John Playford, The New World Renaissance Band's ' "Goddesses" was released on its scheduled release date, 1995. The duration of This song is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Goddesses's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Where Beauty Moves and Wit Delights by The New World Renaissance Band. The song's track number on the album is #12 out of 13 tracks. Based on our data, United States was the country where this track was produced or recorded. The popularity of Goddesses is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
Since Goddesses by John Playford, The New World Renaissance Band has a tempo of 163 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Goddesses being at 163 BPM, the half-time would be 82 BPM with a double-time of 326 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Old Bachelor, Z. 607: Hornpipe | Henry Purcell, Les Musiciens De Saint-Julien, François Lazarevitch | F♯ Major | 2 | 2B | 102 BPM | ||
| Danza / Wascha Mesa | Eduardo Paniagua | D Minor | 3 | 7A | 88 BPM | ||
| O Combien est heureuse | Adrien le Roy, The King's Noyse, David Douglass, Ellen Hargis | E♭ Major | 1 | 5B | 98 BPM | ||
| The English Dancing Master, Vol. 1: Merry, Merry Milkmaids | John Playford, Baltimore Consort | D Minor | 2 | 7A | 116 BPM | ||
| Folia (1) | Giovanni Paolo Foscarini, Private Musicke | C Major | 1 | 8B | 86 BPM | ||
| Biaute Paree De Valour | Ensemble Project Ars Nova | C Major | 0 | 8B | 128 BPM | ||
| Simple Gifts (Arr. Knigge Recorder and Ensemble) | Traditional, Lucie Horsch, LUDWIG Orchestra | A Minor | 4 | 8A | 121 BPM | ||
| Intabolatura de lauto, Book 4: Calata ala spagnola | Joan Ambrosio Dalza, Christopher Wilson | B♭ Major | 1 | 6B | 121 BPM | ||
| Terpsichore*: Bransle Double 3 | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | G Minor | 0 | 6A | 77 BPM | ||
| Franchino Gaffurio: Virgo Dei | Franchino Gaffurio, Massimo Lonardi | D Minor | 0 | 7A | 58 BPM | ||
| Piva | Joan Ambrosio Dalza, Ronn McFarlane, Mark Cudek | D♭ Major | 2 | 3B | 138 BPM | ||
| Musick's Delight on the Cithren, Restored and Refined: John come kisse me now | John Playford, Baltimore Consort | G Major | 1 | 9B | 80 BPM | ||
| J'aim sans penser | Guillaume de Machaut, Randall Cook, Emmanuel Bonardot, Dominique Vellard, Pierre Hamon, Brigitte Lesne | E♭ Minor | 3 | 2A | 147 BPM | ||
| Benjamin Britten: Gloriana:Courtly Dances - Galliard | Julian Bream | A Major | 0 | 11B | 113 BPM | ||
| Irish Dance | Andrei Krylov | E♭ Minor | 2 | 2A | 144 BPM | ||
| CSM 18: Por Nos De Dulta Tirar (Nunium, The Wizard Of Leyriath) | The Wandering Bard, Alfonso X El Sabio, Esin Yardimli Alves Pereira, Ricardo Alves Pereira, Nina Loureiro | A♭ Minor | 2 | 1A | 88 BPM | ||
| Hélas, Madame | Henry VIII, Katelijne Van Laethem, Jan Caals, Flanders Recorder Quartet, Capilla Flamenca, Bart Spanhove, Paul Van Loey, Joris Van Goethem, Fumiharu Yoshimine, Philippe Malfeyt | F♯ Major | 1 | 2B | 70 BPM | ||
| Istampita instrumentale "Isabella" | Paolo da Firenze, Amandine Beyer, Felix Stricker, Jane Achtman, Karl-Ernst Schröder, Mala Punica, Pedro Memelsdorff | F♯ Major | 0 | 2B | 95 BPM | ||
| The Celt | Sue Richards, Ensemble Galilei | E Minor | 2 | 9A | 126 BPM | ||
| Mrs. McDermott Roe | Turlough O'Carolan, Michal Hromek Consort | G Minor | 2 | 6A | 143 BPM | ||
| Espanoletta | Carlo Calvi, Pierre Pitzl, Private Musicke | A♭ Minor | 0 | 1A | 97 BPM | ||
| Onques n'amai tant que jou fui amee (Instrumental Version) | Richart de Fournival, Sinfonye | G Major | 1 | 9B | 110 BPM | ||
| Suite de trois branles de village: Bobbing Joe / Excuse Me / Red House | Charles-Emmanuel Borjon de Scellery, John Playford, Les Musiciens De Saint-Julien, François Lazarevitch | B♭ Major | 2 | 6B | 109 BPM | ||
| Première suytte de Bransles d'Escosse | Pierre Attaingnant, Doulce Mémoire, Denis Raisin-Dadre | C Minor | 2 | 5A | 105 BPM | ||
| Prime stravaganze (From the British Library, Manuscript "Luigi Rossi" No. 30491 - Arr. for Treble, Tenor Viol, 2 Bass Viols and Harp by Fredrik Hildebrand) | Giovanni de Macque, Lux Beata, Fredrik Hildebrand | G Major | 1 | 9B | 116 BPM |