"Turandot: Act III Scene 1: Principessa divina!" by Giacomo Puccini, Masako Deguci, Giovanna Casolla, Lando Bartolini, Gorka Gerrikabeitia, Francisco Heredia, Javier Mas, Vicenc Esteve, Armando Ariostini, Jose Garcia-Quijada, Felipe Bou, Bilbao Choral Society, Malaga Philharmonic Orchestra, Alexander Rahbari had its release date on May 24, 2003. The duration of This song is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Turandot: Act III Scene 1: Principessa divina!'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 45 in the song's album "Puccini: Turandot". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Hong Kong. Based on our statistics, Turandot: Act III Scene 1: Principessa divina!'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Turandot: Act III Scene 1: Principessa divina! by Giacomo Puccini, Masako Deguci, Giovanna Casolla, Lando Bartolini, Gorka Gerrikabeitia, Francisco Heredia, Javier Mas, Vicenc Esteve, Armando Ariostini, Jose Garcia-Quijada, Felipe Bou, Bilbao Choral Society, Malaga Philharmonic Orchestra, Alexander Rahbari having a BPM of 125 with a half-time of 62 BPM and a double-time of 250 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lohengrin, WWV 75: Prelude to Act I | Richard Wagner, Gewandhausorchester, Andris Nelsons | A Major | 1 | 11B | 72 BPM | ||
| Rusalka, Op. 114: Song to the Moon (Arranged for Violin & Orchestra by Joshua Bell) | Antonín Dvořák, Joshua Bell, Michael Stern, Orchestra of St. Luke's | F♯ Major | 1 | 2B | 137 BPM | ||
| Ave Maria (Ellen's Gesang) D.839 | Barbara Hendricks, Stockholm Chamber Orchestra, Erik Lundkvist, Eric Ericson | B♭ Major | 0 | 6B | 102 BPM | ||
| Barcarolle: Schöne Nacht, du Liebesnacht - Hoffmanns Erzählungen | Jacques Offenbach, Jesús López-Cobos, Hei-Kyung Hong, Jennifer Larmore, Munich Radio Orchestra | D Major | 2 | 10B | 81 BPM | ||
| Barcarolle | Jacques Offenbach, Anna Netrebko, Elina Garanca | D Major | 2 | 10B | 132 BPM | ||
| Panis Angelicus: Panis Angelicus | César Franck, Cecilia Bartoli, Cinzia Maurizio, Luigi Piovano, Daniele Rossi | G Major | 1 | 9B | 171 BPM | ||
| La Bohème / Act 1: "Sì. Mi chiamano Mimì" | Giacomo Puccini, Pumeza Matshikiza, Aarhus Symphony Orchestra, Tobias Ringborg | D Major | 2 | 10B | 89 BPM | ||
| Tosca: Act II: Vissi d'arte, vissi d'amore (Tosca, Scarpia) | Giacomo Puccini, Nelly Miricioiu, Giorgio Lamberti, Silvano Carroli, Andrea Piccinni, Miroslav Dvorský, Jan Durco, Stanislav Beňačka, Jozef Spacek, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Raimo Sirkia, Slovak Chamber Choir, Alexander Rahbari, Markus Lehtinen | A♭ Major | 3 | 4B | 176 BPM | ||
| Rusalka: Song to the Moon | Antonín Dvořák, Olga Peretyatko, Miguel Gomez-Martinez | F♯ Major | 2 | 2B | 89 BPM | ||
| Symphony No. 5: IV. Adagietto. Sehr langsam | Gustav Mahler, Berliner Philharmoniker, Claudio Abbado | F Major | 0 | 7B | 91 BPM | ||
| Nessun Dorma! | Mario del Monaco | A Major | 1 | 11B | 104 BPM | ||
| Notturno for Strings and Harp | Arnold Schoenberg, Daniel Hope, Zürcher Kammerorchester, Jane Berthe | A♭ Major | 1 | 4B | 75 BPM | ||
| Gianni Schicchi (Oper in 1 Akt) | Mirella Freni | A♭ Major | 2 | 4B | 174 BPM | ||
| Pagliacci, Act I: "Recitar! Vesti la giubba" (Canio) | Ruggero Leoncavallo, Orchestra dell'Accademia Nazionale di Santa Cecilia, Francesco Molinari-Prandelli, Mario del Monaco | E Major | 2 | 12B | 89 BPM | ||
| Albinoni: Adagio in G Minor | Tomaso Albinoni, Sir Neville Marriner, Academy of St. Martin in the Fields | C Minor | 1 | 5A | 90 BPM | ||
| Cavalleria rusticana: Intermezzo | Pietro Mascagni, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | F Major | 1 | 7B | 95 BPM | ||
| Rinaldo, HWV 7: Lascia ch'io pianga | George Frideric Handel, Samuel Mariño, Covent Garden Sinfonia, Ben Palmer | E Major | 1 | 12B | 62 BPM | ||
| Turandot, Atto III: "Nessun Dorma" | Giacomo Puccini, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Coro dell'Accademia Nazionale Di Santa Cecilia, Antonio Pappano | D Major | 3 | 10B | 82 BPM | ||
| Lungi dal caro bene | Giuseppe Sarti, Pumeza Matshikiza, Aarhus Symfoniorkester, Tobias Ringborg | A♭ Major | 1 | 4B | 96 BPM | ||
| Verdi: Nabucco, Act 3: "Va pensiero", 'Chorus of the Hebrew slaves' (Chorus) | Giuseppe Verdi, Carlo Rizzi, Chorus of the National Academy of Saint Cecilia, Orchestra of the National Academy of Saint Cecilia | E Major | 0 | 12B | 79 BPM | ||
| Gianni Schicchi: Oh! Mio Babbino Caro | Renata Tebaldi, Lamberto Gardelli, Orchestra del Maggio Musicale Fiorentino | A♭ Major | 3 | 4B | 88 BPM | ||
| Die Fledermaus: Overture | Johann Strauss II, Wiener Philharmoniker, André Previn | A Major | 2 | 11B | 90 BPM | ||
| Turandot / Act 3: "Tu che di gel sei cinta" | Giacomo Puccini, Renata Tebaldi, Mario del Monaco, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia, Alberto Erede | E♭ Minor | 2 | 2A | 89 BPM | ||
| Vocalise, Op. 34, No. 14 - Remastered | Sergei Rachmaninoff, Anna Moffo, American Symphony Orchestra, Leopold Stokowski | D Major | 1 | 10B | 100 BPM | ||
| Tosca / Act 1: "Recondita armonia" | Giacomo Puccini, José Carreras, Domenico Trimarchi, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | E♭ Major | 2 | 5B | 102 BPM |