"ハンガリー狂詩曲:第2番" by トルヴェール・クヮルテット, 小柳美奈子 had its release date on July 10, 1996. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There is only one song in カルメン・ラプソディ, so we believe that "ハンガリー狂詩曲:第2番" is a single. ハンガリー狂詩曲:第2番 is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of ハンガリー狂詩曲:第2番 by トルヴェール・クヮルテット, 小柳美奈子 is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| サイバーバード協奏曲 I. 彩の鳥 (Bird in Colors) | Takashi Yoshimatsu, Andrea Battistoni, Tokyo Philharmonic Orchestra, Kohei Ueno, 山中惇史, Shun Ishiwaka | D Minor | 3 | 7A | 88 BPM | ||
| 21st Century Schizoid Man | トルヴェール・クヮルテット, 小柳美奈子, 山口多嘉子 | G Minor | 5 | 6A | 84 BPM | ||
| バーレスク | ロベール・プラネル, トルヴェール・クヮルテット | C Major | 1 | 8B | 130 BPM | ||
| Concert Rhapsody for Piano & Orchestra, Op. 25: II. Humoresque | Nikolai Kapustin, Frank Dupree, SWR Symphonieorchester, Jakob Krupp, Meinhard Jenne, Dominik Beykirch | D♭ Major | 5 | 3B | 97 BPM | ||
| 8 Concert Etudes, Op. 40: VI. Pastoral. Allegro moderato | Nikolai Kapustin, Marc-André Hamelin | E♭ Major | 2 | 5B | 113 BPM | ||
| Concerto in 1 movement (arr. A. Ostrander) | Alexey Konstantinovich Lebedev, Allen Ostrander, David Zerkel, Paolo Andre Gualdi | A Major | 0 | 11B | 68 BPM | ||
| タンゴの歴史 ボーデル1900 | Nobuya Sugawa | G Major | 3 | 9B | 88 BPM | ||
| Sonata for Trumpet and Piano: 1. Lento: Allegro Molto | Eric Ewazen, Joseph Foley, Bonnie Anderson | B Major | 1 | 1B | 132 BPM | ||
| Bozza: スケルツォ | ウジェーヌ・ボザ, トルヴェール・クヮルテット | C Major | 3 | 8B | 152 BPM | ||
| Nielsen: 2 Fantasy Pieces, for Oboe and Piano, Op. 2, FS 8: I. Romanze (Andante con doulo) | Carl Nielsen, Markus Becker, Albrecht Mayer | C Minor | 0 | 5A | 110 BPM | ||
| Brandt - Konzertstück No. 2 II | Vassily Brandt, Christian Lindberg, Sergei Nakariakov, Hercules Brass Ensemble | F Minor | 0 | 4A | 90 BPM | ||
| Brighten Up | Veridia | A♭ Minor | 6 | 1A | 137 BPM | ||
| 銀河鉄道999 | Yukihide Takekawa, サキソフォックス | E♭ Major | 2 | 5B | 93 BPM | ||
| Trombone Concerto in B-Flat Major: I. Allegro vivace | Nikolai Rimsky-Korsakov, Christian Lindberg, Tapiola Sinfonietta, Osmo Vänskä | C Minor | 0 | 5A | 72 BPM | ||
| Betrayal | Banco Bangers | A♭ Major | 0 | 4B | 90 BPM | ||
| Ciudades: II. Sarajevo | Guillermo Lago, Fukio Ensemble | D♭ Major | 1 | 3B | 99 BPM | ||
| Iridescence | Jörgen Dafgård, Anders Paulsson | D Major | 1 | 10B | 80 BPM | ||
| ブエノスアイレスの四季: ブエノスアイレスの四季: ブエノスアイレスの冬 | Astor Piazzolla, トルヴェール・クヮルテット, 小柳美奈子 | B♭ Major | 1 | 6B | 90 BPM | ||
| Sonata Santera: I. Despojo | Iván Enrique Rodríguez, Han Chen, Eric Schultz | A Minor | 1 | 8A | 88 BPM | ||
| Psychedelia | Bertrand Moren, James Markey, Hanako Yamagata | G Minor | 2 | 6A | 160 BPM | ||
| Serenade for 13 Wind Instruments in E flat major, Op. 7 | Richard Strauss, François Leleux | E♭ Major | 0 | 5B | 70 BPM | ||
| Gulda: Concerto for Cello, Wind Orchestra and Band, Op. 129: II. Idylle | Friedrich Gulda, Edgar Moreau, Raphaël Merlin, Les Forces Majeures | B♭ Major | 1 | 6B | 166 BPM | ||
| Cello Suite No. 2 in D Minor, BWV 1008 (Arr. J. Ranz for Bass Clarinet): I. Prelude | Johann Sebastian Bach, Joshua Ranz | E Minor | 0 | 9A | 86 BPM | ||
| 3 Romances: Andante molto | Clara Schumann, Shirley Brill, Jonathan Aner | D♭ Major | 0 | 3B | 170 BPM | ||
| Un Soir a Saint-Emilion | Christopher Millard, Kenneth Broadway, piano | F♯ Major | 0 | 2B | 67 BPM |