"歌劇「泥棒かささぎ」序曲(ロッシーニ)" by ロッシーニ, Marcello Rota, Czech National Symphony Orchestra had its release date on June 5, 2013. This song appears to be safe for all ages as it is not explicit. There is only one song in ザ・オーケストラ 100, so we believe that "歌劇「泥棒かささぎ」序曲(ロッシーニ)" is a single. The popularity of 歌劇「泥棒かささぎ」序曲(ロッシーニ) is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 歌劇「泥棒かささぎ」序曲(ロッシーニ) by ロッシーニ, Marcello Rota, Czech National Symphony Orchestra is Vivace (lively and fast), since this song has a tempo of 163 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Smetana: The Bartered Bride: Polka | Bedřich Smetana, Sir Charles Mackerras, Philharmonia Orchestra | G Major | 3 | 9B | 90 BPM | ||
| Alpine Rose - Polka Op. 127 | Eduard Strauss, Hallé, Bramwell Tovey | C Major | 0 | 8B | 112 BPM | ||
| Der Rosenkavalier, Op. 59 / Act 1: Introduction | Richard Strauss, Wiener Philharmoniker, Sir Georg Solti | D Major | 4 | 10B | 103 BPM | ||
| Spartacus, Act I: March of the gladiators and the Egyptian dancing girl (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | A Major | 1 | 11B | 62 BPM | ||
| La Sonnambula / Act 1: D'un pensiero e d'un accento | Vincenzo Bellini, Dame Joan Sutherland, Sylvia Stahlman, Margreta Elkins, Nicola Monti, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Richard Bonynge | E♭ Major | 3 | 5B | 82 BPM | ||
| Le Prophète: Coronation March | Giacomo Meyerbeer, Leonard Bernstein, New York Philharmonic | E♭ Major | 4 | 5B | 112 BPM | ||
| Giselle - Act 2: No. 14 Scène des Wilis (Entrée d'Hilarion) | Adolphe Adam, London Symphony Orchestra, Anatole Fistoulari | E Minor | 3 | 9A | 129 BPM | ||
| Die Meistersinger von Nürnberg, WWV 96: Prelude | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | C Major | 4 | 8B | 99 BPM | ||
| Chabrier: Le roi malgré lui, Act 2: Fête polonaise | Emmanuel Chabrier, Michel Plasson, Orchestre Du Capitole De Toulouse | F Major | 1 | 7B | 61 BPM | ||
| Evening Party | Shanghai Philharmonic Orchestra | A Minor | 1 | 8A | 110 BPM | ||
| Delibes: Coppélia, Act 2: No. 13, Chanson à boire et scène | Léo Delibes, Kent Nagano, Orchestre de l'Opéra de Lyon | E♭ Major | 3 | 5B | 148 BPM | ||
| Die schöne Galathée: Overture | Franz von Suppé, Zubin Mehta, Wiener Philharmoniker | D Major | 2 | 10B | 124 BPM | ||
| Pagliacci / Act 2: "Pagliaccio, mio marito" | Ruggero Leoncavallo, Mirella Freni, Vincenzo Bello, National Philharmonic Orchestra, Giuseppe Patanè | C Major | 0 | 8B | 110 BPM | ||
| Slavonic Dances, Series 2, Op. 72, B. 147: No. 2 in E Minor | Antonín Dvořák, Swedish Chamber Orchestra, Thomas Dausgaard | C Major | 1 | 8B | 76 BPM | ||
| Allegro molto | Samuel Coleridge-Taylor, Vladislav Czarnecki, Südwestdeutsches Kammerorchester Pforzheim | D Major | 2 | 10B | 133 BPM | ||
| Don Pasquale - What an Interminable Coming and Going | Gaetano Donizetti, Chor der Deutschen Staatsoper Berlin, Staatskapelle Berlin, Otmar Suitner | B♭ Major | 1 | 6B | 139 BPM | ||
| Tannhauser: Festive March | Richard Wagner, Slovak Philharmonic, Richard Hayman | B Major | 2 | 1B | 131 BPM | ||
| Das Liebesverbot: Overture | Richard Wagner, Staatskapelle Dresden, Giuseppe Sinopoli | G Major | 6 | 9B | 120 BPM | ||
| バレエ組曲「白鳥の湖」~スペインの踊り(チャイコフスキー) | Pyotr Ilyich Tchaikovsky, Vladimir Fedoseyev, モスクワ放送交響楽団 | F♯ Minor | 4 | 11A | 147 BPM | ||
| ドヴォルザーク: 序曲《謝肉祭》 | Antonín Dvořák, ボフミル・グレゴル, Czech Philharmonic Chamber Orchestra | D Major | 2 | 10B | 132 BPM | ||
| Grieg: Suite from Peer Gynt No. 1, Op. 46: I. Morning Mood | Edvard Grieg, Desire-Emile Inghelbrecht, Orchestre National Radiodiffusion Française | E Major | 1 | 12B | 183 BPM | ||
| Berlioz: Harold en Italie, Op. 16, H. 68: III. Allegro assai - Allegretto (Sérénade d'un montagnard des Abruzzes à sa maîtresse) | Hector Berlioz, Leonard Bernstein, Orchestre National De France | C Major | 1 | 8B | 85 BPM | ||
| Pirogov Suite, Op. 76a (Arr. L. Atovmyan for Orchestra): V. Finale | Dmitri Shostakovich, Bolshoi Theatre Orchestra, Maxim Shostakovich | E♭ Major | 2 | 5B | 107 BPM | ||
| 弦楽のためのセレナード ハ長調 Op.48~第2楽章 ワルツ | Pyotr Ilyich Tchaikovsky, Vladimir Fedoseyev, モスクワ放送交響楽団 | G Major | 1 | 9B | 176 BPM | ||
| Von Suppé: Ein Morgen, ein Mittag, ein Abend in Wien: Overture | Franz von Suppé, Wiener Philharmoniker, Riccardo Muti | F Major | 2 | 7B | 79 BPM |