"Trio, Op. 10: I. Moderato" by Ruth Gipps, Juliana Koch, Julian Bliss, Michael McHale had its release date on August 16, 2024. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Ruth Gipps, Juliana Koch, Michael McHale, Julian Bliss's "Gipps: Piper of Dreams" album is number 15 out of 18. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Trio, Op. 10: I. Moderato is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Trio, Op. 10: I. Moderato by Ruth Gipps, Juliana Koch, Julian Bliss, Michael McHale to be Andante (at a walking pace) because the track has a tempo of 99 BPM, a half-time of 50BPM, and a double-time of 198 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| A Downland Suite (Arr. for String Orchestra): III. Minuet. Allegretto grazioso | John Ireland, Richard Hickox, City of London Sinfonia | A Minor | 1 | 8A | 138 BPM | ||
| Schumann: Fantasiestücke Op. 73: I. Zart und mit Ausdruck | Robert Schumann, Anneleen Lenaerts, Dionysis Grammenos | A Minor | 0 | 8A | 138 BPM | ||
| Britten: Four Sea Interludes from Peter Grimes, Op. 33a: No. 1, Dawn | Benjamin Britten, André Previn, London Symphony Orchestra | A Minor | 0 | 8A | 73 BPM | ||
| Horn Concerto, Op. 58: I. Con moto | Ruth Gipps, Martin Owen, BBC Philharmonic, Rumon Gamba | F♯ Minor | 0 | 11A | 135 BPM | ||
| Dolly Suite, Op. 56 (arr. H. Rabaud): III. Le Jardin de Dolly | Henri Rabaud, Gabriel Fauré, RTE Sinfonietta, John Georgiadis | E Major | 0 | 12B | 64 BPM | ||
| II. Mouvement de menuet | John Rutter, Manchester Camerata | D♭ Major | 1 | 3B | 80 BPM | ||
| Sicilienne | Maria Theresia von Paradis, Michael Collins, Michael McHale | E♭ Major | 0 | 5B | 121 BPM | ||
| Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Angela Cheng, Jens Lindemann, CBC Radio Orchestra, Mario Bernardi | C Minor | 0 | 5A | 175 BPM | ||
| L'Horloge de Flore: 3h - Galant de jour | Jean Françaix, Albrecht Mayer, Academy of St. Martin in the Fields, Mathias Mönius | A Minor | 1 | 8A | 90 BPM | ||
| Suite from "The Victorian Kitchen Garden": III. Mists. Lento melancolico | Paul Reade, Michael Collins, Michael McHale | G Minor | 0 | 6A | 70 BPM | ||
| Trois petites pièces: Chanson | Augusta Holmès, Juliette Hurel, Hélène Couvert | D Major | 0 | 10B | 70 BPM | ||
| Serenade for Strings in E-Flat Major, Op. 6: II. Allegro non troppe e grazioso | Josef Suk, Alexej Svjatlovskij, Igor Makarow, Sergej Belesow, European New Philharmonic Orchestra, Volker Hartung | F♯ Major | 1 | 2B | 109 BPM | ||
| Symphony No. 3 - 'Pastoral Symphony': II. Lento moderato | Ralph Vaughan Williams, Hallé, Sir Mark Elder | G Minor | 0 | 6A | 103 BPM | ||
| Harvest Hymn | Percy Grainger, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 2 | 10B | 84 BPM | ||
| An English Suite: V. Pastoral | Hubert Parry, London Symphony Orchestra, Sir Adrian Boult | C Major | 0 | 8B | 78 BPM | ||
| Symphony No. 4, Op. 61: I. Moderato | Ruth Gipps, Rumon Gamba, BBC National Orchestra Of Wales | G Major | 1 | 9B | 137 BPM | ||
| Ambarvalia, Op. 70 | Ruth Gipps, Royal Liverpool Philharmonic Orchestra, Charles Peebles | F♯ Minor | 0 | 11A | 81 BPM | ||
| Saeterjentens Sondag | Johan Svendsen, Neeme Järvi, Bergen Philharmonic Orchestra, Melina Mandozzi | D Major | 0 | 10B | 95 BPM | ||
| Symphony No. 5, Op. 64: IVa. Missa brevis. Kyrie eleison | Ruth Gipps, BBC Philharmonic, Rumon Gamba | F♯ Minor | 1 | 11A | 81 BPM | ||
| Concerto for Violin & Orchestra in D Major, Op. 35: II. Romance. Andante | Erich Wolfgang Korngold, Tassilo Probst, Thessaloniki State Symphony Orchestra, Daniel Geiss | G Major | 1 | 9B | 66 BPM | ||
| Violin Concerto In D Major, Op. 35: II. Romance: Andante | Erich Wolfgang Korngold, Gil Shaham, London Symphony Orchestra, André Previn | G Major | 1 | 9B | 87 BPM | ||
| Brook Green Suite, H. 190: I. Prelude. Allegretto | Gustav Holst, Richard Hickox, City of London Sinfonia | C Major | 1 | 8B | 100 BPM | ||
| Masques et bergamasques Suite, Op. 112: I. Ouverture. Allegro molto vivo | Gabriel Fauré, Seattle Symphony Orchestra, Ludovic Morlot | F♯ Minor | 0 | 11A | 80 BPM | ||
| Pulcinella Suite: II. Serenata - Live | Igor Stravinsky, New York Philharmonic, Kurt Masur | D Minor | 6 | 7A | 123 BPM | ||
| A Shropshire Lad - Rhapsody | George Butterworth, Academy of St. Martin in the Fields, Sir Neville Marriner | A♭ Major | 1 | 4B | 95 BPM |