Norma Jean's 'Bayonetwork: Vultures In Vivid Color' had a release date set for January 1, 2005. The duration of This song is about 3 minutes long, at 3:29. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 11 in the song's album "O God, The Aftermath". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. In terms of popularity, Bayonetwork: Vultures In Vivid Color is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Bayonetwork: Vultures In Vivid Color by Norma Jean having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| She Speaks to Me | Blood Has Been Shed | F♯ Major | 9 | 2B | 184 BPM | ||
| Like a Cat | The Number Twelve Looks Like You | G Minor | 9 | 6A | 162 BPM | ||
| My Mirror No Longer Reflects | Poison The Well | D Minor | 8 | 7A | 85 BPM | ||
| Bloodlust of the Human Condition | Unearth | A Minor | 9 | 8A | 73 BPM | ||
| The Deaf Policemen | The Chariot | F Major | 10 | 7B | 96 BPM | ||
| Leaving the Earth | From A Second Story Window | D Minor | 10 | 7A | 142 BPM | ||
| Everyone Talking over Everyone Else | Norma Jean | B♭ Major | 10 | 6B | 175 BPM | ||
| How London Got Its Fog | From A Second Story Window | B Minor | 9 | 10A | 88 BPM | ||
| Don't Dink and Drance | The Devil Wears Prada | C Major | 10 | 8B | 130 BPM | ||
| I Do My Crosswords In Pen | On Broken Wings | F♯ Major | 8 | 2B | 86 BPM | ||
| They Faced Each Other | The Chariot | E Major | 10 | 12B | 175 BPM | ||
| Dreaming In Dog Years | The Red Chord | G Major | 9 | 9B | 113 BPM | ||
| Passenger 57 | The Tony Danza Tapdance Extravaganza | A Major | 10 | 11B | 140 BPM | ||
| Pushing Up Daisies | On Broken Wings | C Major | 9 | 8B | 92 BPM | ||
| If You Got It At Five, You Got It At Fifty | Norma Jean | F♯ Major | 10 | 2B | 156 BPM | ||
| Vietmam | Botch | G Major | 9 | 9B | 89 BPM | ||
| There's a Time and a Place for Everything | The Tony Danza Tapdance Extravaganza | D♭ Major | 10 | 3B | 98 BPM | ||
| Pablo Escobar's Secret Stash: Revisited | Underminded | A♭ Major | 8 | 4B | 137 BPM | ||
| For Love And Failing | Bleeding Through | E Minor | 10 | 9A | 145 BPM | ||
| Gloom And How It Gets That Way | Every Time I Die | G Major | 10 | 9B | 118 BPM | ||
| Surreal Atrocites | A Life Once Lost | D Major | 10 | 10B | 145 BPM | ||
| Cursing Akhenaten | After The Burial | D♭ Major | 10 | 3B | 80 BPM | ||
| Charlatan's Host | Oh, Sleeper | C Major | 10 | 8B | 164 BPM | ||
| Memphis Will Be Laid To Waste | Norma Jean | F Minor | 9 | 4A | 82 BPM | ||
| Beginner's Luck | Blood Has Been Shed | A♭ Major | 9 | 4B | 105 BPM |