David Starck's 'Ever After Blues' had a release date set for February 25, 2025. The duration of This song is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Ever After Blues's duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 15 in Crosstown Nocturne by David Starck. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Ever After Blues is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Ever After Blues by David Starck is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mas Que Nada | Mikesch van Grummer | F Minor | 1 | 4A | 108 BPM | ||
| Alfie | Carla Moses | A Minor | 1 | 8A | 68 BPM | ||
| Aimless | Antonio Marín | F Minor | 0 | 4A | 68 BPM | ||
| Red Impromptu | Marcin Brzozowski | A♭ Minor | 1 | 1A | 131 BPM | ||
| Adéu | Lluis Capdevila | A Minor | 0 | 8A | 74 BPM | ||
| Sweet Slumber | Ziv Moran | C Major | 1 | 8B | 73 BPM | ||
| She Wore Silence Like Perfume | Anson Tran | D Major | 1 | 10B | 118 BPM | ||
| October (Rain) | The Indigo Trio | E♭ Major | 0 | 5B | 126 BPM | ||
| Pacifico | RUMA BROOKS | B♭ Major | 2 | 6B | 170 BPM | ||
| No More Grey Walls | Marcin Brzozowski | B♭ Major | 1 | 6B | 115 BPM | ||
| Crazy Versions Of Reality, Pt. II | CargoBand | F Minor | 1 | 4A | 125 BPM | ||
| New Composition #5960 | Marlene.G | E Major | 0 | 12B | 94 BPM | ||
| afternoon in Paris | Hisako Hirata | E♭ Major | 0 | 5B | 71 BPM | ||
| Stardust | Michael Hope | F Major | 1 | 7B | 70 BPM | ||
| Whispering Through Tasks | Hugo Focus | G Minor | 1 | 6A | 129 BPM | ||
| Sweet Lorraine | MIchaela Pietrasanta | D Minor | 1 | 7A | 71 BPM | ||
| What the Wind Remembered | Woonai | A♭ Major | 0 | 4B | 71 BPM | ||
| True Things | Kirek Benitez | A♭ Minor | 0 | 1A | 86 BPM | ||
| Midnight Talks | David Starck | B♭ Major | 3 | 6B | 162 BPM | ||
| Blues from Nowhere | Razz T | D Minor | 0 | 7A | 84 BPM | ||
| Windows | Donald Minestra | B♭ Major | 1 | 6B | 92 BPM | ||
| Black and Blue Prelude | Marcin Brzozowski | A♭ Major | 1 | 4B | 144 BPM | ||
| Bare Necessities | David Starck | G Major | 1 | 9B | 108 BPM | ||
| Quiet Table for One | Warm Blanket | D Minor | 2 | 7A | 204 BPM | ||
| Ginkgo Forest | Jimindorothy | B♭ Major | 1 | 6B | 51 BPM |