Johann Strauss II, Riccardo Muti, Wiener Philharmoniker's 'Niko-Polka, Op. 228' had a release date set for January 8, 2021. The duration of This song is about 3 minutes long, at 3:04. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 19 in the song's album "Neujahrskonzert 2021 / New Year's Concert 2021 / Concert du Nouvel An 2021". In this album, this song's track order is #3. Niko-Polka, Op. 228 is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Niko-Polka, Op. 228 by Johann Strauss II, Riccardo Muti, Wiener Philharmoniker having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Eugen Onegin: Polonaise | Rundfunkorchester Berlin, Heinz Fricke | G Major | 5 | 9B | 95 BPM | ||
| Vals del Emperador Op. 437 | Gran Orquesta Vienesa | C Major | 2 | 8B | 68 BPM | ||
| Suppé: Leichte Kavallerie: Ouvertüre | Franz von Suppé, Royal Philharmonic Orchestra, Philip Ellis | A Major | 3 | 11B | 85 BPM | ||
| Verdi: Aida, Act 2: Triumphal March | Giuseppe Verdi, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | E♭ Major | 0 | 5B | 93 BPM | ||
| 8 Humoresques, Op. 101, B. 187: No. 7, Poco lento e grazioso (Arr. for Violin & String Orchestra by Anonymous) | Antonín Dvořák, Budapest Strings, Béla Bánfalvi | F♯ Major | 0 | 2B | 106 BPM | ||
| Du und Du (You and You), Op. 367 (RV 367) | Johann Strauss II, Edouard Strauss Orchestra, Edouard Strauss | C Minor | 0 | 5A | 49 BPM | ||
| Der Freischütz, J. 277, Act I: Walzer | Carl Maria von Weber, Staatskapelle Dresden, Carlos Kleiber | A Major | 5 | 11B | 91 BPM | ||
| Carmen Ballet Suite (after Bizet): IX. Torero | Rodion Shchedrin, Slovenian Symphony Orchestra, Anton Nanut | F Major | 5 | 7B | 115 BPM | ||
| Die Hochzeit des Figaro, K. 492, 3. Akt: Canzonetta sull aria… Che soave zeffiretto (Die Verurteilten): Sinfonia | Wolfgang Amadeus Mozart, Marina Mescheriakova, Judith Halász, Michelle Breedt, Orsolya Safar, Gabriele Sima, Alexander Klinger, Michael Roider, Bo Skovhus, Peter Koves, Janusz Monarcha, Renato Girolami, Nicolaus Esterhazy Sinfonia, Michael Halasz | D Major | 1 | 10B | 145 BPM | ||
| The Snowstorm: II. Waltz | Georgy Sviridov, Vladimir Fedoseyev, State Academic Large Symphony Orchestra | A Major | 2 | 11B | 70 BPM | ||
| Angelica, Op. 123: Angelica-Polka francaise, Op. 123 | Josef Strauss, Budapest Strauss Symphony Orchestra, Alfred Walter | D Major | 0 | 10B | 115 BPM | ||
| Shostakovich: Suite for Jazz Orchestra No. 1, Op. 38a: I. Waltz | Dmitri Shostakovich, Philadelphia Orchestra, Mariss Jansons | E♭ Major | 0 | 5B | 81 BPM | ||
| Peer Gynt Suite No. 1, Op. 46. Incidental music to Peer Gynt by Ibsen: I. Morning Mood | Edvard Grieg, WDR Sinfonieorchester Köln, Eivind Aadland | B♭ Major | 0 | 6B | 68 BPM | ||
| Bombones de Viena | George Henkla | F Major | 2 | 7B | 182 BPM | ||
| La bohème: Quando me'n vo' | Giacomo Puccini, Andre Kostelanetz, Andre Kostelanetz & His Orchestra, André Kostelanetz Orchestra | A Minor | 3 | 8A | 77 BPM | ||
| Scheherazade: The princess in a palanquin | Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim | G Major | 1 | 9B | 166 BPM | ||
| Salut d'amour, Op. 12 (version for orchestra) | Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 82 BPM | ||
| In Autumn, Op. 11 | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | A Minor | 1 | 8A | 109 BPM | ||
| Fur die ganze Welt | Joseph Hellmesberger, Jr., Göttingen Symphony Orchestra, Christian Simonis | G Major | 1 | 9B | 179 BPM | ||
| Mendelssohn: Violin Concerto in E Minor, Op. 64, MWV O14: III. Allegretto non troppo - Allegro molto vivace | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester | E Major | 2 | 12B | 161 BPM | ||
| On the Beautiful Blue Danube - Waltz Op. 314 | Johann Strauss II, Hallé, Bryden Thomson | D Major | 0 | 10B | 81 BPM | ||
| Thunder And Lightning, Op. 324 | Johann Strauss II, Marko Letonja, Tasmanian Symphony Orchestra | G Major | 2 | 9B | 70 BPM | ||
| Don Quixote: Overture | Ludwig Minkus, Valery Zhelobinsky, Sofia National Opera Orchestra, Boris Spassov | G Major | 1 | 9B | 82 BPM | ||
| The Moldau | Bedřich Smetana, Ferenc Fricsay, Berliner Philharmoniker | E Minor | 3 | 9A | 86 BPM | ||
| Radetzky-Marsch, Op. 228 | Johann Strauss I, Berliner Philharmoniker, Herbert von Karajan | A Major | 3 | 11B | 107 BPM |