"Arrival at the Motel" by Craig Armstrong had its release date on January 1, 2008. With This song being less than two minutes long, at 1:47, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 45 in the song's album "The Incredible Hulk". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. Based on our statistics, Arrival at the Motel's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Arrival at the Motel by Craig Armstrong having a BPM of 134 with a half-time of 67 BPM and a double-time of 268 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Didn't You Love Anything | Craig Armstrong | C Major | 0 | 8B | 119 BPM | ||
| Within A Day | Craig Armstrong | E Major | 1 | 12B | 156 BPM | ||
| Grandes Sueños | Fernando Velázquez | E♭ Major | 0 | 5B | 137 BPM | ||
| Neverland - Piano Variation In Blue - Finding Neverland/Soundtrack Version | Jan A.P. Kaczmarek, Nick Ingman | C Major | 1 | 8B | 121 BPM | ||
| To the Ball | Adrian Johnston | E♭ Major | 1 | 5B | 83 BPM | ||
| Life Begins Again | FELIX MEAGHER, Baz Luhrmann, Angela Little | D Major | 3 | 10B | 85 BPM | ||
| Resurgam | Anne Dudley, The Chamber Orchestra Of London | F Minor | 2 | 4A | 49 BPM | ||
| Justice | Patrick Doyle | D Major | 2 | 10B | 140 BPM | ||
| All Boundaries Are Conventions | Tom Tykwer, Johnny Klimek, Reinhold Heil | C Major | 1 | 8B | 55 BPM | ||
| Pain, Loss & Love | Rupert Gregson-Williams | F Major | 0 | 7B | 85 BPM | ||
| The Hope for Love | Mario Malagnini | G Major | 1 | 9B | 94 BPM | ||
| A Leap Year Promise | Randy Edelman | C Major | 2 | 8B | 76 BPM | ||
| This Is Our Planet - From "Our Planet" | Steven Price | B♭ Major | 3 | 6B | 97 BPM | ||
| A Car Accident | Bear McCreary | C Major | 2 | 8B | 170 BPM | ||
| Big My Secret | Michael Nyman | D Major | 1 | 10B | 77 BPM | ||
| The Veil of Time | Bear McCreary | C Major | 1 | 8B | 138 BPM | ||
| The End | Harald Kloser, Thomas Wander | F Major | 2 | 7B | 102 BPM | ||
| Gabriel's Oboe | Ennio Morricone | D Major | 2 | 10B | 61 BPM | ||
| The Train Station | Marcelo Zarvos | E♭ Major | 0 | 5B | 56 BPM | ||
| The Poet Acts | Philip Glass | G Minor | 0 | 6A | 84 BPM | ||
| He Looked So Happy | Fernando Velázquez | C Minor | 1 | 5A | 77 BPM | ||
| The Barn | Deborah Lurie | F♯ Major | 1 | 2B | 73 BPM | ||
| Collateral Beauty | Theodore Shapiro | D Major | 0 | 10B | 64 BPM | ||
| One Day Main Titles | Rachel Portman | D Major | 2 | 10B | 70 BPM | ||
| Vesper (From "Casino Royale" Soundtrack) | David Arnold | A Minor | 1 | 8A | 64 BPM |