mistress (Arr. for Piano by Christopher O'Riley) | Roland Orzabal, Mark Kozelek, Christopher O'Riley | B♭ Major | 2 | 6B | 154 BPM | ||
| 0040 | Ólafur Arnalds | E♭ Major | 1 | 5B | 135 BPM | ||
| Video Tape | Christopher O'Riley | B♭ Minor | 9 | 3A | 125 BPM | ||
| Lament | Neil Cowley Trio | D Major | 1 | 10B | 173 BPM | ||
| Cradle | Heather Shannon | B Minor | 1 | 10A | 173 BPM | ||
| Moonshadows, Pt. 4: Episode 5 | Tomasz Trzcinski | G Major | 2 | 9B | 99 BPM | ||
| Duet for two Solo Violins and String Orchestra (Dedicated to and written for Yehudi Menuhin) | Steve Reich, Kristjan Järvi, Waltraut Wächter, Andreas Hartmann, MDR Leipzig Radio Symphony Orchestra | F Major | 3 | 7B | 124 BPM | ||
| Celestial Glow | Kira Nebula | G Minor | 5 | 6A | 80 BPM | ||
| Misery is a Butterfly (Arr. C. O'Riley for Cello & Piano) | Matt Haimovitz, Christopher O'Riley | G Major | 0 | 9B | 182 BPM | ||
| Between the Bars | Christopher O'Riley | B♭ Major | 0 | 6B | 139 BPM |