Ruth Etting's 'Guilty' had a release date set for 2012. The duration of This song is about 3 minutes long, at 3:20. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 2 out of 17 in Easy Come, Easy Go (Original Recordings 1931 -1937) by Ruth Etting. Guilty is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Guilty by Ruth Etting is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| On a Slow Boat to China | Kay Kyser & His Orchestra, Harry Babbitt, Gloria Wood | F Major | 1 | 7B | 103 BPM | ||
| Looking at You | Lee Wiley | F Major | 1 | 7B | 103 BPM | ||
| Come Josephine in My Flying Machine | Billy Murray | F Major | 1 | 7B | 103 BPM | ||
| Where Was I? (From "'Til We Meet Again") | Charlie Barnet & His Orchestra | A♭ Major | 3 | 4B | 126 BPM | ||
| Just a Little Closer | Ruth Etting | F Major | 1 | 7B | 103 BPM | ||
| My Blue Heaven | Gene Austin | F Major | 1 | 7B | 103 BPM | ||
| Remember My Forgotten Man (From "Gold Diggers of 1933") - 2003 Remastered | George Hall and His Hotel Taft Orchestra, Loretta Lee | C Minor | 2 | 5A | 116 BPM | ||
| You're the Cream in My Coffee | Ruth Etting | F Major | 1 | 7B | 103 BPM | ||
| We Just Couldn't Say Goodbye - Remastered | Annette Hanshaw | C Major | 3 | 8B | 114 BPM | ||
| I Can't Get Started | Bunny Berigan | F Major | 1 | 7B | 103 BPM | ||
| You Wouldn't Fool Me Would You | Annette Hanshaw | C Major | 2 | 8B | 97 BPM | ||
| After I Say I`m Sorry | Jean Goldkette | G Major | 1 | 9B | 93 BPM | ||
| Go Back Where You Stayed Last Night - What's Good For The Goose | Ethel Waters | A♭ Major | 2 | 4B | 122 BPM | ||
| Smoke Gets In Your Eyes | Ruth Etting | D Major | 3 | 10B | 131 BPM | ||
| Never Hitch Your Wagon to a Star | Henry Hall, The BBC Dance Orchestra | B♭ Major | 2 | 6B | 96 BPM | ||
| One, Two, Button Your Shoe | Jack Hylton | C Minor | 2 | 5A | 93 BPM | ||
| Moonlight Bay | American Quartet | F Major | 1 | 7B | 103 BPM | ||
| I Left My Sugar Standing In the Rain (Recorded October 1927) | Esther Walker | D Major | 1 | 10B | 97 BPM | ||
| Seems Like Old Times | Guy Lombardo | D Minor | 2 | 7A | 122 BPM | ||
| Lili Marlene | Anne Shelton | F Major | 1 | 7B | 103 BPM | ||
| I Wanna Be Loved By You (Alternate Version) | Helen Kane | F Major | 1 | 7B | 103 BPM | ||
| A Little Kiss Each Morning | Century Jukebox, Public Domain, Rudy Vallee and His Connecticut Yankees | A♭ Major | 3 | 4B | 94 BPM | ||
| Cry, Baby, Cry | Larry Clinton, Bea Wain | F Major | 3 | 7B | 97 BPM | ||
| Alexander's Ragtime Band | Ted Lewis | F Major | 1 | 7B | 103 BPM | ||
| Anything Goes | The Dorsey Brothers Orchestra | F Minor | 2 | 4A | 196 BPM |