Piebald's ' "Where Have All the Classics Gone" was released on its scheduled release date, April 13, 2000. This song is about six minutes long, preciously at 5:48, making this song fairly long compared to other songs. There are a total of 5 in the song's album "The Rock Revolution Will Not Be Televised". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. Based on our statistics, Where Have All the Classics Gone's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Where Have All the Classics Gone by Piebald having a BPM of 139 with a half-time of 70 BPM and a double-time of 278 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Perfect Lines | The Promise Ring | F Major | 9 | 7B | 89 BPM | ||
| A Gentleman Caller | Cursive | B Minor | 7 | 10A | 151 BPM | ||
| S Is For Susan | Park | D Major | 7 | 10B | 137 BPM | ||
| Sensitive Dependence | Iron Chic | G Major | 9 | 9B | 132 BPM | ||
| A Year In The Past, Forever In The Future | Grade | D Major | 9 | 10B | 148 BPM | ||
| (Never) Say Goodbye | The Impossibles | A♭ Major | 9 | 4B | 165 BPM | ||
| Curiosity Killed The Cat, And I'm The Killed | Small Brown Bike | A♭ Minor | 9 | 1A | 176 BPM | ||
| The House Shook | Hey Mercedes | D Major | 9 | 10B | 164 BPM | ||
| Prevent The World | Criteria | D Major | 9 | 10B | 90 BPM | ||
| Walking on Glass | The Movielife | A♭ Major | 9 | 4B | 112 BPM | ||
| Closing My Eyes Won't Help Me Leave | Moneen | D♭ Minor | 10 | 12A | 98 BPM | ||
| Slightest Idea | Hey Mercedes | D Major | 8 | 10B | 162 BPM | ||
| Young.Brash.Hopeful. | Fairweather | G Major | 9 | 9B | 118 BPM | ||
| Dictionary | Mock Orange | D Major | 8 | 10B | 130 BPM | ||
| Sierra | Cursive | B♭ Major | 9 | 6B | 149 BPM | ||
| The Contents of Lincoln's Pockets | Rainer Maria | D♭ Minor | 8 | 12A | 156 BPM | ||
| Mystery and Misery | Rainer Maria | D♭ Major | 9 | 3B | 148 BPM | ||
| Fishing The Sky | The Appleseed Cast | B Major | 9 | 1B | 159 BPM | ||
| Pink Chimneys | The Promise Ring | F Major | 9 | 7B | 161 BPM | ||
| Girl, Why'd You Run Away | Reggie And The Full Effect | F Major | 10 | 7B | 150 BPM | ||
| Buses/No Buses | Bear Vs. Shark | B Minor | 9 | 10A | 103 BPM | ||
| Bad Timing (All Right) | Recover | C Major | 9 | 8B | 120 BPM | ||
| Your Gravest Words | The Lawrence Arms | B Major | 9 | 1B | 172 BPM | ||
| Cross My Heart | Home Grown | B Major | 9 | 1B | 177 BPM | ||
| Why Did Ever We Meet | The Promise Ring | E Major | 9 | 12B | 90 BPM |