Daniel Perez, Lockdown's ' "Left My Keys" was released on its scheduled release date, August 6, 2020. The duration of This song is about 3 minutes long, at 3:18. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Vocal Days by Daniel Perez, Lockdown. The song's track number on the album is #2 out of 3 tracks. Based on our statistics, Left My Keys's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since Left My Keys by Daniel Perez, Lockdown has a tempo of 128 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Left My Keys being at 128 BPM, the half-time would be 64 BPM with a double-time of 256 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
B Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 7 in E flat major, BWV 852 | Luc Beauséjour | B Minor | 4 | 10A | 149 BPM | ||
| Requeim in C Minor, ZWV. 48 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Monika Frimmer, Peter de Groot, Ian Honeyman, Peter Kooij, Paul Dombrecht | D♭ Minor | 1 | 12A | 147 BPM | ||
| Overture in the French Style - Arr. for Two Oboes, Bassoon, Strings and Basso Continuo by Rinaldo Alessandrini | Rinaldo Alessandrini, Johann Sebastian Bach, Concerto Italiano | F♯ Major | 1 | 2B | 102 BPM | ||
| Requeim in C Minor, ZWV. 48 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Monika Frimmer, Peter de Groot, Ian Honeyman, Peter Kooij, Paul Dombrecht | E♭ Minor | 2 | 2A | 70 BPM | ||
| My Time | Daniel Perez, Topfivee | A♭ Major | 1 | 4B | 92 BPM | ||
| Matthäus-Passion, BWV 244, Zweiter Teil: 36a. Evangelista, Pontifex, Jesus "Und der Hohepriester antwortete" - 36b. Chorus I & II "Er ist des Todes schuldig" - 36c. Evangelista "Da speieten sie aus in sein Angesicht" - 36d. Chorus I & II "Weissage uns, Ch | Johann Sebastian Bach, Collegium Vocale Gent, Frits Vanhulle, Franz-Joseph Selig, Ian Bostridge, Philippe Herreweghe | B Major | 2 | 1B | 93 BPM | ||
| Messiah, HWV 56: Part 2: He trusted in God (Chorus) | Nikolaus Harnoncourt | B Minor | 3 | 10A | 115 BPM | ||
| Sonatas for Flute & Continuos: Sonata in G Major, H.550: I. Andante | Carl Philipp Emanuel Bach, Bart Naessens, Toshiyuki Shibata | F♯ Major | 1 | 2B | 96 BPM | ||
| Fürchte dich nicht | Johann Christoph Bach, Vox Luminis, Lionel Meunier | A Minor | 0 | 8A | 96 BPM | ||
| Johann's Hidden Hollow: III. The Chase and Capture of the Little Witch (Version for Cello) | Sheli Nan, Ovidiu Marinescu | A♭ Major | 0 | 4B | 80 BPM | ||
| Schlummert ein (BWV 82) | Voices Of Music | F♯ Major | 0 | 2B | 117 BPM | ||
| Matthäus-Passion, BWV 244, Zweiter Teil: 38a. Evangelista, Ancilla I & II, Petrus "Petrus aber saß draußen im Palast" - 38b. Chorus II, Evangelista, Petrus "Wahrlich, du bist auch einer von denen" | Johann Sebastian Bach, Collegium Vocale Gent, Susan Hamilton, Ian Bostridge, Philippe Herreweghe, Dominik Wörner | F Minor | 1 | 4A | 92 BPM | ||
| Charpentier: Beatus vir, H. 224: V. In memoria aeterna | Marc-Antoine Charpentier, Michel Corboz, Coro Gulbenkian, Orquestra Gulbenkian | B♭ Major | 2 | 6B | 90 BPM | ||
| El Gato | Daniel Perez, Clave Restringida | A Minor | 1 | 8A | 113 BPM | ||
| Plsalm 130 - "De Profundis" in d moll, ZWV. 50 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | D♭ Minor | 1 | 12A | 63 BPM | ||
| シンフォニア 第14曲 変ロ長調 BWV800 | Irina Mejoueva | B♭ Major | 2 | 6B | 85 BPM | ||
| Sonata for Violin and Continuo in C Minor, BWV 1024: I. Adagio | Anonymous, Isabelle Faust, Kristin von der Goltz, Kristian Bezuidenhout | F♯ Minor | 3 | 11A | 105 BPM | ||
| I. Die Elenden Sollen Essen BWV 75, Prima Parte, 1. Coro : Die Elenden Sollen Essen | Pieter Jan Leusink, Peter Frankenberg, Knut Schoch, Sytse Buwalda, Ruth Holton, Johann Sebastian Bach, Bas Ramselaar, Susan Williams | B Major | 4 | 1B | 93 BPM | ||
| Black Is The Colour | Alwynne Pritchard, Alpaca Ensemble | B Major | 1 | 1B | 111 BPM | ||
| Requeim in C Minor, ZWV. 48: Kyrie - II | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Monika Frimmer, Paul Dombrecht | D♭ Minor | 2 | 12A | 86 BPM | ||
| Home by the sea | Daniel Perez | D Minor | 5 | 7A | 128 BPM | ||
| Running | Daniel Perez | A Minor | 1 | 8A | 113 BPM | ||
| Mass in B Minor, BWV 232: Qui tollis peccata mundi (Chorus) | Johann Sebastian Bach, Dorothee Mields, Johannette Zomer, Patrick Van Goethem, Jan Kobow, Peter Kooij, Cappella Amsterdam, Orchestra Of The 18th Century, Frans Brüggen | B♭ Minor | 2 | 3A | 100 BPM | ||
| Mass in B Minor, BWV 232: I. Kyrie: No. 2, Christe eleison (Sopranos 1 & 2) | Johann Sebastian Bach, Netherlands Bach Society, Jos van Veldhoven, Dorothee Mields, Johannette Zomer | D♭ Major | 1 | 3B | 138 BPM | ||
| Buxtehude: Jesu, meines Lebens Leben, BuxWV 62 | Dietrich Buxtehude, Ton Koopman, Barbara Schlick, Michael Chance, Christoph Prégardien, Peter Kooij, Amsterdam Baroque Orchestra | D♭ Minor | 1 | 12A | 97 BPM |