Jim Staley's 'So Noble and Kind He Seemed' had a release date set for December 4, 1992. The duration of This song is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. So Noble and Kind He Seemed's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 19 in Don Giovanni by Jim Staley. So Noble and Kind He Seemed is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of So Noble and Kind He Seemed by Jim Staley is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Control 3 | Conrad Schnitzler | D♭ Major | 2 | 3B | 137 BPM | ||
| timeless night | various sighhorns | D♭ Major | 10 | 3B | 120 BPM | ||
| Coffee Grains | Baby Cello | C Major | 1 | 8B | 78 BPM | ||
| Closeness | Saryed | D♭ Major | 9 | 3B | 84 BPM | ||
| Lost Highway (2002/03): Scene 1.1 | Olga Neuwirth, Constance Hauman, Johannes Kalitzke, Klangforum Wien, Vincent Crowly | D Major | 1 | 10B | 80 BPM | ||
| Bold | QUEEN TSAKY | A Major | 8 | 11B | 169 BPM | ||
| Save me | VivoWiz | D♭ Major | 2 | 3B | 137 BPM | ||
| Miniature No. 12 | Jette Mogensen | D♭ Minor | 1 | 12A | 70 BPM | ||
| Pheasant Colony | Jim Staley | D Major | 2 | 10B | 64 BPM | ||
| Negar | rodrigo lopez | D♭ Major | 10 | 3B | 120 BPM | ||
| Movimientos 1 (para piano y voz) | Jimmy Herrera | C Major | 0 | 8B | 84 BPM | ||
| Mother Stops Baba | A.R. Rahman | G Major | 3 | 9B | 65 BPM | ||
| Imaginary Landscape No. 1 | The Manhattan Percussion Ensemble, Xenia Cage, Doris Dennison, Margaret Jansen, John Cage | C Major | 3 | 8B | 142 BPM | ||
| Wave vii | Knockoutsound4you | D♭ Major | 2 | 3B | 137 BPM | ||
| Mandible | The Chitinous Ensemble | D Minor | 2 | 7A | 92 BPM | ||
| Scary Children | The Lounge Lizards | F Major | 1 | 7B | 91 BPM | ||
| Cuenta cuatro 39 | cesar tottere | D Major | 10 | 10B | 119 BPM | ||
| Interludio de Luciérnagas | Classical Laguna Experience Orchestra, Gabriela Ortiz, Ludwig Carrasco | A♭ Minor | 0 | 1A | 77 BPM | ||
| Qen a omagen da Virgin | Martien van der Knijff | D♭ Major | 3 | 3B | 123 BPM | ||
| Clave 897 | asolo | B Major | 6 | 1B | 110 BPM | ||
| Segments IV | OG BREZZY | C Minor | 0 | 5A | 69 BPM | ||
| Unterwegs (for Roman) | Fred Frith | A Major | 2 | 11B | 82 BPM | ||
| Obertura | Classical Laguna Experience Orchestra, Gabriela Ortiz, Ludwig Carrasco | F♯ Major | 4 | 2B | 136 BPM | ||
| Manchas | Victor m | F♯ Major | 10 | 2B | 160 BPM | ||
| National Day of Mourning | David Jacques | E Major | 1 | 12B | 70 BPM |