Ilaiyaraaja, V R Vignesh, SaiKrishnan Sundaram, A.S. Nimalvarshan's 'Povoma Oorkolam - Instrumental' had a release date set for January 13, 2026. With This song being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Ilaiyaraaja, V R Vignesh, SaiKrishnan Sundaram, A.S. Nimalvarshan's "Ilaiyaraaja Instrumental, Vol. 02" album is number 4 out of 10. On top of that, India appears to be the country where this track was created. The popularity of Povoma Oorkolam - Instrumental is currently not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Povoma Oorkolam - Instrumental by Ilaiyaraaja, V R Vignesh, SaiKrishnan Sundaram, A.S. Nimalvarshan to be Vivace (lively and fast) because the track has a tempo of 170 BPM, a half-time of 85BPM, and a double-time of 340 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tuze Rup Velo vela Bhajan | Bhakti Bhajan, Prajwal Prk, Vrushabh Kathale | D Major | 8 | 10B | 91 BPM | ||
| Hanle Lon Merindu | Mohderzam, Cut Rani Auliza | F Major | 4 | 7B | 113 BPM | ||
| Bekas Puji | Erni Ayuningsih | C Minor | 4 | 5A | 150 BPM | ||
| Lalayaran | LS Kancana Sari | G Major | 3 | 9B | 128 BPM | ||
| Rintak Bungong Gapeuh | Nazar Shah Alam, Cut Zuhra | F Major | 5 | 7B | 95 BPM | ||
| Mamat Anak Betawi | Gambang Kromong Setia Muda | D Major | 4 | 10B | 122 BPM | ||
| Solapur Lezim 2 | Sanket Patil | D♭ Major | 9 | 3B | 140 BPM | ||
| Gugur Mayang | Erny Ayuningsih | F Minor | 7 | 4A | 110 BPM | ||
| PERMISI | SUARA KITA STUDIO, Siti Aliyah | G Minor | 6 | 6A | 116 BPM | ||
| Neuk | Nazar Shah Alam, Maimunzir | E Major | 3 | 12B | 110 BPM | ||
| Soltini - Kutumba | Kutumba | A♭ Major | 5 | 4B | 170 BPM | ||
| Bermanemppe - Original | Poba Gourab, Tarulata Kutum, NA | E Minor | 7 | 9A | 144 BPM | ||
| Cinta Nakecewa | FARRO SIMAMORA | D Minor | 9 | 7A | 172 BPM | ||
| Tarian Rembulan | Kiai Kanjeng, Novia Kolopaking, Emha Ainun Nadjib | E Minor | 6 | 9A | 140 BPM | ||
| Papalayon | LS Kancana Sari | G Major | 3 | 9B | 107 BPM | ||
| Tambura Mitho Bol Mera Bhai | Kanti Ram | E♭ Major | 3 | 5B | 114 BPM | ||
| Warung Pojok | Tjoek Soeparlan, Ismet Ruchimat | A♭ Minor | 7 | 1A | 96 BPM | ||
| SABOEH HATE | KAMAL AB | A Minor | 9 | 8A | 77 BPM | ||
| Barixa vol-1 | Moyur Borah, Bikram Deka, Kousik Macharong | C Major | 8 | 8B | 117 BPM | ||
| Riko Kanggo Isun | Catur Arum | F Minor | 4 | 4A | 115 BPM | ||
| Ponnum Parashini | Radhika Thilak | A Minor | 7 | 8A | 120 BPM | ||
| Suling Sunda Merdu | Seruling Kasundaan | E Minor | 4 | 9A | 160 BPM | ||
| O Kanai, Vol. 3 | Komola Gogoi | E♭ Minor | 6 | 2A | 123 BPM | ||
| Povoma Oorkolam - Instrumental | Ilaiyaraaja, V R Vignesh, SaiKrishnan Sundaram, A.S. Nimalvarshan | C Major | 8 | 8B | 117 BPM | ||
| Balik Malu Dik Balik Hindu | Ali Imron | F Major | 5 | 7B | 141 BPM |