On 1981, the song "はいやぁ~っ!" was released by Masayoshi Takanaka. With this song being around four minutes long, at 4:24, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 7 out of 8 in ALONE by Masayoshi Takanaka. Going off of the ISRC code of this track, we detected that the origin of this track is from Japan. Based on our statistics, はいやぁ~っ!'s popularity is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of はいやぁ~っ! by Masayoshi Takanaka is Allegro (fast, quick, and bright), since this song has a tempo of 122 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| M 5 | Masayoshi Takanaka | F Major | 7 | 7B | 144 BPM | ||
| So This Is Love? | George Benson | A Minor | 8 | 8A | 102 BPM | ||
| FIELD ATHLETOR | NANIWA EXPRESS | E Major | 9 | 12B | 132 BPM | ||
| Talio no ballad | RYUSENKEI, HITOMITOI | D Minor | 3 | 7A | 76 BPM | ||
| GAME | Sadistics | A Minor | 5 | 8A | 87 BPM | ||
| DANCE OF PARANOIA Op.2 | Jun Fukamachi | E Minor | 9 | 9A | 133 BPM | ||
| Nani mo Iranai | Taeko Onuki | E Minor | 7 | 9A | 103 BPM | ||
| EARLY EVENING LULLABY | Jun Fukamachi | B♭ Major | 4 | 6B | 134 BPM | ||
| 誘われてシーサイド remaster | Masaru Imada | F Minor | 7 | 4A | 146 BPM | ||
| TRANSPARENCY | Issei Noro | F♯ Minor | 7 | 11A | 105 BPM | ||
| FLYING FISH FUNK | Louie Zong | A Minor | 3 | 8A | 79 BPM | ||
| ドリーム・ヒル | CASIOPEA | C Major | 6 | 8B | 148 BPM | ||
| Sunset (日の入り) | Yuji Ohno | D Minor | 5 | 7A | 131 BPM | ||
| kuroiwa no theme | 流線形, HITOMITOI | D Minor | 6 | 7A | 130 BPM | ||
| Utopian Scholastic | Tupperwave | D♭ Major | 8 | 3B | 93 BPM | ||
| 昭和ブルース | Cro-Magnon | E Minor | 5 | 9A | 83 BPM | ||
| Midnight Struttin' | Yuji Toriyama | G Major | 7 | 9B | 112 BPM | ||
| Scenery | Ryo Fukui | D Minor | 1 | 7A | 67 BPM | ||
| ドリーミング・デイ (Out Take Sessions) | シリア・ポール, Tatsuro Yamashita | A Minor | 6 | 8A | 75 BPM | ||
| ふたりの会社1970-1975 | Naoya Matsuoka | F Major | 8 | 7B | 127 BPM | ||
| ブラック・ジョーク | CASIOPEA | E Minor | 8 | 9A | 112 BPM | ||
| Baby Talk (Flying Beagle) | Komuchiwa | D Minor | 6 | 7A | 94 BPM | ||
| Kuru/Speak Like A Child | Jaco Pastorius | A Minor | 6 | 8A | 129 BPM | ||
| WHEN I GOT YOUR WAVE “Pathetique” | Jun Fukamachi | F Major | 9 | 7B | 174 BPM | ||
| レティシア | Akira Inoue | D♭ Major | 5 | 3B | 95 BPM |