"Rhapsody In Blue" by George Gershwin, Benjamin Grosvenor, Royal Liverpool Philharmonic Orchestra, James Judd had its release date on January 1, 2012. This song appears to be safe for all ages as it is not explicit. Since Rhapsody In Blue Performed By Benjamin Grosvenor only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from United Kingdom. Rhapsody In Blue is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rhapsody In Blue by George Gershwin, Benjamin Grosvenor, Royal Liverpool Philharmonic Orchestra, James Judd having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Lark Ascending: I. Andante sostenuto | Ralph Vaughan Williams, Hyeyoon Park, Benjamin Grosvenor | E Minor | 0 | 9A | 91 BPM | ||
| Florida Suite: IV. At Night | Frederick Delius, Ulster Orchestra, Vernon Handley | F♯ Minor | 0 | 11A | 68 BPM | ||
| ダッタン人の踊り (歌劇 イーゴリ公より) 2 娘たちの流麗な踊り | Alexander Borodin, Ken-Ichiro Kobayashi, Arnhem Philharmonic Orchestra | A Major | 0 | 11B | 80 BPM | ||
| L'invitation au château, FP 138: Acte 2: Tango | Francis Poulenc, Eric Le Sage | F Minor | 0 | 4A | 97 BPM | ||
| Saint-Saëns: Carnival of the Animals, R. 125: XIII. The Swan | Camille Saint-Saëns, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | G Major | 0 | 9B | 175 BPM | ||
| Someone to Watch over Me (Arr. for Piano) - From "Oh Kay!" | George Gershwin, André Previn | B♭ Major | 0 | 6B | 112 BPM | ||
| Piano Concerto No. 1 in E Minor, Op. 11: II. Romance. Larghetto | Frédéric Chopin, Benjamin Grosvenor, Royal Scottish National Orchestra, Elim Chan | E Major | 0 | 12B | 61 BPM | ||
| Hungarian Dances, WoO 1: No. 1 in G Minor | Johannes Brahms, Cristian Mandeal, George Enescu Philharmonic Orchestra, Bucharest | G Minor | 2 | 6A | 73 BPM | ||
| Violin Concerto in E Minor, Op. 64: I. Allegro molto appassionato – | Felix Mendelssohn, Kyung Wha Chung, Orchestre Symphonique de Montréal, Charles Dutoit | E Minor | 1 | 9A | 101 BPM | ||
| Danse macabre in G Minor, Op. 40 | Camille Saint-Saëns, Slovak Radio Symphony Orchestra, Keith Clark | G Minor | 2 | 6A | 116 BPM | ||
| Variations on an Original Theme, Op. 36 "Enigma": 9. Nimrod. Adagio (Arr. Parkin) | Edward Elgar, Sheku Kanneh-Mason, Ashok Klouda, Caroline Dearnley, Hannah Roberts, Josephine Knight, Ben Davies | B♭ Major | 1 | 6B | 90 BPM | ||
| Serenade for Strings in C major, Op. 48: II. Walzer: Moderato, tempo di valse | Pyotr Ilyich Tchaikovsky, Moscow Soloists, Yuri Bashmet | G Major | 1 | 9B | 66 BPM | ||
| Consolations, S. 172: No. 3 in D-Flat Major. Lento placido | Franz Liszt, Jean-Yves Thibaudet | D♭ Major | 0 | 3B | 134 BPM | ||
| Rhapsody In Blue | George Gershwin, Benjamin Grosvenor, Royal Liverpool Philharmonic Orchestra, James Judd | A Major | 2 | 11B | 74 BPM | ||
| Military Marches, Op. 39 "Pomp and Circumstance": March No. 1 | Edward Elgar, Andrew Davis, BBC Philharmonic | D Major | 3 | 10B | 88 BPM | ||
| Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM | ||
| Prélude à l'après-midi d'un faune, L.86 | Claude Debussy, Timothy Hutchins, Orchestre Symphonique de Montréal, Charles Dutoit | A♭ Minor | 0 | 1A | 90 BPM | ||
| Kinderszenen | Robert Schumann, Ivan Moravec | F Major | 0 | 7B | 131 BPM | ||
| Prince Igor: Polovtsian Dances (Version for Chorus) | Alexander Borodin, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | A Major | 2 | 11B | 110 BPM | ||
| Nr. 3, Pizzicato | Léo Delibes, Slovak Radio Symphony Orchestra, Michael Halasz | E♭ Major | 0 | 5B | 161 BPM | ||
| Die Walküre, Act III: Ride of the Valkyries | Richard Wagner, Budapest Symphony Orchestra, György Lehel | D♭ Major | 1 | 3B | 72 BPM | ||
| 3 Romances, Op. 11: No. 1, Andante | Clara Schumann, Isata Kanneh-Mason | E♭ Minor | 0 | 2A | 127 BPM | ||
| L'Arlésienne Suite No. 2 (Arr. Guiraud): III. Menuet | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | E♭ Major | 0 | 5B | 128 BPM | ||
| Of Thee I Sing: Overture (Arr. D. Rose for Orchestra) | George Gershwin, Michael Tilson Thomas, Buffalo Philharmonic Orchestra | G Minor | 2 | 6A | 95 BPM | ||
| The Rite of Spring, Part 1: II. The Augurs of Spring - Dances of the Young Girls | Igor Stravinsky, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | B♭ Major | 3 | 6B | 115 BPM |