"Missa Brevis: II. Gloria" by Chorus Angelicus, Paul Halley, Nicholas Halley, Vanessa Halley, Talia Smith, Nathaniel Rogers had its release date on September 1, 1994. The duration of This song is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Missa Brevis: II. Gloria's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Voices of Light by Chorus Angelicus, Paul Halley. The song's track number on the album is #9 out of 17 tracks. Based on our data, United States was the country where this track was produced or recorded. Missa Brevis: II. Gloria is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Missa Brevis: II. Gloria by Chorus Angelicus, Paul Halley, Nicholas Halley, Vanessa Halley, Talia Smith, Nathaniel Rogers has a tempo of 70 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Missa Brevis: II. Gloria being at 70 BPM, the half-time would be 35 BPM with a double-time of 140 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lo, in the Time Appointed (Liturgical Motet No. 7) | Healey Willan, Halifax Camerata Singers, Gayle h. Martin, Jeff Joudrey | B Major | 1 | 1B | 126 BPM | ||
| Baptism of Christ | Peter Hallock, Tim Mackey, St. Mark's Cathedral Choir, J. Melvin Butler | D Minor | 0 | 7A | 146 BPM | ||
| Lead Me On | Brian A. Schmidt, Westminster Williamson Voices, James Jordan | E♭ Minor | 1 | 2A | 108 BPM | ||
| Processional To Calvary | John Stainer, Andrew Kennedy, Neal Davies, Darius Battiwalla, Huddersfield Choral Society, Joseph Cullen | C Major | 1 | 8B | 91 BPM | ||
| Missa Brevis: IV. Agnus Dei | Chorus Angelicus, Paul Halley | F Minor | 1 | 4A | 70 BPM | ||
| Creator Spirit (Kyrie eleison) | Kim André Arnesen, Bielski Chór Kameralny, Daniel Strządała | F Major | 1 | 7B | 76 BPM | ||
| My God, How Endless | Lyle Stutzman, Tapestry Chamber Singers | A Minor | 2 | 8A | 95 BPM | ||
| In Te, Domine, Spreavi | Nordic Chamber Choir - Nicol Matt | D Minor | 0 | 7A | 83 BPM | ||
| It Matters Not ("Satisfied") | Josh Henn | E Major | 3 | 12B | 84 BPM | ||
| Lully, lulla, thou little tiny child | Kenneth Leighton, Choir of St Mary's Cathedral, Edinburgh, Samuel Jenkins, Joseph Beech, Duncan Ferguson | C Major | 1 | 8B | 78 BPM | ||
| O For a Thousand Tongues to Sing | The Celebration Choir, The Majesty And Glory Performers, Blessed Assurance Favorite Hymns Of Inspiration And Hope Performers, Classic Choral Hymns Ensemble | D Major | 1 | 10B | 167 BPM | ||
| Missa Brevis: III. Sanctus & Benedictus | Chorus Angelicus, Paul Halley, Vanessa Halley, Maribeth Diggle | F Minor | 1 | 4A | 70 BPM | ||
| Look Up, Look Down (Arr. for Choir by John Wykoff) | John Wykoff, Traditional, Missouri State University Chorale, Cameron F. LaBarr | F Major | 2 | 7B | 89 BPM | ||
| Adoramus Te, Panem Caelitum | Traditional Song, The Carmelite Sisters of the Most Sacred Heart of Los Angeles | D Major | 2 | 10B | 84 BPM | ||
| Alleluia | Eric Whitacre, Adrian Kirtley, 2025 Chamber, Timber Creek HS Chamber | B♭ Minor | 2 | 3A | 132 BPM | ||
| Mass for Double Choir: II. Gloria | Frank Martin, Westminster Choir, Joe Miller | C Major | 1 | 8B | 74 BPM | ||
| The Last Words of David | Randall Thompson, Atlanta Master Chorale | G Major | 0 | 9B | 94 BPM | ||
| The Strife Is O’er | Basilica of the National Shrine of the Immaculate Conception Choir | D Major | 2 | 10B | 83 BPM | ||
| I Love, Alas, I Love Thee | Thomas Morley, Apollo5 | G Major | 2 | 9B | 107 BPM | ||
| Jesu, Son Most Sweet | The Choir of All Saints' Episcopal Church | A♭ Major | 1 | 4B | 174 BPM | ||
| Jõulukellad | Estonian Philharmonic Chamber Choir, Tallinn Chamber Orchestra, Tõnu Kaljuste | A Major | 1 | 11B | 77 BPM | ||
| The Mass: Benedictus | Patrick Cassidy, Laude, David Harris, Christoph Bull | E♭ Major | 2 | 5B | 101 BPM | ||
| A Hymn to the Virgin | Benjamin Britten, Phoenix Chorale, Charles Bruffy, Kira Rugen, Amy Perciballi, Robert Comeaux, David Topping | E Major | 0 | 12B | 88 BPM | ||
| The Great Doxology | Saint Vladimir's Seminary Women's Sextet | G Minor | 1 | 6A | 80 BPM | ||
| Drop, Drop Slow Tears | Orlando Gibbons, The Choir of HM Chapel Royal, Hampton Court Palace, Carl Jackson | F Major | 0 | 7B | 131 BPM |