- BPM
- 72
- Key
- C Minor
- Camelot
- 5A
Haydn: Seven Last Words, Il Terremoto by Navarra Quartet Song Details
Navarra Quartet's ' "Haydn: Seven Last Words, Il Terremoto" was released on its scheduled release date, January 1, 2011. With This song being less than two minutes long, at 1:47, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 365 in the song's album "The Year". In this album, this song's track order is #25. Haydn: Seven Last Words, Il Terremoto is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
BPM and Tempo
With Haydn: Seven Last Words, Il Terremoto by Navarra Quartet having a BPM of 72 with a half-time of 36 BPM and a double-time of 144 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
Music Key
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -16.601 dB
- Acousticness
- 96%
- Danceability
- 45%
- Energy
- 24%
- Instrumentalness
- 96%
- Liveness
- 9%
- Loudness
- 72%
- Speechiness
- 6%
- Valence
- 65%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Piazzolla: Suite del Ángel: III. Muerte del Ángel (Transcr. Walnier for Cello Ensemble) | Gautier Capuçon, Capucelli | D Major | 1 | 10B | 104 BPM | |
 | Tempus fugit: I. Part 1 | Magnus Lindberg, NDR Elbphilharmonie Orchester, Alan Gilbert | A Major | 2 | 11B | 123 BPM | |
 | Mein Weg | Arvo Pärt, Tallinn Chamber Orchestra, Tõnu Kaljuste | B♭ Major | 0 | 6B | 90 BPM | |
 | Pärt: Für Lennart in memoriam | Arvo Pärt, Renaud Capuçon, Orchestre de Chambre de Lausanne | D Minor | 2 | 7A | 80 BPM | |
 | Suite in the Old Style (excerpts, Arr. for Cello and Piano by J. Sévilla-Fraysse): I. Pastorale | Alfred Schnittke, Julie Sévilla-Fraysse, Anastasia Calmus | F Major | 0 | 7B | 102 BPM | |
 | Clarinet Quintet | Edwin Roxburgh, Linda Merrick, Navarra Quartet | E♭ Major | 0 | 5B | 115 BPM | |
 | Prelude in F Minor (Arr. for Wind Quintet by Kara LaMoure) | Nadia Boulanger, WindSync | F Major | 0 | 7B | 102 BPM | |
 | 24 Preludes for Violin and Piano, Op. 46: No. 15 Adagio sognando | Lera Auerbach, Daniel Hope, Jacques Ammon | A♭ Major | 0 | 4B | 72 BPM | |
 | Violin Concerto No.2 "The American Four Seasons" - Prologue | Philip Glass, Robert McDuffie, Marin Alsop, London Philharmonic Orchestra | D Minor | 0 | 7A | 106 BPM | |
 | The Nightmare Song | Olive the Otter Dog | B Major | 0 | 1B | 166 BPM | |
![Castillo Interior: Adagio [Fig. 8] by Pēteris Vasks, Kristīne Balanas, Margarita Balanas](https://i.scdn.co/image/ab67616d00001e0232ae789bec2b170d61187e56) | Castillo Interior: Adagio [Fig. 8] | Pēteris Vasks, Kristīne Balanas, Margarita Balanas | D Major | 0 | 10B | 90 BPM | |
 | Trio inachevé in F Major | Reynaldo Hahn, Dania Tchalik, Louise Tchalik, Marc Tchalik | F Major | 0 | 7B | 102 BPM | |
 | Piano Trio No. 2, Op. 67: 2. Allegro con brio | Dmitri Shostakovich, Vladimir Ashkenazy, Zsolt-Tihamér Visontay, Mats Lidström | E♭ Major | 1 | 5B | 79 BPM | |
 | Sizzle and Spice | Estoria | F Major | 0 | 7B | 102 BPM | |
 | Musica ricercata: No. 1, Sostenuto | György Ligeti, Pierre-Laurent Aimard | D♭ Minor | 1 | 12A | 104 BPM | |
 | String Quartet No. 4, 2nd Movement, Percussive Dimensions | Béla Bartók, vision string quartet, Bernhard Schimpelsberger | F Major | 0 | 7B | 102 BPM | |
 | Concerto grosso no.1 (1976-77): 1. Preludio: Andante | Alfred Schnittke, Gidon Kremer, Tatiana Grindenko, Yuri Smirnov, Chamber Orchestra of Europe, Heinrich Schiff | C Minor | 0 | 5A | 93 BPM | |
 | Montage: II. Larghetto espressivo | James Lentini, Harvey Thurmer, Pansy Chang, Siok Lian Tan | D♭ Minor | 2 | 12A | 113 BPM | |
 | Poem for String Quartet | Rebecca Clarke, Barbican Quartet | F Major | 0 | 7B | 102 BPM | |
 | Quatuor pour la fin du Temps: VIII. Louange à l'immortalité de Jésus | Olivier Messiaen, Lucas Debargue | E Major | 0 | 12B | 76 BPM | |
| String Quartet No. 1 in D Major, Op. 25: I. Andante Sostenuto - Allegro Vivo | Benjamin Britten, Barbican Quartet | F Major | 0 | 7B | 102 BPM | |
 | 12 Nocturnes: No. 5, In den Morgen tanzen | Bent Sørensen, Katrine Gislinge | F Major | 0 | 7B | 102 BPM | |
 | Shostakovich: String Quartet No. 10 in A-Flat Major, Op. 118: III. Adagio | Dmitri Shostakovich, Brodsky Quartet | A Major | 1 | 11B | 78 BPM | |
 | Violin Sonata in E Minor, P. 85: IV. Giga. Vivace assai (After J.S. Bach's BWV 1023) | Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | E Minor | 0 | 9A | 121 BPM | |
 | Música callada I: No. 2, Lent | Federico Mompou, Stephen Hough | E Minor | 0 | 9A | 86 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records