- BPM
- 165
- Key
- E Minor
- Camelot
- 9A
サマータイム by George Gershwin, 蒲原史子, アンサンブル・アン・レーヴ Song Details
"サマータイム" by George Gershwin, 蒲原史子, アンサンブル・アン・レーヴ had its release date on April 11, 2012. With This song being less than two minutes long, at 1:20, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There is only one song in 究極の美メロ 〜【続々】極上のクラシック・メロディー・ベスト30, so we believe that "サマータイム" is a single. The popularity of サマータイム is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of サマータイム by George Gershwin, 蒲原史子, アンサンブル・アン・レーヴ is Vivace (lively and fast), since this song has a tempo of 165 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 5/4.
Music Key
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -17.341 dB
- Acousticness
- 96%
- Danceability
- 15%
- Energy
- 7%
- Instrumentalness
- 0%
- Liveness
- 11%
- Loudness
- 71%
- Speechiness
- 4%
- Valence
- 4%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | An American in Paris: Blues Theme | Corrado Giuffredi, Shoko Gamo | B♭ Major | 1 | 6B | 95 BPM | |
 | Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | E Major | 1 | 12B | 136 BPM | |
 | Petite suite de concert, Op. 77: III. Un sonnet d'amour | Samuel Coleridge-Taylor, Chicago Sinfonietta, Paul Freeman | A Major | 0 | 11B | 70 BPM | |
 | Kinderszenen | Robert Schumann, Ivan Moravec | F Major | 0 | 7B | 131 BPM | |
 | Salut d'amour, Op. 12 (version for orchestra) | Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 82 BPM | |
 | Mazurka in C Minor | Mikhail Glinka, Inga Fiolia | C Minor | 0 | 5A | 111 BPM | |
 | 3 Waltzes, Op. 64: No. 2 in C-Sharp Minor | Frédéric Chopin, Arthur Rubinstein | D♭ Minor | 0 | 12A | 76 BPM | |
 | Rhapsody In Blue | George Gershwin, Benjamin Grosvenor, Royal Liverpool Philharmonic Orchestra, James Judd | A Major | 2 | 11B | 74 BPM | |
 | Je te veux | Erik Satie, Pascal Rogé | C Major | 0 | 8B | 103 BPM | |
 | Copland: Appalachian Spring: VII. Doppio movimento (Variations on a Shaker Hymn - Simple Gifts) | Aaron Copland, Aurora Orchestra, Nicholas Collon | D♭ Major | 1 | 3B | 82 BPM | |
 | Notturno for Strings and Harp | Arnold Schoenberg, Daniel Hope, Zürcher Kammerorchester, Jane Berthe | A♭ Major | 1 | 4B | 75 BPM | |
 | Peer Gynt, Op. 23: No. 16, Anitra's Dance | Edvard Grieg, San Francisco Symphony, Herbert Blomstedt | A Minor | 0 | 8A | 82 BPM | |
 | Ballade in A minor, Op. 33 | Samuel Coleridge-Taylor, Royal Liverpool Philharmonic Orchestra, Grant Llewellyn | A Minor | 1 | 8A | 82 BPM | |
 | Concerto No. 2, Op. 14: I. Allegro molto | Nikolai Kapustin, Dmitry Masleev, Vladimir Lande, Siberian State Symphony Orchestra | F Major | 4 | 7B | 116 BPM | |
 | Hungarian Rhapsody No. 2 in C-Sharp Minor, S. 244/2 | Franz Liszt, Vladimir Horowitz | D♭ Major | 3 | 3B | 80 BPM | |
 | Les biches Suite, FP 36b: I. Rondeau | Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | C Major | 1 | 8B | 79 BPM | |
 | In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | |
 | Polovetsian Dances from Prince Igor: Moderato alla breve | Alexander Borodin, George Szell, The Cleveland Orchestra | A Major | 2 | 11B | 108 BPM | |
 | Valse lente | Germaine Tailleferre, Dario Müller | G Major | 0 | 9B | 66 BPM | |
 | Carmen Suite No. 1 (Arr. E. Guiraud): IV. Séguedille | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | G Minor | 0 | 6A | 66 BPM | |
 | Symphony No. 3 In C Minor, Op. 78 "Organ Symphony": 1. Adagio - Allegro moderato - Poco adagio | Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine | A♭ Major | 1 | 4B | 118 BPM | |
 | Nocturnes, Op. 9: No. 1 in B Flat Minor. Larghetto | Frédéric Chopin, Jan Lisiecki | B♭ Minor | 0 | 3A | 72 BPM | |
 | Glamorous Night (From "Glamorous Night") [Arr. S. Mulligan for Piano] | Ivor Novello, Simon Mulligan | E♭ Major | 0 | 5B | 67 BPM | |
 | Piano Concerto No. 2 in C Minor, Op. 18: II. Adagio sostenuto | Jascha Horenstein, Royal Philharmonic Orchestra, Earl Wild | E Major | 1 | 12B | 54 BPM | |
 | Fascinatin' Rhythm: I've Got Rhythm | Leon Bates, George Gershwin | D♭ Major | 2 | 3B | 175 BPM |
- ISRC
- JPCO09633311
- Label
- L-M Records/RCA Records