- BPM
- 95
- Key
- D Minor
- Camelot
- 7A
Falla: Suite Popular Espanola: El Pano Moruno by Manuel de Falla, Lee Ritenour, James Walker, Dave Grusin Song Details
"Falla: Suite Popular Espanola: El Pano Moruno" by Manuel de Falla, Lee Ritenour, James Walker, Dave Grusin had its release date on January 1, 2008. The duration of This song is about 3 minutes long, at 3:18. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 10 out of 23 in Amparo by Lee Ritenour, Dave Grusin. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Falla: Suite Popular Espanola: El Pano Moruno is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
BPM and Tempo
The tempo marking of Falla: Suite Popular Espanola: El Pano Moruno by Manuel de Falla, Lee Ritenour, James Walker, Dave Grusin is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
Music Key
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 3%
- Loudness
- -23.296 dB
- Acousticness
- 98%
- Danceability
- 45%
- Energy
- 9%
- Instrumentalness
- 90%
- Liveness
- 14%
- Loudness
- 61%
- Speechiness
- 3%
- Valence
- 9%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Cello Concerto in A Minor, Op. 129: IIa. Sehr langsam | Robert Schumann, Kian Soltani, Camerata Salzburg, Gregory Ahss | E Major | 0 | 12B | 113 BPM | |
 | Cancion | Benita Meshulam, Manuel de Falla, Peter Arts | C Minor | 0 | 5A | 80 BPM | |
 | La boda de Luis Alonso, o La noche del encierro: El baile de Luis Alonso: Intermedio | Jerónimo Giménez, Madrid Community Chorus, Madrid Community Orchestra, Miguel Roa | E Major | 1 | 12B | 112 BPM | |
 | Badinerie from Orchestral Suite No. 2 in B Minor, BWV 1067 (Arr. for Four Hands) | Johann Sebastian Bach, Khatia Buniatishvili, Gvantsa Buniatishvili | B Minor | 3 | 10A | 133 BPM | |
 | El Sombrero de tres picos, Parte II: Danza del molinero. Farruca | Manuel de Falla, Carmen Romeu, Mahler Chamber Orchestra, Pablo Heras-Casado | G Major | 1 | 9B | 107 BPM | |
 | Iberia - Piano (Pub.1906) - Book 3: 7. El Albaicín | Isaac Albéniz, Alicia de Larrocha | B♭ Minor | 0 | 3A | 89 BPM | |
 | Piano Concerto No. 2 Op. 102 in F Major: I. Allegro | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | B♭ Major | 2 | 6B | 73 BPM | |
 | Granados: 12 Danzas españolas: No. 5, Andaluza | Manuel Barrueco | G Minor | 0 | 6A | 113 BPM | |
 | Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Michael Houstoun, New Zealand Symphony Orchestra, Christopher Lyndon-Gee | F Major | 1 | 7B | 147 BPM | |
 | Five pieces for Two Violins and Piano: I. Prelude- Moderato | Dmitri Shostakovich, Brodsky Quartet, Christian Blackshaw | B Minor | 0 | 10A | 82 BPM | |
 | Pulcinella, K 034: II. Serenata | Igor Stravinsky, Josep Pons, Orquestra De Cambra Teatre Lliure | C Minor | 0 | 5A | 77 BPM | |
 | Lieder ohne Worte, Book 1, Op. 19b: VI. Andante sostenuto "Venetianisches Gondellied", MWV U78 | Felix Mendelssohn, Javier Perianes | G Minor | 0 | 6A | 75 BPM | |
 | Ancient Airs & Dances, Suite III, P. 172: I. Italiana (Anonymous) | Ottorino Respighi, Filarmonica della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | |
 | Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Esa-Pekka Salonen, Yefim Bronfman, Thomas Stevens, Los Angeles Philharmonic | G Minor | 1 | 6A | 137 BPM | |
 | Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | |
 | Trio élégiaque No. 1 in G Minor | Sergei Rachmaninoff, Gidon Kremer, Daniil Trifonov, Giedre Dirvanauskaite | C Minor | 1 | 5A | 57 BPM | |
 | Gnossiennes: No. 1 Lent | Erik Satie, Alice Sara Ott | C Minor | 0 | 5A | 141 BPM | |
 | Piano Concerto in G Major, M. 83: 3. Presto | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | G Major | 3 | 9B | 79 BPM | |
 | Lalo: Cello Concerto in D Minor: II. Intermezzo - Allegro presto | Édouard Lalo, André Navarra, Charles Münch, Orchestre des Concerts Lamoureux | C Minor | 1 | 5A | 75 BPM | |
 | Catalan Folksong - arr. Pablo Casals (1876-1973) | Anonymous, Mischa Maisky, Pavel Gililov | A Minor | 0 | 8A | 89 BPM | |
 | Suite en trio, Op. 59: I. Serenade | Mel Bonis, Tatjana Ruhland, Florian Wiek, Stuttgart Radio Symphony Orchestra | E Minor | 0 | 9A | 89 BPM | |
 | Much Ado about Nothing Suite, Op. 11: IV. Intermezzo (Garden Scene) | Erich Wolfgang Korngold, Mineria Symphony Orchestra, Carlos Miguel Prieto | C Major | 0 | 8B | 108 BPM | |
 | Thaïs / Acte Deux: Meditation | Jules Massenet, Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 3 | 6B | 99 BPM | |
 | 3 Pieces in Old Style: No. 1, Aria | Krzysztof Penderecki, Warsaw Philharmonic Chamber Orchestra, Antoni Wit | B♭ Major | 0 | 6B | 75 BPM | |
 | Barrios Mangoré: Julia Florida | Agustín Barrios Mangoré, Thibaut García | D Major | 0 | 10B | 84 BPM |
- ISRC
- USUMC0000218
- Label
- L-M Records/RCA Records