"The Days Of Wine And Roses" by Julie London had its release date on 1963. The duration of This song is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. The Days Of Wine And Roses's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "The End Of The World". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. The Days Of Wine And Roses is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Days Of Wine And Roses by Julie London having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Thinking of You | Eddie Fisher | D Major | 1 | 10B | 82 BPM | ||
| Tea For Two | Blossom Dearie | B♭ Minor | 0 | 3A | 100 BPM | ||
| Never Let Me Go | Irene Kral | C Major | 0 | 8B | 87 BPM | ||
| The Touch Of Your Lips | Dorothy Dandridge | G Major | 2 | 9B | 109 BPM | ||
| Someone To Watch Over Me | Blossom Dearie | G Major | 0 | 9B | 98 BPM | ||
| A Blossom Fell | Sue Raney | D Minor | 2 | 7A | 132 BPM | ||
| When You Were Sweet Sixteen | Al Tornello | B Major | 0 | 1B | 91 BPM | ||
| Out of My Dreams | Hal David, John Cacavas | G Major | 4 | 9B | 120 BPM | ||
| Moonglow | Artie Shaw | B♭ Major | 1 | 6B | 106 BPM | ||
| The Boy From Ipanema | Nancy Wilson | C Minor | 4 | 5A | 141 BPM | ||
| I'm In The Mood For Love | Julie London | C Major | 1 | 8B | 124 BPM | ||
| Have You Met Miss Jones | Joe Williams | A♭ Major | 1 | 4B | 144 BPM | ||
| You Always Hurt The One You Love - 1958 version | The Mills Brothers | G Minor | 1 | 6A | 139 BPM | ||
| Morning Whispers | Timeless Hour | B♭ Major | 1 | 6B | 112 BPM | ||
| 'Round Midnight | Julie London | F♯ Minor | 2 | 11A | 86 BPM | ||
| The Way You Look Tonight | Benny Goodman Sextet, Peggy Lee with orchestra | C Major | 1 | 8B | 100 BPM | ||
| A Ghost of a Chance - Alternate Take | Lee Wiley | G Major | 2 | 9B | 68 BPM | ||
| I'm Glad There Is You | Julie London | B♭ Minor | 1 | 3A | 125 BPM | ||
| I Hadn't Anyone Till You | Mose Allison | F Minor | 1 | 4A | 109 BPM | ||
| Misty | Johnny Mathis | A♭ Major | 3 | 4B | 82 BPM | ||
| Till There Was You | Stella Cole | A♭ Major | 2 | 4B | 85 BPM | ||
| When Sunny Gets Blue | Nat King Cole | E♭ Major | 2 | 5B | 107 BPM | ||
| What a Difference a Day Makes | Frank Sinatra Jr. | F Major | 3 | 7B | 110 BPM | ||
| Angel Eyes | Anita O'Day | E♭ Major | 1 | 5B | 95 BPM | ||
| Can't Help Lovin' That Man | Julie London | F♯ Major | 0 | 2B | 83 BPM |