Stravinsky: The Rite of Spring, Pt. 1 "Adoration of the Earth": Ritual of Abduction by Igor Stravinsky, Riccardo Muti, Philadelphia Orchestra Song Details

"Stravinsky: The Rite of Spring, Pt. 1 "Adoration of the Earth": Ritual of Abduction" by Igor Stravinsky, Riccardo Muti, Philadelphia Orchestra had its release date on January 1, 1979. With This song being less than two minutes long, at 1:18, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 13 in the song's album "Stravinsky: The Rite of Spring". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Stravinsky: The Rite of Spring, Pt. 1 "Adoration of the Earth": Ritual of Abduction's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

BPM and Tempo

With Stravinsky: The Rite of Spring, Pt. 1 "Adoration of the Earth": Ritual of Abduction by Igor Stravinsky, Riccardo Muti, Philadelphia Orchestra having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

Music Key

This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 2%
Loudness: -11.981 dB
Acousticness: 88%
Danceability: 49%
Energy: 52%
Instrumentalness: 94%
Liveness: 56%
Loudness: 80%
Speechiness: 7%
Valence: 12%

Recommendations

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Don Quixote, Op. 35: II. Don Quixote, the Knight of the Sorrowful Countenance – III. Sancha Panza. Maggiore	Richard Strauss, Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan	F Major	1	7B	206 BPM
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Symphony No. 3 In C Minor, Op. 78 "Organ Symphony": 2. Allegro moderato - Presto - Allegro moderato - Maestoso - Più allegro - Molto allegro	Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine	F Minor	2	4A	117 BPM
Symphony No. 5: II. Stürmisch bewegt, mit größter Vehemenz	Gustav Mahler, Wiener Philharmoniker, Pierre Boulez	B♭ Minor	2	3A	82 BPM
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Tristan und Isolde, Act III: Liebestod (Concert Version)	Richard Wagner, Berliner Philharmoniker, Herbert von Karajan	B Major	2	1B	94 BPM
Piano Concerto in F-Sharp Minor, Op. 20: I. Allegro	Alexander Scriabin, Anatol Ugorski, Chicago Symphony Orchestra, Pierre Boulez	D Major	1	10B	86 BPM
Pictures at an Exhibition (Orch. Ravel): X. The Great Gate of Kiev	Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel	E♭ Major	2	5B	69 BPM
Turangalîla Symphonie: 1. Introduction	Olivier Messiaen, Yvonne Loriod, Jeanne Loriod, Orchestre de l'Opéra Bastille, Myung-Whun Chung	E♭ Minor	4	2A	143 BPM
1st Movement: Adaggio / Allegro Molto	London Philharmonic Orchestra	E Minor	1	9A	116 BPM
Transfigured Night, Op. 4 (Version for String Orchestra): Pesante - Grave	Arnold Schoenberg, Berliner Philharmoniker, Kirill Petrenko	E Major	0	12B	73 BPM
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Candide: Overture	Leonard Bernstein, New York Philharmonic	E♭ Major	4	5B	82 BPM
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Symphony No. 3 in C Minor, Op. 78 "Organ": Allegro moderato	Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra	A♭ Major	1	4B	109 BPM