"Razor's Edge" by Texas In July had its release date on November 17, 2023. With this song being around four minutes long, at 4:26, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Without Reason by Texas In July. The song's track number on the album is #2 out of 5 tracks. Based on our data, United States was the country where this track was produced or recorded. Based on our statistics, Razor's Edge's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Razor's Edge by Texas In July has a tempo of 130 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Razor's Edge being at 130 BPM, the half-time would be 65 BPM with a double-time of 260 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Metamorph | Oceans Ate Alaska | G Minor | 10 | 6A | 135 BPM | ||
| Uncivilized - Bonus | Texas In July | B Minor | 10 | 10A | 180 BPM | ||
| Quitter Talk | Half Me | A Minor | 9 | 8A | 135 BPM | ||
| Deadweight | Downswing | B♭ Minor | 10 | 3A | 101 BPM | ||
| It Consumes Me | Grayscale Season | A♭ Minor | 10 | 1A | 200 BPM | ||
| Why Becomes How | Johnny Booth | D♭ Minor | 10 | 12A | 160 BPM | ||
| Trauma Dump | SURGEON | A♭ Major | 8 | 4B | 136 BPM | ||
| Liminal/Space | VCTMS | D♭ Major | 10 | 3B | 105 BPM | ||
| Prey For Me | Dying Wish | A♭ Major | 10 | 4B | 186 BPM | ||
| Curse of Flesh | Enterprise Earth, Matthew K. Heafy | C Major | 9 | 8B | 122 BPM | ||
| Out Of Touch | Extortionist | F♯ Minor | 9 | 11A | 118 BPM | ||
| Passage | Humanity's Last Breath | F Major | 10 | 7B | 100 BPM | ||
| Move to Trash | Resolve | B♭ Major | 9 | 6B | 135 BPM | ||
| Reapers | Sunfall, ten56. | B♭ Minor | 10 | 3A | 113 BPM | ||
| Menace | Frontières | F Minor | 10 | 4A | 125 BPM | ||
| Nothing Left To Lose But The Chains | Half Me | B Minor | 9 | 10A | 150 BPM | ||
| Albatross | Sentinels | C Major | 10 | 8B | 165 BPM | ||
| Dakhma | Lost in Separation | D♭ Major | 10 | 3B | 130 BPM | ||
| Peeling Skin | Atena | A♭ Minor | 7 | 1A | 147 BPM | ||
| Somebody | Atena | E Major | 9 | 12B | 173 BPM | ||
| We're All Left Suffering | Hollow Front | B♭ Minor | 10 | 3A | 166 BPM | ||
| Soil II | Counterparts | D Minor | 10 | 7A | 159 BPM | ||
| Sol | Oceans Ate Alaska | B♭ Minor | 10 | 3A | 194 BPM | ||
| Twice Devoured Kill | END, J.R. Hayes | C Major | 10 | 8B | 160 BPM | ||
| Faith's Edge | Red Keep | G Minor | 10 | 6A | 155 BPM |