On October 16, 2000, the song "Aarti Hanumantachi" was released by Ravindra Sathe, Uttara Kelkar. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 10 out of 19 in Aarti Sangrah by Lata Mangeshkar, Ravindra Sathe, Uttara Kelkar. In terms of popularity, Aarti Hanumantachi is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Aarti Hanumantachi by Ravindra Sathe, Uttara Kelkar is Andante (at a walking pace), since this song has a tempo of 106 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ghalin Lotangan | Sudesh Bhosle, Chorus | D♭ Major | 7 | 3B | 112 BPM | ||
| Vedasarashivastotram | G. Gayathri Devi, Saindhavi, PRIYA, R. Shruti | A♭ Major | 6 | 4B | 126 BPM | ||
| Ye Chamak Ye Damak 2.0 | Sudhir Vyas | D Major | 7 | 10B | 100 BPM | ||
| Khandon Bhabo Bandana, Pt. 1 | Narendrapur University Artist, Atanu Sanyal | F♯ Minor | 1 | 11A | 104 BPM | ||
| Yaa Devi Sarva Bhuteshu | Nirmalya Roy | A♭ Minor | 7 | 1A | 96 BPM | ||
| Ugram Veeram Maha Vishnum | ISKCON Bangalore | F Minor | 6 | 4A | 146 BPM | ||
| Hey Bajarang Bali Hanuman | Hari Om Sharan | F♯ Minor | 4 | 11A | 94 BPM | ||
| Mrityunjaya Stuti the Sounds for Healing | Ishan Shivanand, Avdhoot Shivanand | F Major | 6 | 7B | 140 BPM | ||
| Shri Vilvashtkam | Pujya Bhaishree Rameshbhai Ojha | D♭ Major | 4 | 3B | 122 BPM | ||
| He Sharde Maa | Sachin Limaye, Dr. Dipali Bhatt | C Major | 3 | 8B | 130 BPM | ||
| Sada Sarvada Yog Tujha Ghadava | Ravindra Sathe | D♭ Major | 2 | 3B | 117 BPM | ||
| Ye Jeevan Path Mera | Ravindra Sathe | D♭ Major | 5 | 3B | 143 BPM | ||
| Radha Raman Girdhari | Roop Kumar Rathod, Ravindra Sathe | F Major | 8 | 7B | 146 BPM | ||
| Bappa Moraya Re | Prahlad Shinde | A Minor | 6 | 8A | 70 BPM | ||
| Krishna Bhajan 2 - Mashup | Dhruv Sharma, Swarna Shri | A Major | 8 | 11B | 174 BPM | ||
| Dakshin Kalika Dhyan | Debasish Chakraborty | E♭ Minor | 5 | 2A | 78 BPM | ||
| Durge Durgat Bhari Aarti | Priya Shankar | F♯ Major | 2 | 2B | 129 BPM | ||
| Gopi Govinda | Manikka Vinayagam, Radhika | D♭ Minor | 8 | 12A | 188 BPM | ||
| Shree Sankat Nashan Ganesh Stotram | Prem Prakash Dubey | C Major | 3 | 8B | 132 BPM | ||
| Powerful Durga Stuti | Tarsh Srivastava | E♭ Major | 6 | 5B | 130 BPM | ||
| Chimb Jhali - With Commentary | Milind Ingle, Ravindra Sathe, Avadhoot Gupte, Jaydeep Bagwadkar, Dr Neha Rajpal, Hrishikesh Ranade, Vinay Apte | A Major | 6 | 11B | 80 BPM | ||
| Sadguru Natha Haat Jodito | Amol Bavdekar | E♭ Major | 5 | 5B | 103 BPM | ||
| Sai Ashtottarshatnamavali | Pramod Medhi | A♭ Major | 1 | 4B | 105 BPM | ||
| Acharyakrutam Shatpadeestotram | G. Gayathri Devi, Saindhavi, Priya, R. Shruti | F♯ Minor | 4 | 11A | 132 BPM | ||
| Surya Ashtakam | Prasath Sai, Prakash Kumar | D Major | 5 | 10B | 154 BPM |