Madan Rai's ' "Gawana Jhoote Kaike Leaail" was released on its scheduled release date, May 24, 2002. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 7 in Ae Piya by Madan Rai. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Gawana Jhoote Kaike Leaail is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Gawana Jhoote Kaike Leaail by Madan Rai is Moderato (at a moderate speed), since this song has a tempo of 111 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Jaan Lei Gailu Ho | Manish Samrat | F♯ Minor | 8 | 11A | 77 BPM | ||
| Pagol Bonai Geli Re | Kumar Pena | E Minor | 8 | 9A | 79 BPM | ||
| Kahan Gaya Bedardi | Attaullah Khan | A♭ Major | 5 | 4B | 128 BPM | ||
| Baajna Kahela Hum Baajab | Aarti Mishra, Madan Rai, Tarun Toofani | E♭ Major | 8 | 5B | 94 BPM | ||
| Jaisan Chandra Pawan | Udit Narayan, Sadhana Sargam | B♭ Major | 6 | 6B | 77 BPM | ||
| Balak Abodhe Bujhike | Vishnu Ojha | B♭ Major | 6 | 6B | 88 BPM | ||
| Kahiya Le Batboo | Munna Singh | B♭ Major | 7 | 6B | 116 BPM | ||
| Yedu Namacha Elaaz | Chandan Kamble | A Major | 8 | 11B | 99 BPM | ||
| Alabeda Nanakandha | Appagere Thimmaraju | C Major | 4 | 8B | 119 BPM | ||
| Tohre Sevekwa Maiya | Bharat Sharma Vyas | C Minor | 7 | 5A | 159 BPM | ||
| Raeelore Tor Saadher Gharbadi | Parikshit Bala | G Major | 5 | 9B | 82 BPM | ||
| Hatir Dnater Palangka Tor | Parikshit Bala | A Major | 3 | 11B | 63 BPM | ||
| Tora Bina Duniya Biran Lage Gori Re | Gunjan Singh | F Major | 8 | 7B | 125 BPM | ||
| Jodiya Banal Rahe Dulha Dulhin Ke | Hema Pandey | D Minor | 8 | 7A | 88 BPM | ||
| Hey Ge Maa Hum Ne Baklel Ge | Dilip Dharbhangiya | D♭ Minor | 8 | 12A | 154 BPM | ||
| Halore Aame Vrajma Javana | Hemant Chauhan | A♭ Minor | 7 | 1A | 118 BPM | ||
| Bhulavle Bhulavle Harila | Surykant Shinde | A Major | 7 | 11B | 125 BPM | ||
| Naihare Ke Chaar Go Yearwa | Vishnu Ojha | A♭ Major | 7 | 4B | 133 BPM | ||
| Gavanvaan Leija Raja Ji | Kalpana | D Minor | 6 | 7A | 113 BPM | ||
| Bhaiya Ke Sar Ke | Karina Pandey, Sovita Pandey | D Minor | 9 | 7A | 174 BPM | ||
| Nirdhan Ke Rog Jani | Pawan Singh | D♭ Major | 7 | 3B | 92 BPM | ||
| Chhod Ke Parhal Ae Sanwaru | Gopal Rai | F♯ Major | 10 | 2B | 145 BPM | ||
| Bhejle Ba Pitri Ke Pahunchi Nishaan | Madan Rai | F♯ Minor | 5 | 11A | 160 BPM | ||
| Tohra Pe Waari Sanwriya Ae Raghubar | Madan Rai | G Major | 6 | 9B | 151 BPM | ||
| Chala Na Piparwa Ke Tarawa | Pankaj Matalbi Yadav, Neha Singh Nishtha | D♭ Major | 7 | 3B | 100 BPM |