"Between the Bars" by Christopher O'Riley had its release date on February 22, 2006. The duration of This song is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Between the Bars's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Christopher O'Riley's "Home to Oblivion: An Elliott Smith Tribute" album is number 12 out of 18. On top of that, United States appears to be the country where this track was created. Based on our statistics, Between the Bars's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Between the Bars by Christopher O'Riley to be Allegro (fast, quick, and bright) because the track has a tempo of 139 BPM, a half-time of 70BPM, and a double-time of 278 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Short-Tempered Clavier: X. A Major | P.D.Q.Bach, Christopher O'Riley | B♭ Major | 0 | 6B | 126 BPM | ||
| She Makes The Crown | Julio Tena Briggs | D♭ Minor | 4 | 12A | 131 BPM | ||
| Bear | Carly Comando | B♭ Major | 2 | 6B | 152 BPM | ||
| Opus No. 9 | Dustin O'Halloran | B Minor | 2 | 10A | 78 BPM | ||
| Opus 34 | Dustin O'Halloran | A Minor | 0 | 8A | 70 BPM | ||
| 3 Gymnopédies: No. 1, Lent et douloureux | Erik Satie, Alessandro Deljavan | E Minor | 0 | 9A | 68 BPM | ||
| Suite: Everything In It's Right Place - Pyramid Song | Noordpool Orchestra | D♭ Major | 4 | 3B | 118 BPM | ||
| Empty Room (Arr. C. O'Riley for Cello & Piano) | Matt Haimovitz, Christopher O'Riley | G Major | 0 | 9B | 182 BPM | ||
| Cello Sonata in A Major, Op. 69 No. 3: IIIa. Allegro vivace | Ludwig van Beethoven, Matt Haimovitz, Christopher O'Riley | E Minor | 0 | 9A | 81 BPM | ||
| The Tearjerker Returns | Chilly Gonzales, Jarvis Cocker | G Minor | 0 | 6A | 80 BPM | ||
| Where_Have_All_My_Files_Gone? | Jason Bingham Noble, Rachel Grimes, Rachel's | D Minor | 1 | 7A | 76 BPM | ||
| Forte | Zoë Keating | B♭ Major | 1 | 6B | 117 BPM | ||
| Pohádka, JW VII/5 "Fairy Tale": II. Con moto | Matt Haimovitz, Christopher O'Riley | G Major | 0 | 9B | 182 BPM | ||
| Coming in Time | Borch | F Major | 0 | 7B | 131 BPM | ||
| Thinking About You | Christopher O'Riley | G Major | 1 | 9B | 75 BPM | ||
| Young and free | Francisco gardini | F Major | 0 | 7B | 65 BPM | ||
| Rêverie, L. 68: Reverie | Claude Debussy, Noriko Ogawa | F Major | 0 | 7B | 106 BPM | ||
| Mr. G | Francisco gardini | E Major | 0 | 12B | 155 BPM | ||
| Pyramid Song | Josh Cohen | B Minor | 1 | 10A | 64 BPM | ||
| Egon & Wally Embrace and Say Farewell | Rachel Grimes, Rachel's | D♭ Major | 0 | 3B | 78 BPM | ||
| Cymbal Rush | Christopher O'Riley | D♭ Major | 1 | 3B | 129 BPM | ||
| Family Portrait | Rachel Grimes, Rachel's | F♯ Minor | 1 | 11A | 76 BPM | ||
| Make You Feel My Love (piano and cello) | Greg Maroney, Brenda J Johnson | F Minor | 1 | 4A | 123 BPM | ||
| Bally | Salvatore Migliacci | G Major | 1 | 9B | 70 BPM | ||
| Maya Express | VITMAY | F Minor | 1 | 4A | 123 BPM |