The Transform Quintet, Joey Calderazzo's 'Interlude, Pt. 4' had a release date set for January 1, 2010. The duration of This song is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Interlude, Pt. 4's duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 12 in Another Child by The Transform Quintet, Joey Calderazzo. Going off of the ISRC code of this track, we detected that the origin of this track is from Hungary. Based on our statistics, Interlude, Pt. 4's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Interlude, Pt. 4 by The Transform Quintet, Joey Calderazzo is Vivace (lively and fast), since this song has a tempo of 158 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| TOO MANY OPTIONS | Noé Huchard | F Minor | 2 | 4A | 87 BPM | ||
| Festival Hall | Dave Brubeck, Houston Chamber Choir, Robert Simpson, The Paul English Quartet, Horace Alexander Young | C Major | 2 | 8B | 182 BPM | ||
| Gnoumus Playing B | Deejay Gi | C Major | 5 | 8B | 139 BPM | ||
| The Forgotten Statue | Orión Natera | D Minor | 3 | 7A | 74 BPM | ||
| Widescreen Baroque | The Jazz Room | C Minor | 3 | 5A | 170 BPM | ||
| Editor | The Transform Quintet | C Major | 7 | 8B | 107 BPM | ||
| Betty Boop | El Espejo | D Minor | 3 | 7A | 118 BPM | ||
| Fried Everything | Jim Pearce | B♭ Minor | 6 | 3A | 100 BPM | ||
| Train To Tarragona | Steve Rucker | D Major | 7 | 10B | 98 BPM | ||
| A Wine to Ease the Pain | Smoke & Sonata | A Major | 5 | 11B | 91 BPM | ||
| Abuelo | Manu Norena | B♭ Major | 4 | 6B | 78 BPM | ||
| Blue Streak | Dan Crisci, Nick Scheuble, Rick Savage, Sue Williams | F Major | 3 | 7B | 103 BPM | ||
| Jimbo | Mathias Ruppnig, Roland Hanslmeier, Musina Ebobissé, Joander Cruz, Tony Tixier, Lorenz Heigenhuber | B♭ Minor | 5 | 3A | 90 BPM | ||
| Interlude, Pt. 1 | The Transform Quintet, Joey Calderazzo | G Major | 2 | 9B | 98 BPM | ||
| Lake | raLoki | A Major | 5 | 11B | 91 BPM | ||
| Casa Pueblo | Noah Preminger, Kim Cass, Terreon Gully, Ely Perlman | D♭ Major | 3 | 3B | 126 BPM | ||
| Bay Platform | Mono Noir Jazz | C Major | 7 | 8B | 103 BPM | ||
| What Second Line | Sadao Watanabe | C Major | 5 | 8B | 100 BPM | ||
| Footprints | Baptiste Herbin, Minino Garay, Felipe Cabrera, Leonardo Montana | D Major | 2 | 10B | 116 BPM | ||
| How Are Ya’?, Pt. 2 | Thomas Noettling, Robert Amend, Russ Clowdus | F Minor | 5 | 4A | 126 BPM | ||
| Beautiful Love | Paulo Morello, Mauro Martins, Sven Faller | C Major | 4 | 8B | 118 BPM | ||
| Dantza | Gorka Benítez, Moisés P. Sánchez, Jeff Ballard, Michael Formanek | D Major | 4 | 10B | 83 BPM | ||
| Salience | Joe Locascio, David Craig, Tim Solook | F Minor | 2 | 4A | 177 BPM | ||
| The Marten | JLT - Johan Leijonhufvud Trio, Johan Leijonhufvud, Johnny Åman, Niclas Campagnol | G Major | 4 | 9B | 123 BPM | ||
| Waltz for J. C. | The Transform Quintet, Joey Calderazzo | G Major | 2 | 9B | 98 BPM |