"Happily Ever After" by Zbigniew Preisner had its release date on January 1, 1993. The duration of This song is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Happily Ever After's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "The Secret Garden (Original Motion Picture Soundtrack)". In this album, this song's track order is #20. Furthermore, we believe that the track originated from United States. Happily Ever After is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Happily Ever After by Zbigniew Preisner having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
The music key of this track is E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Neverland - Piano Variation In Blue - Finding Neverland/Soundtrack Version | Jan A.P. Kaczmarek, Nick Ingman | C Major | 1 | 8B | 121 BPM | ||
| The Ruins | George Fenton | D Major | 0 | 10B | 66 BPM | ||
| Homecoming Pour L'amour D'une Femme - Live | Zbigniew Preisner | A Minor | 1 | 8A | 80 BPM | ||
| Selbourne Wood | Adrian Johnston | A Minor | 1 | 8A | 66 BPM | ||
| The Grand Ball | Jan A.P. Kaczmarek | A Minor | 3 | 8A | 126 BPM | ||
| Morning On Boston Common | Randy Edelman | E♭ Major | 4 | 5B | 80 BPM | ||
| This Is Neverland - Finding Neverland/Soundtrack Version | Jan A.P. Kaczmarek, Nick Ingman | A Minor | 1 | 8A | 88 BPM | ||
| Fairground | Joby Talbot | D♭ Minor | 2 | 12A | 94 BPM | ||
| Reliquary: 1. Cantus Firmus - For Burberry | Ilan Eshkeri, London Metropolitan Orchestra, Rosey Chan, Bethany Horak Hallett, Daisy Chute, Tim Lacy | C Major | 3 | 8B | 140 BPM | ||
| The Secret Life Of Daydreams - From "Pride & Prejudice" Soundtrack | Dario Marianelli, Jean-Yves Thibaudet | B♭ Major | 0 | 6B | 71 BPM | ||
| Hymn for Bethany | Marco Beltrami | G Major | 2 | 9B | 85 BPM | ||
| The House in the Woods | Alberto Iglesias | C Major | 2 | 8B | 73 BPM | ||
| Hampshire (From "Becoming Jane" Soundtrack) | Adrian Johnston, Paul Englishby, Vicci Wardman, Anthony Pleeth, John Lenehan, Marcia Crayford, Gabrielle Lester | C Major | 1 | 8B | 98 BPM | ||
| Jane e Rochester | Claudio Capponi, Alessio Vlad | G Major | 1 | 9B | 68 BPM | ||
| The Losing Side of History | Bear McCreary | E Minor | 1 | 9A | 102 BPM | ||
| Guinevere | Rob Lane | G Major | 0 | 9B | 70 BPM | ||
| Meadows | Javier Navarrete | B Minor | 1 | 10A | 64 BPM | ||
| Alice Studies | Guy Farley | G Minor | 1 | 6A | 86 BPM | ||
| Coronation | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | C Major | 4 | 8B | 87 BPM | ||
| Epilogue | Jóhann Jóhannsson | A Minor | 1 | 8A | 136 BPM | ||
| Daisy, Daisy | Jóhann Jóhannsson | A Minor | 1 | 8A | 118 BPM | ||
| Learning To Walk - Score | John Debney | B Major | 0 | 1B | 103 BPM | ||
| When Ginny Kissed Harry | Nicholas Hooper | E Minor | 1 | 9A | 84 BPM | ||
| Leap Of Faith | Mark Isham | D Minor | 0 | 7A | 139 BPM | ||
| Ever After: a Cinderella Story | George Fenton, Simon Chamberlain | B♭ Major | 0 | 6B | 96 BPM |