On 2009, the song "Babhana Ke Pootawa" was released by Rajendra Vyas. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Rajendra Vyas's "Maai Vindyachal Wali" album is number 1 out of 7. On top of that, India appears to be the country where this track was created. Babhana Ke Pootawa is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Babhana Ke Pootawa by Rajendra Vyas to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hey Naam Re | Kishan Bhagat, Pankaj Budrani | F♯ Major | 8 | 2B | 150 BPM | ||
| Laakhon Paapi Taar Diye | Sanjay Mittal | F♯ Major | 7 | 2B | 81 BPM | ||
| Kanha O Kanha | Navin Tripathi, Kavita Raam | E Major | 8 | 12B | 87 BPM | ||
| Baba Tu Itna Bata De | Sheetal Pandey | A Major | 7 | 11B | 146 BPM | ||
| Sharan Teri Sukh Paya | Sudhir Vyas | E♭ Minor | 5 | 2A | 95 BPM | ||
| Me Kese Tumhari Saran Chhod Dunga | Sonu Baba | E♭ Major | 6 | 5B | 78 BPM | ||
| Haar Nahi Hogi Baba | Upasana Mehta | E♭ Minor | 8 | 2A | 76 BPM | ||
| Aao Gopal Taras Rahe Nain | Vinod Agarwal | E♭ Minor | 8 | 2A | 99 BPM | ||
| Mor Di Sawari Kar Aaya | Dhiraj Sharma | F♯ Major | 5 | 2B | 84 BPM | ||
| Bappa Aaye Re | Swasti Mehul | D Major | 7 | 10B | 100 BPM | ||
| Pouna Hariya Baba Teri Maya | Karnail Rana | A♭ Major | 6 | 4B | 100 BPM | ||
| Ram Ko Dekhkar Ke Janak Nandini | Mishra Bandhu | C Minor | 8 | 5A | 91 BPM | ||
| Jayo Yashoda Ji Ne Lalla | Rajendra Vyas | F Minor | 6 | 4A | 95 BPM | ||
| Pata Nhi Kis Roop Me Aakar Narayan Mil Jayega | Prakash Gandhi | D♭ Major | 7 | 3B | 132 BPM | ||
| Hey Ladli Radhey | Rahul Savera | B♭ Minor | 9 | 3A | 140 BPM | ||
| Radha Radha Shyam Radha Radha | Hita Ambrish | B Minor | 7 | 10A | 159 BPM | ||
| Mai tore roop hazar | Rakesh Tiwari | A♭ Major | 5 | 4B | 115 BPM | ||
| Tera Kisne Kiya Singaar Sanwre | Pandit Pradeep Ji Mishra | E Major | 3 | 12B | 89 BPM | ||
| Oh Maiya Tene Ka Thani Man Mein | Mishra Bandhu | D Minor | 8 | 7A | 90 BPM | ||
| Mann Bas Gayo Nand Kishore | Govind Bhargav | G Major | 7 | 9B | 172 BPM | ||
| Hum Tumhare Hain Prabhu | Devendra Pathak | C Major | 7 | 8B | 120 BPM | ||
| Naina Lad Gaye Shyam Salone Se | Sadhvi Purnima Ji | D♭ Major | 8 | 3B | 100 BPM | ||
| Chalo Aiyo Re Shyam Mere Palkan Pe | Acharya Mridul Krishna Goswami | F♯ Major | 8 | 2B | 99 BPM | ||
| Aisa Damru Bajaya Bhole Nath Ne | Mishra Bandhu | F♯ Minor | 7 | 11A | 126 BPM | ||
| Bansi Bajaye Gayo Shyam Mose Naina Mila Ke | Shridhay Shri Mridul krishna shastri ji maharaj | G Major | 7 | 9B | 119 BPM |