"歌劇「ポーギーとベス」(J. バーンズによる吹奏楽編)" by George Gershwin, 航空自衛隊西部航空音楽隊, 加養浩幸 had its release date on March 21, 2006. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 3 out of 9 in CAFUAセレクション2006 吹奏楽コンクール自由曲選 「オペラ座の怪人」 by 航空自衛隊西部航空音楽隊, 浦川薫, 加養浩幸. Going off of the ISRC code of this track, we detected that the origin of this track is from Japan. 歌劇「ポーギーとベス」(J. バーンズによる吹奏楽編) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 歌劇「ポーギーとベス」(J. バーンズによる吹奏楽編) by George Gershwin, 航空自衛隊西部航空音楽隊, 加養浩幸 is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Piano Concerto in F Major: II. Adagio | George Gershwin, Orion Weiss, Buffalo Philharmonic Orchestra, Joann Falletta | F♯ Major | 0 | 2B | 86 BPM | ||
| Pictures At An Exhibition: Promenade I | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | F Major | 1 | 7B | 79 BPM | ||
| Paradis: Sicilienne 파라디스 시실리안느 | 김준영 | E♭ Major | 0 | 5B | 137 BPM | ||
| Tango jalousie | Jacob Gade, Sakari Oramo, Wiener Philharmoniker | D Major | 1 | 10B | 72 BPM | ||
| 6 Consolations, S. 172: No. 3 in D-Flat Major (Lento, placido) | Franz Liszt, Daniel Barenboim | D♭ Major | 0 | 3B | 69 BPM | ||
| Dance of the Hours from Act III of "La Gioconda" | Amilcare Ponchielli, Philadelphia Orchestra, Eugene Ormandy | E Major | 1 | 12B | 130 BPM | ||
| Dream of Love | Franz Liszt, Eugene Ormandy | D♭ Major | 1 | 3B | 133 BPM | ||
| 3 Ghost Rags: No. 1, The Graceful Ghost Rag | William Bolcom, Spencer Myer | B♭ Minor | 0 | 3A | 116 BPM | ||
| Ancient Airs & Dances, Suite III, P. 172: I. Italiana (Anonymous) | Ottorino Respighi, Filarmonica della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | ||
| Waltz For Debby | Bill Evans, Eugene Lees, Jean-Yves Thibaudet | F Major | 1 | 7B | 67 BPM | ||
| Serenade for Strings in C, Op. 48: 1. Pezzo in forma di sonatina: Andante non troppo - Allegro moderato | Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Semyon Bychkov | B♭ Minor | 0 | 3A | 66 BPM | ||
| 2 Aquarelles: Lento, ma non troppo | Frederick Delius, Royal Northern Sinfonia, David Lloyd-Jones | F Major | 0 | 7B | 71 BPM | ||
| 6 Pezzi, P. 44: No. 1. Valse Caressante | Ottorino Respighi, Konstantin Scherbakov | E♭ Major | 1 | 5B | 70 BPM | ||
| Souvenir d'un lieu cher, Op. 42: III. Mélodie (Ed. Herrmann) | Pyotr Ilyich Tchaikovsky, Daniel Lozakovich, Stanislav Soloviev | E♭ Major | 1 | 5B | 178 BPM | ||
| Brook Green Suite: II. Air | Gustav Holst, English Sinfonia, Howard Griffiths | E♭ Major | 0 | 5B | 128 BPM | ||
| D'un matin de printemps | Lili Boulanger, Yan Pascal Tortelier, BBC Philharmonic | C Major | 1 | 8B | 130 BPM | ||
| Saint-Saëns: Piano Concerto No. 2 in G Minor, Op. 22: I. Andante sostenuto | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | G Minor | 2 | 6A | 94 BPM | ||
| España - Rhapsody For Orchestra | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | F Major | 3 | 7B | 129 BPM | ||
| The Rite of Spring: Part One: Adoration of the Earth: The Augurs of Spring - Dance of the Young Girls | Igor Stravinsky, Teodor Currentzis, musicAeterna | B♭ Major | 3 | 6B | 120 BPM | ||
| Concerto Grosso #1 - 1. Prelude | Howard Hanson | D Minor | 3 | 7A | 129 BPM | ||
| Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | E♭ Major | 0 | 5B | 81 BPM | ||
| Carmen Fantasy, Op. 25: Introduction. Allegro moderato | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | C Major | 3 | 8B | 135 BPM | ||
| Capriccio espagnol, Op. 34: V. Fandango asturiano | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | A Minor | 1 | 8A | 78 BPM | ||
| Valse Vanité | Rudy Wiedoeft, Jess Gillam, Zeynep Özsuca | A♭ Major | 2 | 4B | 86 BPM | ||
| Grand Fantasy on Porgy and Bess: Summertime (after G. Gershwin) | Earl Wild, Isata Kanneh-Mason | A♭ Minor | 1 | 1A | 74 BPM |