"Ambarvalia, Op. 70" by Ruth Gipps, Royal Liverpool Philharmonic Orchestra, Charles Peebles had its release date on September 20, 2019. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 15 out of 15 in Bright & Gipps: Works for Piano & Orchestra by Royal Liverpool Philharmonic Orchestra, Charles Peebles. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Ambarvalia, Op. 70 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ambarvalia, Op. 70 by Ruth Gipps, Royal Liverpool Philharmonic Orchestra, Charles Peebles is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Variations on a theme by Haydn, Op. 56a "St. Anthony Variations": Thema, "Chorale St. Antoni". Andante | Johannes Brahms, Pittsburgh Symphony Orchestra, Marek Janowski | B♭ Major | 0 | 6B | 175 BPM | ||
| Lyric for Strings | George Walker, Kellen Gray, Royal Scottish National Orchestra | D♭ Major | 0 | 3B | 142 BPM | ||
| Cringlemire Garden, Op. 39 | Ruth Gipps, BBC Philharmonic, Rumon Gamba | F Minor | 0 | 4A | 47 BPM | ||
| Suite De Trois Morceaux, Op. 116 | Benjamin Godard, Samuel Sanders, Paula Robison | G Major | 1 | 9B | 82 BPM | ||
| A Shropshire Lad | George Butterworth, London Philharmonic Orchestra, Sir Adrian Boult | F Minor | 1 | 4A | 88 BPM | ||
| Suite d'orchestre dans le style ancien, Op. 2: II. Sarabande. Mesto | Albéric Magnard, Philharmonisches Orchester Freiburg, Fabrice Bollon | G Minor | 0 | 6A | 64 BPM | ||
| Karelia Suite, Op.11: 3. Alla marcia (Moderato) | Jean Sibelius, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 3 | 11B | 184 BPM | ||
| Love's Labour's Lost, Op.28: 3. Soliloquy 3: On a day, alack the day - Instrumental | Gerald Finzi, Aurora Orchestra, Nicholas Collon | B♭ Major | 1 | 6B | 103 BPM | ||
| Saeterjentens Sondag | Johan Svendsen, Neeme Järvi, Bergen Philharmonic Orchestra, Melina Mandozzi | D Major | 0 | 10B | 95 BPM | ||
| Suite pastorale: II. Danse villageoise | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | A Major | 1 | 11B | 126 BPM | ||
| Rakastava, Op. 14: I. The Lover. Andante con moto | Jean Sibelius, Helsinki Philharmonic Orchestra, Susanna Mälkki | B♭ Major | 0 | 6B | 72 BPM | ||
| Woodland Suite: I. At Evening Bell | George Dyson, BBC Symphony Orchestra, Richard Hickox | D Major | 0 | 10B | 96 BPM | ||
| II. Adagio non troppo | George Butterworth, BBC National Orchestra Of Wales, Kriss Russman | F Major | 1 | 7B | 78 BPM | ||
| Lyric for Strings | George Walker, Cleveland Chamber Symphony, Gregory Walker, Edwin London | F♯ Major | 0 | 2B | 77 BPM | ||
| Love's Labour's Lost, Op. 28: 1. Soliloquy 1: So sweet a kiss the golden sun gives not - Instrumental | Gerald Finzi, Aurora Orchestra, Nicholas Collon | C Minor | 1 | 5A | 99 BPM | ||
| Symphony No. 1 in F Minor, Op. 22: IV. Adagio | Ruth Gipps, BBC Philharmonic, Rumon Gamba | F Minor | 0 | 4A | 47 BPM | ||
| A Downland Suite (Arr. for String Orchestra): III. Minuet. Allegretto grazioso | John Ireland, Richard Hickox, City of London Sinfonia | A Minor | 1 | 8A | 138 BPM | ||
| Piano Concerto in F-Sharp Minor, Op. 20: IIa. Andante | Alexander Scriabin, Danish National Symphony Orchestra, Fabio Luisi | B♭ Minor | 2 | 3A | 86 BPM | ||
| Dolly Suite, Op. 56 (Orch. Rabaud): III. Le jardin de Dolly | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM | ||
| Nocturne | Lili Boulanger, Yo-Yo Ma, Kathryn Stott | B♭ Major | 1 | 6B | 68 BPM | ||
| Concerto for Violin & Orchestra in D Major, Op. 35: II. Romance. Andante | Erich Wolfgang Korngold, Tassilo Probst, Thessaloniki State Symphony Orchestra, Daniel Geiss | C Major | 3 | 8B | 93 BPM | ||
| Cello Concerto in A Minor, Op. 129: IIa. Sehr langsam | Robert Schumann, Kian Soltani, Camerata Salzburg, Gregory Ahss | E Major | 0 | 12B | 113 BPM | ||
| Grieg: The Last Spring, Op. 34, No. 2 | Edvard Grieg, San Francisco Symphony, Michael Tilson Thomas | G Major | 0 | 9B | 89 BPM | ||
| Spring Fire, GP 153: IV. Woodland Love. Romance | Vernon Handley, Royal Philharmonic Orchestra | F♯ Minor | 0 | 11A | 68 BPM | ||
| Sarabande et rigaudon, Op. 93: Sarabande | Camille Saint-Saëns, Orchestre National de Lille, Jun Markl | C Major | 0 | 8B | 71 BPM |