"The Sinking of the Titanic: 4. Interlude" by Gavin Bryars, Gavin Bryars Ensemble had its release date on 1995. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 4 out of 11 in Bryars: The Sinking Of The Titanic by Gavin Bryars, Gavin Bryars Ensemble. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. The Sinking of the Titanic: 4. Interlude is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Sinking of the Titanic: 4. Interlude by Gavin Bryars, Gavin Bryars Ensemble is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rothko Chapel 2 | Morton Feldman | B Minor | 0 | 10A | 141 BPM | ||
| Da Pacem Domine | Arvo Pärt, The Hilliard Ensemble | A Major | 0 | 11B | 86 BPM | ||
| Heliopause | Anne Müller | A Major | 1 | 11B | 71 BPM | ||
| The Sinking of the Titanic | Gavin Bryars | A♭ Major | 1 | 4B | 77 BPM | ||
| The Writings: No. 1, Again (After Ecclesiastes) | David Lang, Cappella Amsterdam, Daniel Reuss | D Minor | 1 | 7A | 134 BPM | ||
| Extended Circular Music No. 1 | Jürg Frey, Mondrian Ensemble | D♭ Major | 0 | 3B | 69 BPM | ||
| Piano & Violoncello 13 | Irena And Vojtech Havlovi | C Minor | 1 | 5A | 66 BPM | ||
| Futō | Shida Shahabi | D♭ Minor | 2 | 12A | 174 BPM | ||
| Autumn | Gavin Bryars, Sonic Open Orchestra, Jason Martin Castillo, Zachary Paul, Drum & Lace, Dave Valdez | A♭ Major | 4 | 4B | 75 BPM | ||
| September IV | Sarah Neutkens, Nederlands Saxofoon Octet | E♭ Major | 1 | 5B | 176 BPM | ||
| Der Bote | Valentin Silvestrov, Alexei Lubimov | C Minor | 0 | 5A | 70 BPM | ||
| Lux aeterna: Lux aeterna | György Ligeti, Cappella Amsterdam, Daniel Reuss | C Major | 0 | 8B | 54 BPM | ||
| The Wind in High Places: I. Above Sunset Pass | John Luther Adams, JACK Quartet | F Minor | 0 | 4A | 101 BPM | ||
| Tiento de falsas de 2º tono | Pablo Bruna, Montserrat Torrent | E Major | 2 | 12B | 116 BPM | ||
| Adams: Christian Zeal and Activity | John Adams, Edo de Waart, San Francisco Symphony | E Major | 1 | 12B | 78 BPM | ||
| Ellis Island | Meredith Monk, Bruce Brubaker, Ursula Oppens | A Minor | 1 | 8A | 134 BPM | ||
| Façades | Christopher Warren-Green, London Chamber Orchestra, John Harle, Simon Haram | B♭ Major | 1 | 6B | 84 BPM | ||
| Ba-benzélé | Jon Hassell, Brian Eno | C Major | 1 | 8B | 89 BPM | ||
| Mikros | Anna Thorvaldsdottir, Gyða Valtýsdóttir | F Major | 2 | 7B | 62 BPM | ||
| Rising Thermal 14° 16' N; 32° 28' E | Jon Hassell, Brian Eno | E♭ Major | 0 | 5B | 74 BPM | ||
| Statuit ei Dominus | Arvo Pärt, Sinfonietta Riga, Tõnu Kaljuste, Latvian Radio Choir, Vox Clamantis | D Minor | 1 | 7A | 83 BPM | ||
| Quatuor pour la fin du Temps: VIII. Louange à l'immortalité de Jésus | Olivier Messiaen, Lucas Debargue | E Major | 0 | 12B | 76 BPM | ||
| As one who has slept | John Tavener, Anonymous 4, Chilingirian Quartet | B Minor | 0 | 10A | 87 BPM | ||
| Hammers | Nils Frahm, Remy Van Kesteren | F♯ Major | 1 | 2B | 73 BPM | ||
| Shaker Loops: Hymning Slews (Version for string orchestra) | John Adams, Bournemouth Symphony Orchestra, Marin Alsop | A Major | 0 | 11B | 81 BPM |